The Return

At the age of twenty-three, the narrator hurriedly packed his bags and left behind the stifling heat of Port-au-Prince for the unending winter of Montreal. It was 1976, and Baby Doc Duvalier's regime had just killed a journalist colleague. But thirty-three years later, after his father's death, he decides to return him to Baradères, the village where he was born. How does one return from exile? In Dany's case, he grounds himself in a hotel room in Port-au-Prince, afraid to see the city he has dreamed of in Montreal. Every time he ventures out of this safety zone, the past and present collide in dizzying ways - the rhythm of the language, the faces of the people, the dust on the roads. How is it that we are undeniably born of a particular place? Why are we always our father's son? The Return captures the tension between being from a place but not of it and the subtle ways in which the sights and sounds of memory can seduce. This is at once a novel that is new and original, that melds haiku and narration. A serious book, yet poetic, oneiric, realist. It is the novel of a great writer.

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?

WINNER OF THE 2017 PULITZER PRIZE: from Man Booker Prize and National Book Critics Circle Award finalist Hisham Matar, a memoir of his journey home to his native Libya in search of answers to his father's disappearance. In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." Winner of the 2017 Pulitzer Prize for biography/autobiography, the PEN/Jean Stein Book Award, France's Prix du livre étranger, and a finalist for the Orwell Book Prize and the 2016 National Book Critics Circle Award, The Return is a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.

I've never met anyone who remembers their birth but I remember mine. I dream about it all the time. Why? Because today, October 10, 1997, will be the seventh time it's happened. Eleanor Blackwell is turning seventeen and although excited about her birthday, she already knows what it will bring. At seventeen Ellie will meet the boy of her dreams, get swept off her feet, and fall in love only to be murdered a year later, right before her eighteenth birthday. How does Ellie know this? Because this isn't the first time she's lived this story¿ it's the seventh. With each rebirth, Ellie finds herself in a different time period but surrounded by the same souls of both her friends and enemies leading her to the conclusion that in order to change her fate she must unravel the secrets those closest to her are hiding. Piecing together the clues spanning over 200 years, can Ellie alter events enough to change her death this time around? Or, is she cursed to repeat the same mistakes and return once again?

Everyone has gone away... We too should no longer be here. Luanda, 1975. The Angolan War of Independence has been raging for at least a decade, but with the collapse of the Salazar dictatorship, defeat for the Portuguese is now in sight. Thousands of settlers are fleeing back to Portugal to escape the brutality of the Angolan rebels. Rui is fifteen years old. He has lived in Luanda all his life and has never even visited the far-away homeland - although he has heard many stories. But now his family are finally accepting that they too must return, and Rui is filled with a mixture of excitement and dread at the prospect. But just as they are leaving for the airport, his father is taken away by the rebels, and the family must leave without him. Not knowing if the father is alive or dead - or if they will ever find out what has become of him, Rui, his mother and sister try to rebuild their lives in their new home. This turns out to be a five star hotel in a quiet, seaside suburb of Lisbon, where returnee families are crammed into luxurious rooms by the dozen. These palatial surroundings are a cruel contrast with the reality of returnee life. The hotel becomes a curious form of purgatory as the families wait to discover what will become of them - ever conscious of the fact that they are hardly welcome back in their homeland. Rui has his own personal struggle with his new life: growing up, dropping out of school, facing discrimination, and the ever-present worry over his mother's deteriorating health and his father's fate. And then one night Rui's father returns from the dead. Translated from the Portuguese by Ángel Gurría-Quintana

In the 2016 CBC Massey Lectures, former Special Advisor to the UN Secretary-General and international relations specialist Jennifer Welsh delivers a timely, intelligent, and fascinating analysis of twenty-first-century geopolitics. In 1989, as the Berlin Wall crumbled and the Cold War dissipated, the American political commentator Francis Fukuyama wrote a famous essay, entitled “The End of History,” which argued that the demise of confrontation between Communism and capitalism, and the expansion of Western liberal democracy, signalled the endpoint of humanity’s sociocultural and political evolution, and the path toward a more peaceful world. But a quarter of a century after Fukuyama’s bold prediction, history has returned: arbitrary executions, attempts to annihilate ethnic and religious minorities, the starvation of besieged populations, invasion and annexation of territory, and the mass movement of refugees and displaced persons. It has also witnessed cracks and cleavages within Western liberal democracies as a result of deepening economic inequality. The Return of History argues that our own liberal democratic society was not inevitable, but that we must all, as individual citizens, take a more active role in its preservation and growth.

It's easy to go through days, weeks, even years on autopilot, moving from one activity to another, rarely taking the time to consider what it's all for anyway. Why did God make us? What does he want us to do with the time he has given us? And how can we find out? In her bestselling story-driven style, Christian rocker Lacey Sturm shares with readers the beautiful struggle of learning what one's unique gifts are and pursuing them wholeheartedly. She helps them see each day as a gift from God, find balance in their busy lives, and discover the joy of giving God's gifts back to him by using them to bring him glory. Young people especially will love this openhanded and openhearted take on what to do with their lives, as will those who feel like they've been coasting or heading down the wrong path.

Coming home from her independent city life, a young woman rediscovers childlike wonder and comfort at her grandmother’s house. A young woman gets on the bus and rides out of the big city. She arrives in the countryside, where she is as big as a giant, looming over a tiny house, a garden and her tiny grandmother. The cabbages and the apple trees are far below. Her grandmother smiles up at her in her yellow hat. The young woman bends down to give her little grandmother a big kiss, and then she smells her grandmother’s cooking. She has returned home. When they sit down at the table, the young woman has shrunk to a child-like size, and the two share a meal together in the garden. In this gentle, wordless story Natalia Chernysheva beautifully captures the feelings of coming home to comfort and memories and of returning to our childlike selves. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.