Too Dangerous For A Lady

The new novel in the Rogue Series from the New York Times bestselling author—and five-time RITA Award winner… Lady Hermione Merryhew, daughter of an impoverished marquess, already has her share of problems. The last thing she needs is an intruder in her bedroom, especially not a fugitive thief. She should scream, but the shabby rascal is a man from her past. Six years ago, at her first ball, dashing Lieutenant Mark Thayne failed to steal a kiss, but succeeded in stealing a little of her heart. She's older and wiser now. She can't toss him to the wolves. Besides, she wants that kiss. Now Viscount Faringay, Mark has never forgotten Lady Hermione, but he mustn't involve her in his dangerous life. He's infiltrated the Crimson Band, violent revolutionaries who plan a bloodbath in London, and if he survives the night he will be able to destroy them. Hermione is involved, however, and only he can protect her.

An intimate and inspiring memoir and call to action from Pat Mitchell -- groundbreaking media icon, global advocate for women's rights, and co-founder and curator of TEDWomen Pat Mitchell is a serial ceiling smasher. The first woman to own and host a nationally syndicated daily talk show, and the first female president of CNN productions and PBS, Mitchell has been lauded as a powerful changemaker and a relentless advocate for women and girls. In Becoming a Dangerous Woman, Mitchell shares her own path to power, from a childhood spent on a cotton farm in the South to her unprecedented rise in media and global affairs. Full of intimate, fascinating stories, such as an encounter with Fidel Castro while wearing a swimsuit, and traveling to war zones with Eve Ensler and Glenn, Becoming a Dangerous Woman is an inspiring call to arms for women who are ready to dismantle the barriers they see in their own lives.

Too Dangerous To Lov by Sandra Clark released on Feb 20, 1987 is available now for purchase.

Can a Flame from the Past be Rekindled? Long ago, Sophie Lawrance chose prudence over passion, rejecting a rebellious young rogue for the sake of her family-no matter the ache it left in her heart. But after a specter from her father's past resurfaces, threatening to destroy all she holds dear, the desperate beauty knows there is only one man whose shadowy skills can save her. Or Is It Too Dangerous to Play with Fire? Cameron Daggett is a man of many secrets . . . and many sins. He's never forgotten the pain of losing Sophie. But now, with a chance to win her back, Cameron sets aside his anger and agrees to help Sophie save her father's honor. Together they embark on a perilous masquerade, leading them to a remote country estate near the sea. There, they must battle a cunning adversary-and their own burning desires. Will they be consumed by the flames? Or can they prove that true love conquers all?

BONUS BOOK OF TWO OF KELLY CHANCES BOOKS:BLONDES AND OTHER DANGEROUS WOMEN! &REDHEADS...BAD AND BEAUTIFUL!THE MOST DANGEROUS OF ALL! IN EACH, KELLY CHANCE IS A PRIVATE INVESTIGATOR SAVING BLONDES AND REDHEADS FROM TROUBLE!HE IS THE POET, THE WHITE KNIGHT AND THE IRISH PRINCE! HE LIKES HIS CARS AND WOMEN FAST. WHEN BULLETS FLY, THESE ANGELS TAKE REFUGE IN HIS ARMS. AFTERWARDS,HE IS THE LONE WOLF, CHASING BAD GUYS AND SEEKING JUSTICE. HE IS THE ROMANTIC AND HERO WE ALL WANT TO BE! HIS PARTNER IS LINDA LOU, A BALLERINA, MARTIAL ARTS EXPERTS AND WITH AN AGENDA OF HER OWN! ENJOY THESE TWO STORIES. A FUN READ!

In the first full-length study of the figure of the female libertine in late seventeenth- and early eighteenth-century literature, Laura Linker examines heroines appearing in literature by John Dryden, Aphra Behn, Catharine Trotter, Delariviere Manley, and Daniel Defoe. Linker argues that this figure, partially inspired by Epicurean ideas found in Lucretius's De rerum natura, interrogates gender roles and assumptions and emerges as a source of considerable tension during the late Stuart and early Georgian periods. Witty and rebellious, the female libertine becomes a frequent satiric target because of her transgressive sexuality. As a result of negative portrayals of lady libertines, women writers begin to associate their libertine heroines with the pathos figures they read in French texts of sensibilité. Beginning with a discussion of Charles II's mistresses, Linker shows that these women continue to serve as models for the female libertine in literature long after their "reigns" at court ended. Her study places the female libertine within her cultural, philosophical, and literary contexts and suggests new ways of considering women's participation and the early novel, which prominently features female libertines as heroines of sensibility.

A desperate situation calls for dangerous deeds... Proud heiress Arabella Larke has little respect for rules and no time for scruples, not when she faces marriage to a man she loathes and fears. Determined to save herself, Arabella comes up with a plan: a fake engagement with her childhood nemesis, Guy Roth, Marquess of Hardbury, recently returned home after years away. To Arabella's surprise, Guy has become strong, honorable, and unexpectedly attractive...but he refuses to even hear her plan. After leaving England to escape his corrupt, controlling father, Guy has vowed never to do anyone's bidding again-certainly not Arabella's. To Guy's surprise, Arabella has become intriguing, quick-witted, and unexpectedly attractive, but he has enough drama trying to gain custody of his younger sisters, and he wants nothing to do with her dubious schemes. Until Arabella shows up at his house one night, and Guy finds himself entangled to a dangerous degree... Warm, witty, and moving, this historical romance tells the story of a proud, flawed lady, and the man brave enough to love her. ​

Named one of 2021’s Most Anticipated Historical Novels by Oprah Magazine ∙ Cosmopolitan ∙ and more! Nearly two hundred condemned women board a transport ship bound for Australia. One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive. London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers—and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice. As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again. Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?