The Queen Anne House

Queen Annestyle houses are arguably the most charming and picturesque of all Victorians. In this first-ever book on the American Queen Anne style, noted preservationist Janet W. Foster presents a thoughtful recognition of these houses' place in the history of American architecture. Built across the U.S. during the late 19th century (The Inn at Castle Hill in Newport, RI, is a popular example), features of Queen Anne homes include gabled roofs; corbelled chimneys; vertical windows; large porches; balconies; and cut-stone foundations. Foster explains distinguishing elements of the Queen Anne tradition as she examines 21 noted homes, many of them not open to the public and never before published. With more than 200 magnificent photographs, this homage to a great American art form will delight anyone who appreciates a beautiful home.

Mark Girouard describes the 'Queen Anne' movement in all its manifestations, tracing its origin in the 1860s, the spread of its subsequent vogue from London to the provinces, and from England to America, and is fall from grace in the 1890s when it was taken up by architects of pubs and waterside villas.

This reprint of an 1882 publication features 52 plates of original designs by the author and other architects. Images include fireplaces, staircases, windows, parlors, libraries, and other interiors of residences, offices, and stores.

This book is a collection of 100 house plans created by The Radford Architectural Company. The designs range from small cottages to large estates, and include both traditional and modern styles. Each plan includes detailed floor plans, elevations, and descriptions of the interior and exterior features of the home. This book is an invaluable resource for anyone looking to build a new home or interested in residential architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

When E. L. Roberts & Co. — a Chicago-based wholesale manufacturer of architectural woodwork — issued a catalog of its millwork products in 1903, the firm boasted that the publication included "more novel and useful features … than any sash and door catalogue yet published," and that it was a book designed to satisfy "critical buyers who demand stylish and tasteful goods." This volume, reproduced directly from a rare turn-of-the-century Roberts catalog, displays a vast assortment of finely crafted products — from window blinds, brackets, china closets, church fittings, doors, frames, gable finishes, linen closets, moldings, and office furniture to parquet floors, sashes, shingles, side boards, side lights, store fronts, wainscoting, and windows. Nearly 300 sharply defined line drawings and photographs also provide detailed close-ups of exquisitely carved rosettes, head blocks, grilles, arches, and other decorative accents. Included in these illustrations are superb views of late-Victorian interiors finished with ornately carved balusters and newel posts, paneled walls, exquisite filigree, lovely stained glass windows, and magnificent fireplace mantels. Here's a practical source of plans and ideas for architects, students of architectural history, carpentry enthusiasts, preservationists, restorationists, and anyone interested in the interior design and furnishings of a bygone era.

Although there are other books about renovating old houses, this is the first that prioritizes the identification and preservation of the historic, character-defining features of a house as a starting point in the process. That is the purpose of this book: to describe and illustrate a best-practices approach for updating historic homes for modern life in ways that do not attempt to turn an old house into a new one. The book also suggests many ways to save money in the process, without settling for cheap or inappropriate solutions. Scott Hanson is a historic-building preservation professional and has 40 years' experience rehabilitating historic houses. He has illustrated this authoritative book with hundreds of step-by-step photos, illustrations, charts, and decision-making guides. Interspersed throughout are photo essays of 13 restored historic houses representing a range of periods and architectural styles: Italianate, Victorian, Queen Anne, Federal, Colonial, Colonial Revival, Greek Revival, Ranch, Adobe, Craftsman, Shingle, and Rustic. With interior and exterior photography by David Clough, these multi-page features show what can be achieved when a historic home is renovated with a desire to preserve or restore as much historic character as possible.

At the turn of the twentieth century, George F. Barber ran a successful architectural firm. Today, surviving examples of Barber's signature designs are the pride of their communities. This architectural snapshot from 1901 features working floor plans and fine drawings of more than eighty of Barber's distinctive dwellings. Specializing in serving a mail-order clientele, Barber's company produced catalogs "giving floor plans of a convenient and practical character, and exterior designs of artistic merit in the various prevailing styles." Prepared from long, practical experience, the handsome designs and plans range from the modest to the magnificent, including stately Georgians and colonials as well as snug country homes and seaside cottages. Loaded with spacious kitchens and double parlors as well as porches and balconies of beautiful classic design, this authentic guide will fascinate architectural historians, preservationists, and home restorers, along with anyone interested in Victorian-era architecture.

The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.