When We Were Birds

A mythic love story set in Trinidad & Tobago, Ayanna Lloyd Banwo's radiant debut introduces two unforgettable outsiders brought together by their connection with the dead. In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St. Bernard woman in every generation must shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out. Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when his ailing mother can no longer work and the only job he can find is gravedigging, he must betray the life she built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger. Yejide and Darwin will meet inside the gates of Fidelis, Port Angeles' largest and oldest cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and immersive lyricism, shot through with the rhythm of the island, When We Were Birds is a spellbinding novel about inheritance, loss and love's seismic power to heal.

A mythic love story set in Trinidad & Tobago, Ayanna Lloyd Banwo's radiant debut introduces two unforgettable outsiders brought together by their connection with the dead. In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St. Bernard woman in every generation must shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out. Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when his ailing mother can no longer work and the only job he can find is gravedigging, he must betray the life she built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger. Yejide and Darwin will meet inside the gates of Fidelis, Port Angeles' largest and oldest cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and immersive lyricism, shot through with the rhythm of the island, When We Were Birds is a spellbinding novel about inheritance, loss and love's seismic power to heal.

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebrates Terry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." Readers of Williams's iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. "They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother's journals were blank." What did Williams's mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question "What does it mean to have a voice?"

If We Were Birds is a shocking, uncompromising examination of the horrors of war, giving voice to a woman long ago forced into silence, and placing a spotlight on millions of female victims who have been silenced through violence. A deeply affecting and thought-provoking re-imagining of Ovid's masterpiece "Tereus, Procne, and Philomela," Erin Shields's award-winning play is an unflinching commentary on contemporary war and its aftermath delivered through the lens of Greek tragedy.

From Governor General’s Literary Awards finalist Maria Mutch comes a startlingly inventive debut collection that recalls the works of Margaret Atwood, Kelly Link, Karen Russell, and Heather O’Neill. Wolves talk, notes magically appear on a woman’s skin, Red Riding Hood concocts a clever escape, a peregrine turns into a woman with strange compulsions, and a winged man believed to be a famous musician is discovered stranded on a beach. These deliciously dark and evocative stories masterfully navigate the blurry line between perception and reality, revolving around metamorphosis and transformation, the dichotomy of absence and presence, and the place of women in the world—how they fit in or don't and how they disappear and reappear in the strangest of ways... Punctuated with exquisite antique drawings and photographs by the author, When We Were Birds is an intoxicating feat of storytelling that will surprise and delight—leaving you craving more.

In When We Were Birds, Joe Wilkins wrestles his attention away from the griefs, deprivations, and high prairies of his Montana childhood and turns toward "the bean-rusted fields and gutted factories of the Midwest," toward ordinary injustice and everyday sadness, toward the imminent birth of his son and his own confusions in taking up the mantle of fatherhood, toward faith and grace, legacy and luck. A panoply of voices are at play--the escaped convict, the late-night convenience store clerk, and the drowned child all have their say--and as this motley chorus rises and crests, we begin to understand something of what binds us and makes us human: while the world invariably breaks all our hearts, Wilkins insists that is the very "place / hope lives, in the breaking." Within a notable range of form, concern, and voice, the poems here never fail to sing. Whether praiseful or interrogating, When We Were Birds is a book of flight, light, and song. "When we were birds," Wilkins begins, "we veered & wheeled, we flapped & looped-- / it's true, we flew."

WINNER OF THE JHALAK PRIZE 'The Bone Readers is a page-turner, but its insights and language are equally testament to a literary novel of impressive depth and acuity' Guardian Secrets can be buried, but bones can speak . . . After standing witness to a murder on the streets of the Caribbean island of Camaho, young Michael 'Digger' Digson is recruited into a unique plain clothes homicide squad, an eclectic group of semi-official police officers, led by the enigmatic DS Chilman. Digger becomes enmeshed in Chilman's obsession with a cold case, the disappearance of a young man. But Digger has a murder to pursue too: that of his mother, killed by a renegade police squad when he was a boy. He has two weapons at his disposal - his skill in forensics, and Chilman's latest recruit, the mysterious, observant Miss Stanislaus. Together, the two find themselves dragged into a world of dangerous secrets that demands every ounce of their courage to survive. This award-winning crime debut by highly acclaimed author Jacob Ross marks the thrilling start to a new series following forensics genius Michael Digson. 'It's masterly. I've started to read it again with increasing admiration' Crime Time 'A breath-taking, thought-provoking, and yes brilliant read. I know this is a book I shall go back to again and again' Sunny Singh 'Ross's novel is one that effortlessly draws together the past and the present, gender, politics and the legacy of colonialism in a top quality Caribbean set crime thriller. The Bone Readers is a wonderful read' Catherine Johnson 'By turns thrilling, visceral and meditative, and always cinematic' Musa Okwonga 'An unconventional crime novel, and one that exposes the dark underbelly of 'paradise'' Book Muse (blog) 'I was fascinated by Ross' ability to create characters with depth and diversity. A great read' Not Chai tea (blog) 'A unique read, paced to the islands where it takes place with a group of interesting characters I will enjoy following into future books' Word Dreams (blog) 'An engaging, poetic and twist-filled Caribbean crime-noir novel. Masterful' Book Witty (blog)

Before becoming one of today's most intriguing and innovative mystery writers, Kate Wilhelm was a leading writer of science fiction, acclaimed for classics like The Infinity Box and The Clewiston Test. Now one of her most famous novels returns to print, the spellbinding story of an isolated post-holocaust community determined to preserve itself, through a perilous experiment in cloning. Sweeping, dramatic, rich with humanity, and rigorous in its science, Where Later the Sweet Birds Sang is widely regarded as a high point of both humanistic and "hard" SF, and won SF's Hugo Award and Locus Award on its first publication. It is as compelling today as it was then. Where Late the Sweet Birds Sang is the winner of the 1977 Hugo Award for Best Novel. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.