Vi Spy Never Say Whatever Again

The second adventure in Maz Evans's laugh-out-loud funny Vi Spyseries! PRAISE FOR THE SERIES: 'Twists, turns, spies and surprises. What more do you want? Tears? Laughter? Maz Evans delivers them all.'FRANK COTTRELL BOYCE 'Vi Spy: Licence to Chillis brilliant - knockabout, laugh-a-minute, heartfelt fun'ROSS MONTGOMERY 'Wildly hilarious'THE GUARDIAN Vi is failing at top spy school Rimmington Hall - even though the school motto is 'Failure is Not an Option'. To make it worse, nearly-stepbrother Russell Sprout is an A* student. Worst of all, Vi's shadowy nemesis Umbra is still at large. Can Vi unveil the arch-villain before she gets expelled and her parents ground her for ever? She'll need the help of old friends and new, including 9-year-old super-hacker Missy Fit and BFF Tamina, who aims to save the world in a different way ... The second book in a brilliant middle-grade comedy adventure series; follows book 1, Vi Spy: Licence to Chill, which was shortlisted for the Indie Book Awards. From the bestselling author of the Who Let the Gods Out?series; book 1 shortlisted for the Waterstones Book Prize. A laugh-out-loud funny, high-octane spy story perfect for readers aged 8 and up. Perfectly combines humour and heart: addresses the realities of being caught between divorcing parents. Praise for the WHO LET THE GODS OUT? series: 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.'ROBIN STEVENS 'One of the funniest new voices in children's literature. The laughs come thick and fast'DAVID SOLOMONS '[A] relentlessly witty, fast-paced middle grade adventure'M.G. LEONARD

Divorce is tough for any kid. But while Violet's ex-secret service mum and retired bad-guy dad are distracted by each other, the real super-villains are having a field day. To save her family - and the planet - from evil domination, Vi must turn spy ...

In the tradition of Chris Grabenstein, Stuart Gibbs, and Pseudonymous Bosch, a hilarious and action-packed romp involving one ordinary boy and a crazy cast of immortals. Elliot Hooper wants nothing more than a regular life for him and his mom. Then a Constellation of the Zodiac crashes from the sky into a pile of cow dung in front of him, and that wish explodes in a spray of...well...you know.Virgo, a 1,964-year-old girl, is on a routine mission to Earth and ABSOLUTELY FORBIDDEN from interacting with mortals. So of course she takes Elliot along with her. But when an evil daemon named Thanatos escapes to wreak terrible havoc, their routine mission turns not-so-routine. For if Elliot and Virgo don't track down the retired Zeus and the rest of the Olympians and help them catch Thanatos, mortals and gods alike won't be long for this earth.Elliot Hooper's life just got a whole lot more LEGENDARY.

Divorce is tough for any kid. But while Violet’s ex-secret service mum and retired bad-guy dad are distracted by each other, the real supervillains are having a field day. To save her family—and the planet—from evil domination, Vi must turn spy…

"Nineteen Eighty-Four: A Novel", often published as "1984", is a dystopian social science fiction novel by English novelist George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, "Nineteen Eighty-Four" centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society. Orwell, himself a democratic socialist, modelled the authoritarian government in the novel after Stalinist Russia. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated. The story takes place in an imagined future, the year 1984, when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a totalitarian superstate named Oceania that is ruled by the Party who employ the Thought Police to persecute individuality and independent thinking. Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not even exist. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Outer Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with a colleague, Julia, and starts to remember what life was like before the Party came to power.

The fourth and final book in the hilarious bestselling WHO LET THE GODS OUT series; perfect for fans of David Solomons! 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.' ROBIN STEVENS on book 1 'One of the funniest new voices in children's literature. The laughs come thick and fast' DAVID SOLOMONS on book 1 In the series finale of Maz Evans' bestselling Who Let the Gods Out? series, Elliot faces his darkest period yet. As well as facing up to his fears, he realises that the future of mankind - and the survival of everything he holds dear - is at stake. But can a bunch of misfit gods, a lost constellation and a mortal boy stand up to the daemon hordes?

Someone is putting the squeeze on the animals of the Big Forest, and there’s only one moose who can help in Agent Moose: Moose on a Mission, the second hilarious graphic novel chapter book from Mo O'Hara, the New York Times bestselling author of My Big Fat Zombie Goldfish! Agent Moose, the best (worst) secret agent at Woodland HQ, and his slightly-more-intelligent sidekick, Owlfred, are on the case again! There’s big news in the Big Forest! The circus is in town, Granny Moose is coming to visit, and a mysterious robber is on the loose. When Agent Moose learns that someone is putting the squeeze on innocent animals, he and Owlfred rush to investigate, with Granny along for the ride! Can they solve this mystery before any more animals face the big squeeze?

�EVERY art and every inquiry, and similarly every action and pursuit, is thought to aim at some good; and for this reason the good has rightly been declared to be that at which all things aim. But a certain difference is found among ends; some are activities, others are products apart from the activities that produce them. Where there are ends apart from the actions, it is the nature of the products to be better than the activities. Now, as there are many actions, arts, and sciences, their ends also are many; the end of the medical art is health, that of shipbuilding a vessel, that of strategy victory, that of economics wealth. But where such arts fall under a single capacity- as bridle-making and the other arts concerned with the equipment of horses fall under the art of riding, and this and every military action under strategy, in the same way other arts fall under yet others- in all of these the ends of the master arts are to be preferred to all the subordinate ends; for it is for the sake of the former that the latter are pursued. It makes no difference whether the activities themselves are the ends of the actions, or something else apart from the activities, as in the case of the sciences just mentioned.�