Walking With Ghosts

“Make no mistake about it: Walking with Ghosts is a masterpiece. A book that will wring out our tired hearts. It is by turns poetic, moving, and very funny. You will find it on the shelf alongside other great Irish memoirs including those by Frank McCourt, Nuala O'Faolain and Edna O’Brien.” —Colum McCann As a young boy growing up in the outskirts of Dublin, Gabriel Byrne sought refuge in a world of imagination among the fields and hills near his home, at the edge of a rapidly encroaching city. Born to working class parents and the eldest of six children, he harbored a childhood desire to become a priest. When he was eleven years old, Byrne found himself crossing the Irish Sea to join a seminary in England. Four years later, Byrne had been expelled and he quickly returned to his native city. There he took odd jobs as a messenger boy and a factory laborer to get by. In his spare time, he visited the cinema where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of 60s Ireland. He reveled in the theatre and poetry of Dublin’s streets, populated by characters as eccentric and remarkable as any in fiction, those who spin a yarn with acuity and wit. It was a friend who suggested Byrne join an amateur drama group, a decision that would change his life forever and launch him on an extraordinary forty-year career in film and theatre. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and Broadway, Byrne also courageously recounts his battle with addiction and the ambivalence of fame. Walking with Ghosts is by turns hilarious and heartbreaking as well as a lyrical homage to the people and landscapes that ultimately shape our destinies.

'Destined to be a classic' Sunday Independent 'Gabriel Byrne tells his story brilliantly' - Edna O'Brien 'Dazzles with unflinching honesty' Washington Post 'An absolutely marvellous book' - Colm Tóibín Born to working-class parents and the eldest of six children, Gabriel Byrne harboured a childhood desire to become a priest. Four years later, Byrne had been expelled from an English seminary and he quickly returned to his native Dublin. There he took odd jobs as a messenger boy and a factory labourer to get by. In his spare time he visited the cinema, where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of ’60s Ireland. It was a friend who suggested Byrne join an amateur drama group, a decision that would change his life forever and launch him on an extraordinary forty-year career in film and theatre. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and on Broadway, often through the lens of addiction. Hilarious and heartbreaking Walking With Ghosts is a lyrical homage to the people and landscapes that ultimately shape our destinies.

In vivid, melodic prose, Gabriel revisits his childhood in Ireland, a world that has long since been renovated by time, and juxtaposes these memories with scenes from later years, in which he develops and occupies that strange identity of movie star. Impressionistic and sensual, Byrne's visions of home, of boyhood and adolescence, are gracefully interspersed with jump-cuts to pointedly unglamorous scenes from his life as he becomes an actor, as he becomes celebrated, as he becomes forever recognizable. Byrne is interested in exploring the pathos in what it means to be famous, in what it means to be praised when everything you’ve learned tells you that are not worthy of praise.

Written from a contemporary Cherokee, Queer, and mixed-race experience, Walking with Ghosts: Poems confronts the legacy of land-theft, genocide, and forced removal of Cherokees from their homelands while simultaneously resisting ongoing attacks on both Indigenous and Gay/ Lesbian/ Bisexual /Transgender (GLBT) communities. The debut work of Qwo-Li Driskill, a young Cherokee poet also of African, Irish, Lenape, Lumbee, and Osage ancestries, these poems move across Cherokee history. From the infamous Trail of Tears and the Allotment Act to the Indian boarding school system and contemporary manifestations of racism, these poems reach into Cherokee collective memory asking its readers to not only remember the history of colonization, but also the survival and continuance of Indigenous Nations. With this collection Driskill, who identifies as Queer as well as Two-Spirit (a contemporary term used in North American Indigenous communities to describe diverse sexual and gender identities) becomes one of only a few of American Indian Queer/Two-Spirit male writers in print. Refusing to compromise identities, Driskill also grapples with the impact of hate crimes on GLBT communities, multiracial and multi-tribal identity, the AIDS crisis, psychic trauma, and war. Yet the poems in this collection are rooted in a sense of love and the power of words to heal the legacies of colonization and other forms of violence. Cherokee love poems weave into eulogies to the dead while ghosts draw the living into a place of wholeness. Tender, startling, confrontational and erotic, this book honors the dead and brings the survivors back home.

'A remarkable book; surprisingly gripping and often very moving ... at once disorientating and illuminating.' - Robert Macfarlane We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories. In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through London, Marseille, Mexico and the Outer Hebrides. A father and his daughter, who has a rare syndrome, visit the estate where they once lived. Developers clink champagne glasses as residents are 'decanted' from their homes. A box sculpted from whalebone, thought to contain healing properties, is returned to its origins with unexpected consequences. Part investigation, part travelogue, Living With Buildings brings the spaces we inhabit to life as never before.

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

"The Irish actor leads the reader through his career on stage and screen as both producer and actor."--Cover

Acclaimed travel writer Rick Antonson (Full Moon Over Noah’s Ark) tackles his most challenging adventure yet: a formidable trail through the remote jungles of Papua New Guinea. Rick Antonson has traveled to parts of the world that are not simply exotic but sometimes damned near inaccessible. He has climbed to the summit of Mount Ararat in eastern Turkey, traveling beyond to Iraq and Iran and Armenia. He has undertaken an improbable overland journey to the ancient city of Timbuktu, an enlightening look into efforts to preserve the city’s priceless manuscripts. Now he has traversed the notorious Kokoda Trail in Papua New Guinea, a country some call “the last wild place on earth.” The trail is a narrow, 60-mile footpath featuring rough jungle, 6,000 feet in elevation change, and punishing weather extremes. In a country unfairly locked in Western misperceptions, the track is inhospitable terrain yet home to hospitable indigenous peoples, who live among the rusting reminders of the Japanese, Australian, and American armies that clashed in some of the deadliest protracted combat of World War II. In Walking With Ghosts in Papua New Guinea, Antonson shares a journey of physical and mental endurance in his inimitable way, in the company of a mixed band of resolute adventurers, blending fascinating historical context with the tribulations of unexpected discoveries in faraway lands.