Treasures Of Westminster Abbey

The Treasures of Westminster Abbey celebrates an iconic building and its rich artistic heritage. The Abbey, one of Britain's greatest medieval buildings and among the best-known churches in the world, has a history stretching back over a thousand years.

- New edition of this exploration of one of Britain's greatest buildings - A comprehensive, beautifully illustrated survey of Westminster Abbey's art treasures Westminster Abbey has a history stretching back over a thousand years. Founded as a Benedictine monastery in the mid-tenth century, it is the coronation church where monarchs have been crowned amid great splendor since 1066. The present church, begun by Henry III in 1245, is a treasure house of architectural and artistic achievement on which each succeeding century has left its mark. The medieval and Renaissance tombs within the Abbey, though among the most important in Europe, form only a small part of the extraordinary collection of gravestones, memorials and monumental sculpture for which it has long been famous. Ranging from the thirteenth-century shrine of St Edward and the Renaissance splendor of Henry VII's Lady Chapel, to the literary memorials of Poets' Corner and the statues of twentieth-century martyrs on the Abbey's west front, this book describes the stained glass, furniture, sculpture, textiles, wall paintings and many other historic artefacts found within this remarkable church. Contents: Introduction; Edward the Confessor's Chapel; Sacrarium and High Altar; Quire and Crossing; North Transept and Ambulatory; South Ambulatory and Transept; Nave; Lady Chapel; Cloisters; Abbey Precincts.

"Westminster Abbey is a breathtakingly beautiful church in London, England, that happens to hold more than a thousand tombs. Many of the most famous British personalities were laid to rest in Westminster, including Charles Darwin, Isaac Newton, and Charles Dickens. Readers will learn about both British history and architecture as they investigate the church through the appealing pages of this well-designed volume, complete with interesting sidebars, vivid photographs, and a summarizing timeline."

Westminster Abbey is the most complex church in the world in terms of its history, functions and memories - perhaps the most complex building of any kind. It has been an abbey and a cathedral and is now a collegiate church and a royal peculiar. It is the coronation church, a royal mausoleum, a Valhalla for the tombs of the great, a 'national cathedral' and the 'Tomb of the Unknown Warrior'. This new edition recounts the story of this iconic building and the role it plays in our national psyche.

Westminster Abbey contains a unique and important group of effigies, some familiar, many little-known, including kings, queens, statesmen and national heroes, ranging in time from the middle ages to the early nineteenth century. They derive from a time when an effigy of the dead monarch, statesman or national hero played an important part in funeral ritual, offering a visible likeness as a focus to the ceremonial of the funeral. This richly illustrated book, which is the first substantial publication on the effigies since 1936, is both a history of the collection and of the origins and development of the funeral effigy, and a full descriptive catalogue of the twenty-one examples in the Abbey. Copyright © Libri GmbH. All rights reserved.

A comprehensive and authoritative history that explores the significance of one of the most famous buildings and institutions in England Westminster Abbey was one of the most powerful churches in Catholic Christendom before transforming into a Protestant icon of British national and imperial identity. Celebrating the 750th anniversary of the consecration of the current Abbey church building, this book features engaging essays by a group of distinguished scholars that focus on different, yet often overlapping, aspects of the Abbey's history: its architecture and monuments; its Catholic monks and Protestant clergy; its place in religious and political revolutions; its relationship to the monarchy and royal court; its estates and educational endeavors; its congregations; and its tourists. Clearly written and wide-ranging in scope, this generously illustrated volume is a fascinating exploration of Westminster Abbey's thousand-year history and its meaning, significance, and impact within society both in Britain and beyond. Paul Mellon Centre for Studies in British Art in association with the Dean and Chapter of the Collegiate Church of St Peter Westminster (Westminster Abbey)/Distributed by Yale University Press

History of Westminster Abbey, stressing its architecture and the men who built it.

Constructed in 1297?1300 for King Edward I, the Coronation Chair ranks amongst the most remarkable and precious treasures to have survived from the Middle Ages. It incorporated in its seat a block of sandstone, which the king seized at Scone, following his victory over the Scots in 1296. For centuries, Scottish kings had been inaugurated on this symbolic ‘Stone of Scone’, to which a copious mythology had also become attached. Edward I presented the Chair, as a holy relic, to the Shrine of St Edward the Confessor in Westminster Abbey, and most English monarchs since the fourteenth century have been crowned in it, the last being HM Queen Elizabeth II, in 1953. The Chair and the Stone have had eventful histories: in addition to physical alterations, they suffered abuse in the eighteenth century, suffragettes attached a bomb to them in 1914, they were hidden underground during the Second World War, and both were damaged by the gang that sacrilegiously broke into Westminster Abbey and stole the Stone in 1950. It was recovered and restored to the Chair, but since 1996 the Stone has been exhibited on loan in Edinburgh Castle. Now somewhat battered through age, the Chair was once highly ornate, being embellished with gilding, painting and coloured glass. Yet, despite its profound historical significance, until now it has never been the subject of detailed archaeological recording. Moreover, the remaining fragile decoration was in need of urgent conservation, which was carried out in 2010?12, accompanied by the first holistic study of the Chair and Stone. In 2013 the Chair was redisplayed to celebrate the Diamond Jubilee of the Coronation of HM The Queen. The latest investigations have revealed and documented the complex history of the Chair: it has been modified on several occasions, and the Stone has been reshaped and much altered since it left Scone. This volume assembles, for the first time, the complementary evidence derived from history, archaeology and conservation, and presents a factual account of the Coronation Chair and the Stone of Scone, not as separate artefacts, but as the entity that they have been for seven centuries. Their combined significance to the British Monarchy and State – and to the history and archaeology of the English and Scottish nations – is greater than the sum of their parts. Also published here for the first time is the second Coronation Chair, made for Queen Mary II in 1689. Finally, accounts are given of the various full-size replica chairs in Britain and Canada, along with a selection of the many models in metal and ceramic which have been made during the last two centuries.