Why Women Wear What They Wear

'Why Women Wear What they Wear' presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body, and identity.

Each morning we establish an image and an identity for ourselves through the simple act of getting dressed. Why Women Wear What They Wear presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body and identity. Woodward pieces together what women actually think about clothing, dress and the body in a world where popular media and culture presents an increasingly extreme and distorted view of femininity and the ideal body. Immediately accessible to all those who have stood in front of a mirror and wondered 'does this make me look fat?', 'is this skirt really me?' or 'does this jacket match?', Why Women Wear What They Wear provides students of anthropology and fashion with a fresh perspective on the social issues and constraints we are all consciously or unconsciously negotiating when we get dressed.

Presents an intimate ethnography of clothing choice. This book uses real women's lives and clothing decisions-observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body, and identity. It provides students of anthropology and fashion with a fresh perspective on the social issues and constraints.

THE NEW YORK TIMES BESTSELLER Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations. Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

"The sustainable fashion revolution has begun, and we must all be part of it." - Aloïs Guinut Stylish women everywhere are realizing the environmental damage of fast fashion and looking for new ways to dress that don't involve cramming their wardrobe with clothes that may never get worn. As Paris-based style-coach Aloïs Guinut explores in this invaluable book, French women have a lot to teach us about how to cherish the planet without sacrificing your style: - Know what works for you. - Buy less and buy better. - Mix vintage items with a few wisely chosen modern pieces. - Optimize your closet. - Look after what you have and make it last. - Seek out quality fabrics that don't poison the environment.

Bustles. Tight-laced Corsets. Caged crinolines that encased the hapless wearer in hoops of steel. Why would anyone want to wear such things? Yet, you can be certain that no lady of the Victorian upper class would choose to leave home without them—and she’d complete her look with a feather- and flower-festooned bonnet as befit the latest fashion. With a blend of wisdom and wit, Why Would Anyone Wear That? explores extreme fashions from around the world. The Victorian era was by no means alone in strange sartorial choices. Throughout history, men and women have turned to clothing and accessories to adorn and accentuate parts of the body. Some of the fashions, like bloomers, were surprisingly functional. Others, like powdered wigs and hobble skirts, were inconvenient and uncomfortable. And a few particularly painful practices could even permanently disfigure the wearer, like brass coils worn in Burma to lengthen the neck and the custom of binding of women’s feet to fit tiny lotus slippers in Song dynasty China. Presenting dozens of the most peculiar fashions, including shoes, hats, jewelry, undergarments, and outerwear, the book provides insightful commentary, placing the garments and accessories in the proper historical, social, and cultural context. If you’ve ever wondered why the codpiece was created or the leisure suit went out of style, this book will answer that question and many more. Fully illustrated and packed with fun facts, Why Would Anyone Wear That? introduces readers to the fascinating stories behind some of the world’s weirdest fashions.

First published in 1956, What Shall I Wear? is revolutionary fashion designer Claire McCardell’s collection of fashion wisdom and philosophy, and a vivacious guide to looking effortlessly stylish. This new edition of the sought-after classic features a foreword by iconic designer Tory Burch and a color insert of photos from McCardell’s collections. “The testament to great design, Claire McCardell’s dresses look fresh, contemporary, and desirable eight decades after they were made, as the Costume Institute’s 2022 exhibit In America: An Anthology of Fashion demonstrated.” —Nicole Phelps, global director, Vogue Runway and Vogue Business “Among the many surprises and insights I discovered in McCardell’s valuable book is that she wanted to call it Fashion is Fun. That may also be the secret behind her genius and enduring influence—she refused to take fashion too seriously.” —Cathy Horyn, New York Magazine “The first designer to create a cohesive vision rooted in the American lifestyle of ease, McCardell and her contributions as a designer and a woman in business are often overlooked. Tory Burch’s new foreword . . .puts this American treasure in her rightful place.” —Constance White, fashion editor and author of How to Slay: Inspiration from the Queens and Kings of Black Style “Claire McCardell’s guiding philosophy of dressing with ease in afunctional, fashionable American look was groundbreaking—and feminist—for her times. And it continues to resonate globally on the runways and in closets today.” —Booth Moore, executive editor, Women’s Wear Daily