This Is War Baby

My life had a plan. Until he invaded it and stole it all away. My captor took me and I became a pawn. His strategy changed and he sent me away to WAR, because money is everything in this world. In my WAR, though, I found peace. I couldn’t help but find love where I least expected it, with a man who lived a battle every day of his life …all inside his head. But then my captor came back for me. Yet, this time, battle lines had been drawn and I was protected. So we thought. Even though my WAR was raging, my captor would fight to the death. The good guys always win, right? Not always. All’s fair in love and WAR, right? Not this time. Warning: This is War, Baby is a dark romance. A really dark one. So dark you’re going to wish you had a flashlight to see yourself to the end and someone to hold your hand. Human trafficking, dubious consent, and strong sexual themes that could trigger emotional distress are found in this story. This story is NOT for everyone.

" War Babies: The Generation That Changed America " examines the lives and careers of Americans born between 1939 and 1945. No one has written such a book about this generation. " War Babies " deals especially with musicians and composers like Joan Baez, Bob Dylan, and Simon and Garfunkel; with film directors like Francis Ford Coppola and Martin Scorsese; with actors like Al Pacino and Robert De Niro; with athlete/activists like Muhammad Ali; with journalists like Bob Woodward and Carl Bernstein; and with politicians like John Kerry and Nancy Pelosi. These are the people who continue to shape our lives and cultures in the 21st century.

War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with 19 emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures. This multiauthor volume features a foreward by Kent A. Ono, a co-authored preface and introductory essay by the editors, 19 original artist interviews conducted by the editors, and original essays from Wei Ming Dariotis and the contributing authors: Camilla Fojas, Stuart Gaffney, Rudy Guevarra, Jr., Eleana J. Kim, Richard Lou, Margo Machida, Stephen Murphy-Shigematsu, Lori Pierce, Cathy J. Schlund-Vials, Ken Tanabe, and Wendy Thompson-Taiwo. Laura Kina is associate professor of art, media, and design at DePaul University. Wei Ming Dariotis is associate professor of Asian American studies at San Francisco State University. "War Baby / Love Child is an interesting, original, and innovative project that expands the field of Asian American studies by using visual art as a point of entry and analysis for the discipline." -Mark Johnson, editor of Asian American Art: A History, 1850-1970 "One of the strengths of this original volume is its holistic combination of interviews with premier fine artists along with the textual, historical, and scholarly context provided by established and emerging scholars in Asian American Studies." -Nitasha Sharma, author of Hip Hop Desis: South Americans, Blackness, and Global Race Consciousness

Saigon 1969. From the moment Hugh Webb arrives at the Hashish Hilton, as a green freelance reporter, he knows he has found his true vocation. In Sean Ryan, combat photographer, legend and lover, he finds his lifelong mentor, friend - and nemesis. It's Ryan that gets him through his first months in a war zone, Through the jungles and paddy fields and long black nights huddled in bunkers in the Highlands he teaches him how to stay alive. But then Sean Ryan does something that Webb can never forgive - he seduces a Vietnamese novice, gets her pregnant - and then leaves behind when Saigon falls. He didn't care that Ryan never meant for it to happen - the fact was, it did. By the time Webb ends up in the eighties' Number Four War in El Salvador he's an accredited journalist living in five star hotels. But this time the government - whoever the hell they are - doesn't want him there. When his photographer loses his nerve, his newspaper sends him a new photographer - the last man he ever wanted to see again. Sean Ryan. Captured by FMLN guerrillas, they see the war from the rebel side this time. But the truce between Ryan and Webb is never going to last long - especially when there's a woman involved. He later risks his life getting Ryan out - but that doesn't mean anything is forgiven or forgotten. But the past is never done - and finally Webb crosses the line, he finally makes one of his stories personal, in the shape of a teenage Vietnamese refugee. But who is she , really? As she grows it becomes clear that Webb's finding her is no co-incidence. And when Webb is finally lured out of retirement all the questions of the past are finally laid to rest in the freezing mountains of Bosnia.

Some battles will be fought on the Homefront... The war has had a devastating effect on the Sweet Family with young Charlie Sweet, lost at sea, presumed dead and bombs falling on nearby Bristol. Still there is a glimmer of hope on the horizon in the form of Mary Sweet’s upcoming wedding to her Canadian beau. But even that has failed to rouse their father from his grief. But in London a baby has been found in a bombed out house, sheltered in the arms of his dead mother. A child to make life worth living again... Discover the gripping, heartfelt second instalment in Lizzie Lane's bestselling Sweet Sisters trilogy. Praise for Lizzie Lane: 'A gripping saga and a storyline that will keep you hooked' Rosie Goodwin 'The Tobacco Girls is another heartwarming tale of love and friendship and a must-read for all saga fans.' Jean Fullerton 'Lizzie Lane opens the door to a past of factory girls, redolent with life-affirming friendship, drama, and choices that are as relevant today as they were then.' Catrin Collier 'If you want an exciting, authentic historical saga then look no further than Lizzie Lane.' Fenella J Miller

Wendy Rosaline Elcock was born mid-way through the Second World War in August 1942. My childhood was spent during the most difficult of times in North London. This is a short book about my experiences as a child, teenager and into the start of my NHS Career. My parents divorced in 1949 and I was to spend seven years in a Children's Care Home. I also spent 3 unhappy years in Wembley with my Father, stepmother and her daughter. At age 16, I started work as a Cadet Nurse which came with my independence. Then at the age of 18, started my training as a Registered Nurse, followed by my midwifery training in 1964. I loved every moment of my life spent in Hospitals as a Nurse followed by my ideal vocation as a Midwife. Despite the amount of dramas and challenges during my life, my philosophy has always been to look for peaceful and tranquil solutions.