Why Beethoven

Without Beethoven, music as we know it wouldn’t exist. By examining one hundred of his compositions, a portrait emerges of the man behind the music. Lebrecht has immersed himself in the rich catalog of Beethoven recordings and presents a unique picture of the man through his music. He selects the best recordings of one hundred key pieces, showing the composer as we’ve never seen him before. Unruly, offensive, and hopeless in so much of his life, yet driven to a fault and devoted to his art, conquering deafness to pen masterpieces. Norman Lebrecht has been grappling with this icon at the heart of music for his entire life. Who was the irascible, unpredictable, warped genius who stretched what music could do to the breaking point? In this unique examination, Lebrecht attempts to understand the power of this man through his compositions, the history of who has performed them, and what it has meant to successive generations of audiences. In turn a detective story (we learn who Elise of “Fur Elise” is for the first time) and a confession, Why Beethoven aims to rise to the challenge of how to encompass the relentless energy of this singular genius. With a narrative that mirrors the wayward sequence of Beethoven’s compositions, Beethoven emerges as a cornerstone of the world as we know it.

In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.

A fascinating and in-depth exploration of how the Enlightenment, the French Revolution, and Napoleon shaped Beethoven’s political ideals and inspired his groundbreaking compositions. Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafés and at the university. Moving to Vienna at the age of twenty-one to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon. As Napoleon had made strides to liberate Europe from aristocratic oppression, so Beethoven desired to liberate humankind through music. He went beyond the musical forms of Haydn and Mozart, notably in the Eroica Symphony and his opera Fidelio, both inspired by the French Revolution and Napoleon. John Clubbe illuminates Beethoven as a lifelong revolutionary through his compositions, portraits, and writings, and by setting him alongside major cultural figures of the time—among them Schiller, Goethe, Byron, Chateaubriand, and Goya.

If you ever study music, chances are that you will end up hearing the name “Beethoven” somewhere along the line. The German composer is one of the most famous musicians of all time, and throughout his life he penned absolutely beautiful music that is still popular today. Ludwig van Beethoven wrote music that today is considered part of the classical genre. You may know Ludwig van Beethoven ‘s name, but perhaps you've wondered, "What's so great about him?” This book (part of the “What’s So Great About…”) series, gives kids insight into life, times and career of Ludwig van Beethoven.

Sunday Times Classical Music Book of the Year 'Magisterial, warm, and engaging . . . A triumph of scholarship and musical affinity . . . Jan Swafford is to be saluted.' Independent Jan Swafford's biographies of composers Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world's most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and 'fate's hammer', his ever-encroaching deafness. At the time of his death he was so widely celebrated that over ten thousand people attended his funeral. This book is a biography of Beethoven the man and musician, not the myth, and throughout, Swafford - himself a composer - offers insightful readings of Beethoven's key works. More than a decade in the making, this will be the standard Beethoven biography for years to come.

Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.

How hard is it to move 5 legless pianos 39 times? Beethoven owned five legless pianos and composed great works on the floor. His first apartment was in the center of Vienna's theater district... but he forgot to pay rent, so he had to move. (And it's very hard to move a piano. Even harder to move five). Beethoven's next apartment was in a dangerous part of town... so he moved, and the pianos followed on a series of pulleys. Then came an apartment with a view of the Danube (but he made too much noise and the neighbors complained), followed by an attic apartment (where he made even MORE of a rukus), and so Beethoven moved again and again. Each time, pianos were bought, left behind, transported on pulleys, slides, and by movers, all so that gifted Beethoven could compose great works of music for the world.

“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music