The Rainbow Comes And Goes

#1 New York Times Bestseller A touching and intimate correspondence between Anderson Cooper and his mother, Gloria Vanderbilt, offering timeless wisdom and a revealing glimpse into their lives The Rainbow Comes and Goes is a charming, intimate and fascinating collection of correspondence between broadcaster and #1 New York Times bestselling author Anderson Cooper and his mother, the celebrated Gloria Vanderbilt. Anderson Cooper’s intensely busy career as a journalist for CNN and CBS’ 60 Minutes affords him little time to spend with his ninety-one year old mother. After she briefly fell ill, he and Gloria began a conversation through e-mail unlike any they had ever had before —a correspondence of surprising honesty and depth in which they discussed their lives, the things that matter to them and what they still want to learn about each other. Both a son’s love letter to his mother in her final years and an unconventional mother’s life lessons for her grown son, The Rainbow Comes and Goes offers a rare window into their close relationship and fascinating lives. In these often hilarious and touching exchanges, they share their most private thoughts and the hard-earned truths they’ve learned along the way. Throughout, their distinctive personalities shine through—Anderson’s darker outlook on the world is a brilliant contrast to his mother’s idealism and unwavering optimism. An appealing blend of memoir and inspirational advice, The Rainbow Comes and Goes is a beautiful and affectionate celebration of the profound and universal bond between a parent and child, and, like Tuesdays with Morrie, a thoughtful reflection on life and love, reminding us of the precious knowledge and insight that remains to be shared, no matter what age we are.

Lady Diana Cooper was a star of the early twentieth stage, screen and social scene. This first instalment of her sparkling autobiography tells of her upbringing, her beautiful artistic mother and aristocratic father, her debut into high society and the glittering parties - 'dancing and extravagance and lashing of wine, and charades and moonlit balconies and kisses' - which were interrupted with the outbreak of the First World War. This volume ends with Diana's marriage to the 'love of her life', diplomat and politician Duff Cooper.

A touching and intimate correspondence between Anderson Cooper and his mother, Gloria Vanderbilt, offering timeless wisdom and a revealing glimpse into their lives Though Anderson Cooper has always considered himself close to his mother, his intensely busy career as a journalist for CNN and CBS affords him little time to spend with her. After she suffers a brief but serious illness at the age of ninety-one, they resolve to change their relationship by beginning a year-long conversation unlike any they had ever had before. The result is a correspondence of surprising honesty and depth in which they discuss their lives, the things that matter to them, and what they still want to learn about each other. Both a son’s love letter to his mother and an unconventional mom’s life lessons for her grown son, The Rainbow Comes and Goes offers a rare window into their close relationship and fascinating life stories, including their tragedies and triumphs. In these often humorous and moving exchanges, they share their most private thoughts and the hard-earned truths they’ve learned along the way. In their words their distinctive personalities shine through—Anderson’s journalistic outlook on the world is a sharp contrast to his mother’s idealism and unwavering optimism. An appealing memoir with inspirational advice, The Rainbow Comes and Goes is a beautiful and affectionate celebration of the universal bond between a parent and a child, and a thoughtful reflection on life, reminding us of the precious insight that remains to be shared, no matter our age.

New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty—his mother’s family, the Vanderbilts. One of the Washington Post's Notable Works of Nonfiction of 2021 When eleven-year-old Cornelius Vanderbilt began to work on his father’s small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires—one in shipping and another in railroads—that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by “the Commodore,” subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers—the seventy-room summer estate in Newport, Rhode Island, that Cornelius’s grandson and namesake had built—the family would have been unrecognizable to the tycoon who started it all. Now, the Commodore’s great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family’s empire, basked in the Commodore’s wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other. Written with a unique insider’s viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly captures.

An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women. Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life. Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction.

This is a story of money, glamour, and scandal (on the highest level); a story of American society and of European royalty; a story of family strife exploding into one of the most dramatic and publicized court battles of the century—the battle for a solemn ten-year-old child, “little Gloria” Vanderbilt, who in 1934 was the object of the epic custody suit between her mother, the beautiful and penniless Vanderbilt widow, and her aunt, the famous Gertrude Vanderbilt Whitney, whose $78 million could buy her anything she wanted. And what she wanted was “little Gloria.” The leading characters: Gloria Morgan, who was one of the fabled Morgan Twins (invented by society reporter “Cholly” Knickerbocker as the quintessential Café Society beauties) and who, as a shy, stammering eighteen-year-old, living on nothing a year, did what she was raised to do, becoming the wife of . . . Reggie Vanderbilt, at forty-three a worn-out alcoholic who had managed to go through almost $25 million in fourteen years and who died only two years after his marriage to Gloria, leaving his beautiful young widow nothing but their baby, their baby’s untouchable trust fund, and the Vanderbilt name . . . Gloria Morgan’s twin, Thelma, who, as Lady Furness, was for years the mistress of the Prince of Wales (until she introduced him to her “best friend” Wallis Simpson) . . . Gertrude Vanderbilt Whitney, Reginald’s sister, a formidable Society woman, a sculptor and the founder of the Whitney Museum of American Art, a woman who conformed—on the surface—to everything expected of American royalty and yet lived a hidden second life as a passionate bohemian . . . And the child—little Gloria herself—shunted out of her mother’s life, carted around Europe, depending for her existence on her neurotically overprotective nurse, Dodo, who never left her for a single day, and her mad Morgan grandmother, who insisted that her own daughter might murder the child for the Vanderbilt millions. Deserted, “dressed in rags,” neglected, she became an almost mythic incarnation of “the poor little rich girl.” This child, who was to grow up to become a world-famous fashion designer, her name—Gloria Vanderbilt—a household word. We come to understand and care about this child as we observe, close up, the astonishing lives and intrigues surrounding her. We see her at the age of ten brought to the courthouse, rushed through mobs of spectators, reporters, photographers. We follow a courtroom drama of sensation after sensation, the judge ultimately banning both public and press, the final scandalous testimony reaching to the heart of the English royal family. We listen to the parade of witnesses—servants, millionaires, society celebrities, aristocrats, family retainers. We watch the judge himself—a classic Tammany pol—becoming another of the many victims of the case, reviled on all sides. And finally we see little Gloria pushed to choose between her mother and her aunt, making the decision that will affect her whole life—with nobody ever asking her the basic question, “Why are you afraid?” For the first time, the thousands of pages of documents and sealed court testimony have been unearthed and explored. Hundreds of people have been interviewed. And a writer completely knowing about society and the period has used all this material to create a compelling narrative of vitality, resonance, and fascination. Combining her extraordinary abilities as an investigative reporter with the skills and sensitivity of a novelist, Barbara Goldsmith has given us a galvanizing story, a whole world of astonishing emotional and social circumstances, unforgettably revealed.

Lady Diana Cooper had been famous from her earliest youth, the subject of gossip and adoration as the queen of the 'Coterie', an exclusive high society set. Her marriage to Duff Cooper, a rising political star, and her career on the stage and in early silent films only increased her notoriety. Her second volume of autobiography chronicles these years in the run-up to the Second World War, and her adventures as an unconventional hostess, actress, wife and mother are told in typically fast-paced, witty and brilliant style.

Gloria Vanderbilt brought the family name out of the Gilded Age and into the Digital Age, reinventing herself over and over along the way. Hers is a story of charisma, glamour, and heartbreaking loss. The illustrations include portraits of Vanderbilt and her extraordinary homes.