Theophilus North

“An extremely entertaining array of American life in a bygone era.” — New Yorker The last of Thornton Wilder’s works published during his lifetime, Theophilus North is part autobiographical and part the imagined adventures of Wilder’s twin brother who died at birth. This edition features an updated afterword from Wilder’s nephew, Tappan Wilder, with illuminating material about the novelist, story and setting. Setting out to see the world in the summer of 1926, Theophilus North gets as far as Newport, Rhode Island, before his car breaks down. To support himself, Theophilus takes jobs in the elegant mansions along Ocean Drive, just as Wilder himself did in the same decade. Soon the young man finds himself playing the roles of tutor, tennis coach, spy, confidant, lover, friend and enemy as he becomes entangled in adventure and intrigue in Newport’s fabulous addresses, as well as in its local boarding houses, restaurants, dives and military barracks. Narrated by the elderly North from a distance of fifty years, Theophilus North is a fascinating commentary on youth and education from the vantage point of age, and deftly displays Wilder’s trademark wit juxtaposed with his lively and timeless ruminations on what really matters, at the end of the day, about life, love, and work.

It is the spring of 1926. Thirty year old Theophilus North quits his teaching post in New Jersey and embarks on a quest for fun, adventure and his place in the world. His used car breaks down in Newport, Rhode Island, and he is stranded in this city of renowned wealth. Theophilus becomes involved in the lives and troubles of Newport's residents and is changed by the lessons he learns through them. Effective with minimal sets, properties and costumes, this touching, funny and insightful charmer is exceptionally easy to produce

"Publicada en 1973, Theophilus North fue la última gran obra de Thornton Wilder, que dotó a su personaje de su propia y excéntrica personalidad y recobró con ella algunos episodios de su juventud. El joven graduado en Yale Teophilus North emprende un viaje con el fin de conocer el mundo, pero una avería en el coche hace que no vaya muy lejos. Tras instalarse en Newport, Rhode Island, North busca trabajo en las grandes mansiones del lugar, habitadas por una sociedad entregada al ocio, y se sorprende adoptando, alternativamente, el papel de tutor, espía,amigo, confidente, amante y enemigo de las distintas personas que se van cruzando en su camino, enredado siempre en la búsqueda de las experiencias necesarias para hacerse con una base moral en la que sustentar su futura obra literaria y su vida."

“[Wilder's] finest and most beautiful novel. . . . Spanning two continents and several generations, it begins as a murder mystery and goes on to tell a story, at once dramatic and philosophical, about the range of human courage, aspirations, steadfastness, weakness, defeat and victory.” — New York Post This beautiful edition of Thornton Wilder’s renowned National Book Award–winning novel features a foreword by John Updike and an afterword by Tappan Wilder, who draws on unique sources as Wilder’s unpublished letters, handwritten annotations, and other illuminating documentary material. At once a murder mystery and a philosophical tale, The Eighth Day is a “suspenseful and deeply moving” (New York Times) work of classic stature that has been hailed as a great American epic. Set in a mining town in southern Illinois, the novels centers around two families blasted apart when the patriarch of one family, John Ashley, is accused of murdering his best friend. Ashley's miraculous jailbreak on the eve of his execution and his subsequent flight to South America trigger a powerful story tracing the fates of all those whose lives are forever changed by the tragedy: Ashley himself, his wife and children, and the wife and children of the victim.

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long. The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism. This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.