The Wake Of The Whale

Discusses the life and experiences of Bill Curtsinger, a well-known cetecean photographer.

After more than a century of silence, the true story of one of history's most notorious mutinies is revealed in Joan Druett's riveting "nautical murder mystery" (USA Today). On May 25, 1841, the Massachusetts whaleship Sharon set out for the whaling ground of the northwestern Pacific. A year later, while most of the crew was out hunting, Captain Howes Norris was brutally murdered. When the men in the whaleboats returned, they found four crew members on board, three of whom were covered in blood, the other screaming from atop the mast. Single-handedly, the third officer launched a surprise attack to recapture the Sharon, killing two of the attackers and subduing the other. An American investigation into the murder was never conducted--even when the Sharon returned home three years later, with only four of the original twenty-nine crew on board. Joan Druett, a historian who's been called a female Patrick O'Brian by the Wall Street Journal, dramatically re-creates the mystery of the ill-fated whaleship and reveals a voyage filled with savagery under the command of one of the most ruthless captains to sail the high seas.

Contextualizes Herman Melville’s short fiction and poetry by studying it in the company of the more familiar fiction of the 1850s era The study focuses on Melville’s vision of the purpose and function of language from Moby-Dick through Billy Budd with a special emphasis on how language—in function and form—follows and depends on the function and form of the body, how Melville’s attitude toward words echoes his attitude toward fish. Davis begins by locating and describing the fundamental dialectic formulated in Moby-Dick in the characters of Ahab and Ishmael. This dialectic produces two visions of bodily reality and two corresponding visions of language: Ahab’s, in which language is both weapon and substitute body, and Ishmael’s, in which language is an extension of the body—a medium of explanation, conversation, and play. These two forms of language provide a key to understanding the difficult relationships and formal changes in Melville’s writings after Moby-Dick. By following each work’s attitude toward the dialectic, we can see the contours of the later career more clearly and so begin a movement away from weakly contextualized readings of individual novels and short stories to a more complete consideration of Melville’s career. Since the rediscovery of Herman Melville in the early decades of this century, criticism has been limited to the prose in general and to a few major works in particular. Those who have given significant attention to the short fiction and poetry have done so frequently out of context, that is, in multi-author works devoted exclusively to these genres. The result has been a criticism with large gaps, most especially for works from Melville’s later career. The relative lack of interest in the poetry has left us with little understanding of how Melville’s later voices developed, of how the novels evolved into tales, the tales into poetry, and the poetry back into prose. In short, the development of Melville’s art during the final three decades of his life remains a subject of which we have been afforded only glimpses, rarely a continuous attention. After the Whale provides a new, more comprehensive understanding of Melville’s growth as a writer.

Despite declining stocks and health risks, island communities in the Caribbean and North Atlantic still use traditional methods to hunt whales and dolphins for food. Russell Fielding presents the art, history, and purpose of whaling in these different cultures and describes what their future might look like as modern realities take hold.

The Gray Whale: Eschrichtius robustus provides an introduction to the understanding of Eschrichtius robustus or the gray whale. This book explores the life processes, reproduction, and growth of large cetacean populations. Organized into four parts encompassing 25 chapters, this book begins with an overview of the gray whale evolution, fossils, and subfossil remains, range, and systematics in historical times. This text then presents the historical of gray whale exploitation and the economic importance of these whales to humans. Other chapters consider the gray whale migration, abundance, and seasonal distribution in the wake of the California population's recovery from depletion. This book discusses as well the methods used in shore-based censuses during migration and in aerial surveys of gray whales taken on their winter grounds. The final chapter deals with some innovative approaches to the study of free-ranging cetaceans. This book is a valuable resource for anthropologists, paleontologists, biologists, and naturalists.

As the Amazon burns, Fábio Zuker shares stories of resistance, self-determination, and kinship with the land. In 2007, a seven-ton minke whale was found stranded on the banks of the Tapajós River, hundreds of miles into the Amazon rainforest. For days, environmentalists, journalists, and locals followed the lost whale, hoping to guide her back to the ocean, but ultimately proved unable to save her. Ten years later, journalist Fábio Zuker travels to the state of Pará, to the town known as “the place where the whale appeared,” which developers are now eyeing for mining, timber, and soybean cultivation. In these essays, Zuker shares intimate stories of life in the rainforest and its surrounding cities during an age of raging wildfires, mass migration, populist politics, and increasing deforestation. As a group of Venezuelan migrants wait at a bus station in Manaus, looking for a place more stable than home, an elder in Alter do Chão becomes the first Indigenous person in Brazil to die from COVID-19 after years of fighting for the rights and recognition of the Borari people. The subjects Zuker interviews are often torn between ties with their ancestral territories and the push for capitalist gain; The Life and Death of a Minke Whale in the Amazon captures the friction between their worlds and the resilience of movements for autonomy, self-definition, and respect for the land that nourishes us.

A humpback whale mysteriously takes a mixed-blood American Indian professor to sea. While struggling to survive, the man begins to reclaim his indigenous roots, and in the process discovers thousands of whales on a suicide mission in the North Pacific. When he theorizes the dire effects the whale's action could have for all of life on earth, he and a sympathetic woman marine biologist, influenced by a Hawaiian shaman's dream, against all odds, try to warn the world in time.

In Listening to Whales, Alexandra Morton shares spellbinding stories about her career in whale and dolphin research and what she has learned from and about these magnificent mammals. In the late 1970s, while working at Marineland in California, Alexandra pioneered the recording of orca sounds by dropping a hydrophone into the tank of two killer whales. She recorded the varied language of mating, childbirth, and even grief after the birth of a stillborn calf. At the same time she made the startling observation that the whales were inventing wonderful synchronized movements, a behavior that was soon recognized as a defining characteristic of orca society. In 1984, Alexandra moved to a remote bay in British Columbia to continue her research with wild orcas. Her recordings of the whales have led her to a deeper understanding of the mystery of whale echolocation, the vocal communication that enables the mammals to find their way in the dark sea. A fascinating study of the profound communion between humans and whales, this book will open your eyes anew to the wonders of the natural world.