The Unfinished City

A collection of fourteen essays traces the history of New York City, exploring its culture and development over the past two hundred years as it evolved from its humble regional origins to its current global significance and analyzing the implications of the construction of Times Square, the Brooklyn Bridge, and other sites in terms of their influence on urban design and American life as a whole. Reprint.

Twelve-year-old Josephine Russing lives alone with her father. Mr. Russing is a distant, cold man best known for his insistence that every member of their town wear gloves at all times, just as he does--even at home--and just as he forces his daughter to do as well. Then one day Josephine meets a boy named Fargus. But when she tries to follow him, he mysteriously disappears and Josephine finds herself in another world called Gulm. Gulm is ruled by the "Master," a terrifying villain who has taken all the children of Gulm. With Fargus by her side, and joined by Fargus's friend Ida, Josephine must try to find her way home. As the trio attempt to evade the Master, they encounter numerous adventures and discover the surprising truth about the land of Gulm, and Josephine's own life back home.

This is my story, 'London: The Unfinished City', accompanied by a personal selection of photographs, that I have taken, of the great city herself.

On April 19, 1995 the bombing of the Alfred P. Murrah Federal Building in Oklahoma City shook the nation, destroying our complacent sense of safety and sending a community into a tailspin of shock, grief, and bewilderment. Almost as difficult as the bombing itself has been the aftermath, its legacy for Oklahoma City and for the nation, and the struggle to recover from this unprecedented attack. In The Unfinished Bombing, Edward T. Linenthal explores the many ways Oklahomans and other Americans have tried to grapple with this catastrophe. Working with exclusive access to materials gathered by the Oklahoma City National Memorial Archive and drawing from over 150 personal interviews with family members of those murdered, survivors, rescuers, and many others. Linenthal looks at how the bombing threatened cherished ideas about American innocence, sparked national debate on how to respond to terrorism at home and abroad, and engendered a new "bereaved community" in Oklahoma City itself. Linenthal examines how different stories about the bombing were told through positive narratives of civic renewal and of religious redemption and more negative narratives of toxicity and trauma. He writes about the extraordinary bonds of affection that were created in the wake of the bombing, acts of kindness, empathy, and compassion that existed alongside the toxic legacy of the event. The Unfinished Bombing offers a compelling look at both the individual and the larger cultural consequences of one of the most searing events in recent American history.

It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything reclaims the city, recasting it as a place for endless adventure. Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it ‘place hacking’: the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity. Explore Everything is an account of the author’s escapades with the London Consolidation Crew, an urban exploration collective. The book is also a manifesto, combining philosophy, politics and adventure, on our rights to the city and how to understand the twenty-first century metropolis.

The book aims to provide city administrators and planners with a tool to accompany them in experimenting with the regeneration of no longer used parts of the built heritage, called leftovers, by adopting an innovative approach. A new and radically different form of project, with the task of proposing a new aesthetic code and a style of thought aimed at creating shelters for nomads of the third millennium. In the design field, the 21st century will be destined to measure itself against temporariness and precariousness, also in terms of aesthetic practices. Based on this hypothesis, the text identifies the design of the unfinished as the perspective for attributing to the leftovers a character, which is representative of the conditions of the just begun century. Through a transdisciplinary, exhibition-like and reversible approach, the elements of degradation of the existing work are welcomed in the project as a "gift", to be translated into a syntax aimed at giving form and meaning to the internal and external environments, with the inclusion of "additional components".

The diplomatic historian examines the ideas, policies and actions that led from Vietnam to the Iraq War and America’s disastrous role in the Middle East. “What will stand out one day is not George W. Bush’s uniqueness but the continuum from the Carter doctrine to ‘shock and awe’ in 2003.” —from The Long Road to Baghdad In this revealing narrative of America’s path to its “new longest war,” one of the nation’s premier diplomatic historians excavates the deep historical roots of the US misadventure in Iraq. Lloyd Gardner’s sweeping and authoritative narrative places the Iraq War in the context of US foreign policy since Vietnam, casting the conflict as a chapter in a much broader story—in sharp contrast to the dominant narrative, which focus almost exclusively on the actions of the Bush Administration in the months leading up to the invasion. Gardner illuminates a vital historical thread connecting Walt Whitman Rostow’s defense of US intervention in Southeast Asia, Zbigniew Brzezinski’s attempts to project American power into the “arc of crisis” (with Iran at its center), and the efforts of two Bush administrations, in separate Iraq wars, to establish a “landing zone” in that critically important region. Far more disturbing than a simple conspiracy to secure oil, Gardner’s account explains the Iraq War as the necessary outcome of a half-century of doomed US policies. “A vital primer to the slow-motion conflagration of American foreign policy.” —Kirkus Reviews