Vermeers Hat

In one painting, a military officer in a Dutch sitting room flirts with a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer’s paintings haunt us with their beauty and mystery—what stories lay behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The dashing officer’s hat is of beaver fur from Canada, while the pieces of silver, mined in Peru, might be used to purchase the Chinese porcelain seen in other Vermeer paintings. Moving outward from Vermeer’s studio, Brook traces the web of trade that was spreading across the globe in the seventeenth century. The wharves of Holland, wrote a French visitor, were “an inventory of the possible.” Vermeer’s Hat shows just how rich this inventory was, and how the urge to acquire such things was refashioning the world more powerfully than we have yet understood.

China is one of the oldest states in the world. It achieved its approximate current borders with the Ascendancy of the Yuan dynasty in the 13th century, and despite the passing of one Imperial dynasty to the next, it has maintained them for the eight centuries since. Even the European colonial powers at the height of their power could not move past coastal enclaves. Thus, China remained China through the Ming, the Qing, the Republic, the Occupation, and Communism. But, despite the desires of some of the most powerful people in the Great State through the ages, China has never been alone in the world. It has had to contend with invaders from the steppe and the challenges posed by foreign traders and imperialists. Indeed, its rulers for the majority of the last eight centuries have not been Chinese. Timothy Brook examines China's relationship with the world from the Yuan through to the present by following the stories of ordinary and extraordinary people navigating the spaces where China met and meets the world. Bureaucrats, horse traders, spiritual leaders, explorers, pirates, emperors, invaders, migrant workers, traitors, and visionaries: this is a history of China as no one has told it before.

In this fascinating survey of everything from how sounds become speech to how names work, David Crystal answers every question you might ever have had about the nuts and bolts of language in his usual highly illuminating way. Along the way we find out about eyebrow flashes, whistling languages, how parents teach their children to speak, how politeness travels across languages and how the way we talk show not just how old we are but where we’re from and even who we want to be.

Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer's Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer's work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer’s life that Binstock brings to bear on Vermeer’s art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer's oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output. Like Poe's purloined letter, Vermeer's secrets are sometimes out in the open where everyone can see them. Benjamin Binstock shows us where to look. Piecing together evidence, the tools of art history, and his own intuitive skills, he gives us for the first time a history of Vermeer's work in light of Vermeer's life. On almost every page of Vermeer's Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeer's Family Secrets is the final one: in response to inconsistencies in technique, materials, and artistic level, Binstock posits that several of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book's many pleasures.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was 20 years old when I bought a bicycle in Amsterdam and cycled southwest across the Low Countries on what would be the final leg of a journey that took me from Dubrovnik on the Adriatic to Ben Nevis in Scotland. I was on my second day out when the light began to fade and the drizzle turned the road under my tires slick. #2 The churches of Delft are decorated with paintings of the interiors that date from the seventeenth century, when the town was Protestant and the Catholic religion was being purged. Vermeer was a headman of the artisans’ guild of St. Luke, and he enjoyed a position of honor in the town militia. #3 Vermeer’s paintings are the only way to step into his world. However, none of them remain in Delft. They were sold after he died or carted to auctions elsewhere, and now are dispersed among seventeen different galleries. #4 The story of Delft is similar to that of Shanghai, if we consider the two cities’ histories from a different perspective. Delft was built on land that had once been under the ocean, and it depended on water sluices to drain the bogs on which it rests.

"Immigrant Gone to Heaven is a remarkable book. It grips the reader from the moment the author joins an Emigration Training Centre in the Biesbosch region of the Netherlands with the goal of moving to Canada. We follow his experiences as he lands in Canada and works his way up from farm-hand to obtaining a doctorate in Zoology. The section of the book detailing his explorations in ornithology are as fascinating as the stories of immigration and the memories of World War II. The book takes the reader on a riveting journey of exploration in many facets of social history and science as viewed through the lens of an inquisitive and always optimistic upbeat man. I strongly recommend this book to anyone interested in learning more about World War II, immigration, bird behavior or even just in how a life’s journey can unfold with all its unexpected twists and turns." —Tom Bijvoet Publisher, DUTCH the Magazine – Maandblad de krant "Brimming with charming personal anecdotes and fascinating ornithological research in equal measure, Kees Vermeer's Immigrant Gone to Heaven paints a vivid picture of an adventurous and fearless life. Vermeer’s curiosity and insight into the natural world are evident from his descriptions of childhood nest-hunting in the Dutch polder, to his pioneering work with seabirds on British Columbia’s windswept Triangle Island. His stories of everyday life under Nazi occupation are enthralling in their own right. Naturalists, scientists and history buffs alike will enjoy this book." —Annie McLeod, Editor of Nature Saskatchewan's Blue Jay.

From the author of the award-winning Vermeer's Hat, a historical detective story decoding a long-forgotten link between seventeenth century Europe and China. Timothy Brook's award-winning Vermeer's Hat unfolded the early history of globalization, using Vermeer's paintings to show how objects like beaver hats and porcelain bowls began to circulate around the world. Now he plumbs the mystery of a single artifact that offers new insights into global connections centuries old. In 2009, an extraordinary map of China was discovered in Oxford's Bodleian Library-where it had first been deposited 350 years before, then stowed and forgotten for nearly a century. Neither historians of China nor cartography experts had ever seen anything like it. It was so odd that experts would have declared it a fake-yet records confirmed it had been delivered to Oxford in 1659. The “Selden Map,” as it is known, was a puzzle that needing solving. Brook, a historian of China, set out to explore the riddle. His investigation will lead readers around this elegant, enigmatic work of art, and from the heart of China, via the Southern Ocean, to the court of King James II. In the story of Selden's map, he reveals for us the surprising links between an English scholar and merchants half a world away, and offers novel insights into the power and meaning that a single map can hold. Brook delivers the same anecdote-rich narrative, intriguing characters, and unexpected historical connections that made Vermeer's Hat an instant classic.

It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: A lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering in mockery of the Nazis. And it's a story that's been believed ever since. Too bad it isn't true. Jonathan Lopez has drawn on never-before-seen documents from dozens of archives to write a revelatory new biography of the world's most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges as an ingenious, dyed-in-the-wool crook--a talented Mr. Ripley armed with a paintbrush. Lopez explores a network of illicit commerce that operated across Europe: Not only was Van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later cashed in on the Nazi occupation. The Man Who Made Vermeers is a long-overdue unvarnishing of Van Meegeren's legend and a deliciously detailed story of deceit in the art world.