This Place

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

A look at the human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. Time and Place—Timeplace—is a continuum of the mind, as fundamental as the spacetime that may be the ultimate reality of the material world.Kevin Lynch's book deals with this human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. The center of his interest is on how this innate sense affects the ways we view and change—or conserve, or destroy—our physical environment, especially in the cities.

An impassioned and inventive debut novel about two people earnestly searching for a way to preserve their friendship across seemingly insurmountable political divides... IN A NAMELESS COUNTRY under military occupation, two friends prepare to attend a wedding. The young man is from the occupied region (“This Place”), the woman is from the occupying nation-state (“That Place”). The complicated relationship between these two protagonists with unusual professions—he is a Protest Designer and she is a De-programmer—is tested when, on the eve of the wedding, the occupying power, That Place, formally annexes This Place and declares a curfew. Suddenly finding themselves confined to the same isolated space, the young woman and man try to kill time but inevitably wind up talking about the ways in which the war between their homelands pervades the unexplored and undeniable attraction between them. Will their relationship become another casualty of war? This Place | That Place is an evocative debut that functions as a bold allegory for militarized occupations anywhere. As much a visual read as it is a literary one, this brilliant literary debut provides new ways to think about the intersections between the personal and the political; between occupier and occupied; between the kinds of bonds that endure, and those that have no choice but to fracture.

A narrative meditation on joint nonviolence, opening a window to the questions of power, multiple narratives, and imagination that touch on struggles for justice everywhere. As a Palestinian youth, Sulaiman Khatib encountered the occupation in his village and attempted to fight back, stabbing an Israeli. Imprisoned at the age of 14, he began a process of political and spiritual transformation still unfolding today. In a book he asked Penina Eilberg-Schwartz, an American Jew, to write, and based on years of conversation between them, Khatib shares how his activism became deeply rooted in the belief that we must ground all work—from dialogue to direct action to healing—in recognition of the history and humanity of the other. He reveals how he became convinced that Palestinian freedom can flourish alongside Jewish connection to the land where he was born. In language that is poetic and unflinchingly honest, Eilberg-Schwartz and Khatib chronicle what led him to dedicate his life to joint nonviolence. In his journey, he encountered the deep injustice of torture, witnessed the power of hunger strikes, and studied Jewish history. Ultimately, he came to realize mutual recognition, alongside a transformation of the systems that governed their lives, was necessary for both Palestinians and Israelis to move forward. Still, as he built friendships with Israelis and resisted the occupation alongside them, he could not lose sight of the great power imbalance in the relationship, of all the violence and erasure still present as they dreamt forward together. Intimate and political, In This Place Together opens us up to the dangers and hopes of working with others across vast differences in power and experience. And it opens a new space, shapes a third narrative, and finds another world that can exist—though it’s often hard to see—inside this one.

The graphic novel, This Place: 150 Years Retold, includes a variety of historical and contemporary stories that highlight important moments in Indigenous and Canadian history. Written by Anishinaabe educator Christine M'Lot, the Teacher Guide for This Place: 150 Years Retold offers 12 comprehensive lessons that support teachers in introducing students to the unique demographic, historical, and cultural legacy of Indigenous communities and exploring acts of sovereignty and resiliency using circle pedagogy to show the interconnectedness of ideas and topics, primarily in the form of the medicine wheel infusing Indigenous pedagogical practices, such as working with others, seeking holism in understanding, and learning through storytelling engaging students’ understanding and encouraging them to embrace differing worldviews NEW! Incorporating the This Place CBC podcast when studying the graphic novel Lessons in this teacher guide are appropriate to Grades 9–12 English, Grade 11 Global Issues, and Grade 12 Current Topics in First Nations, Métis, and Inuit Studies classes. They are also adaptable to relevant university or college courses.

Paul Mathry, a student about to graduate and embark upon a teaching career, finds out that his father was convicted for murder, a secret that his mother had hidden from him since his childhood. Driven by an intense desire to see his father, Paul sets out to visit him in prison, only to find out that visitors are never allowed there. From there, he meets the primary witnesses in the case that convicted his father, not all of whom are supportive to Paul's cause. He encounters several dead ends but he persists, with the help of a store girl named Lena and a news reporter. His persistent campaign finally bears fruit. Rees Mathry, Paul's father, goes on appeal and is vindicated. The novel ends with Paul's father, a hardened, cynical man, seeing a fleeting hope for self-renewal and a purposeful life. In the magnificent narrative tradition of The Citadel, The Stars Look Down and Cronin’s other classic novels, Beyond This Place is a great book by a much-loved author.

A gorgeous new package for Paula Danziger’s backlist with an introduction from Ann Martin! In the year 2057 people live in malls, take classes in ESP, and get detention from robots. Fifteen-year-old Aurora loves everything about her life. She’s part of the coolest group of kids at school and has just started dating the best-looking guy in her grade. Then her parents make the announce­ment that she’s sure will ruin her life—the family’s moving to the moon! What with water rationing, no privacy, and freeze-dried ham­burgers, how will Aurora ever feel like she’s home again? Paula Danziger’s novels are hilarious, genuine, and full of dynamic female characters that have won the hearts of her readers and turned her books into beloved classics. These playful covers full of charming details capture the spirit of Paula’s stories and will brighten up the book­shelves of her fans and a new generation of readers.

“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.