Things Have Gotten Worse Since We Last Spoke

"Amongst the Top 50 Horror Books of All Time" - Cosmopolitan Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. A couple isolate themselves on a remote island in an attempt to recover from their teenage son’s death, when a mysterious young man knocks on their door during a storm… And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game. Three devastating, beautifully written horror stories from one of the genre’s most cutting-edge voices. What have you done today to deserve your eyes?

The Strange Thing We Become and Other Dark Tales collects eight stories of literary dark fiction. Tense and terrifying, these masterful stories by Eric LaRocca explore the shadow side of love. You Follow Wherever They GoBodies Are for BurningThe Strange Thing We BecomeThe Trees Grew Because I Bled ThereYou're Not Supposed to Be HereWhere Flames Burned Emerald as GrassI'll Be Gone by ThenPlease Leave or I'm Going to Hurt You

“We Can Never Leave This Place is the apocalyptic 21st century Grimm's fairy tale you need in your life. Eric LaRocca plucks images directly from the muck and mire of our id and fashions them into something grotesquely beautiful.” ~ Paul Tremblay, author of The Cabin at the End of the World and The Pallbearers Club “We Can Never Leave This Place is a bleak and tender, monstrous and visceral fable of family and loss, and the courage it takes to confront them both.” ~ Kathe Koja, author of The Cipher “When you’re given a gift, something else gets taken away.” A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door. A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.

A haunting and horror-filled tale of loneliness, trauma and spiritual yearning from the award-winning author of Things Have Gotten Worse Since We Last Spoke and Other Misfortunes. An insidious darkness threatens to devastate a rural New England village when occult forces are conjured and when bigotry is left unrestrained. After a recent string of disappearances in a small Connecticut town, a grieving widower with a grim secret is drawn into a dangerous ritual of dark magic by a powerful and mysterious older gentleman named Heart Crowley. Meanwhile, a member of local law enforcement tasked with uncovering the culprit responsible for the bizarre disappearances soon begins to learn of a current of unbridled hatred simmering beneath the guise of the town's idyllic community—a hatred that will eventually burst and forever change the lives of those who once found peace in the quiet town of Henley's Edge.

Set largely on the pages of a website where gay male escorts are reviewed by their clients, and told through the postings, emails, and conversations of several dozen unreliable narrators, The Sluts chronicles the evolution of one young escort's date with a satisfied client into a metafiction of pornography, lies, half-truths, and myth. Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires. Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his adored wife has become. A horror novel that transcends its genre by showing what the return of the dead might really mean to those who loved them.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.