Worlds In Collision

"Carlos Villa has been described as the preeminent Filipino American artist--a legend in artistic circles for his groundbreaking approaches and his influence on countless artists--but he remains little known to many fans and scholars of modern and contemporary art. Carlos Villa: Worlds in Collision is the first museum retrospective of his work, presented at the San Francisco Art Institute and the Asian Art Museum of San Francisco. Villa was trained at the San Francisco Art Institute in the 1950s as an abstract expressionist, and over time he transformed his practice to address issues of ethnic and cultural diversity. He concurrently assumed a leadership role in 'Third World' and 'multicultural' international art movements, and his large-scale works reference non-Western traditions, including tattoo, scarification, ritual, and ceremony. He was also an important theorist, curator, and organizer of public forums that he called 'actions.' This book traces the arc of his career from 1969 until his death in 2013, with emphasis on his feathered works from the 1970s, as well as later works that address aspects of the history of Filipinos in the United States. It illuminates the social and cultural roots--and global importance--of Villa's art and teaching career as he sought to forge a new kind of art-world inclusion that reflected his own experience, commitment to diversity, and boundary-bending imagination"--

In this book, Immanuel Velikovsky, in his unmistakably clear and unique style, relates both the writing of and the reaction to the publication of his epochal work Worlds in Collision. Through authentic letters, we experience at first hand the beginning and unfolding of the Velikovsky Affair - from the boycotting of his publisher by leading American scientists and universities to the emotional and highly unscientific campaign to discredit the author and his work. We also get to read Velikovsky's rebuttals to the attacks and accusations, which were mostly denied publication by relevant journals and magazines. Especially today, with the power and societal influence of science at an all-time high, this book is of fundamental importance for our understanding of science and its practioners.

Bringing together an outstanding group of thinkers, Worlds in Collision is the essential book for understanding the debate about the future of global order in the wake of international terrorism and the war in Afghanistan. For years to come, if not decades, the 'war on terrorism' will be the defining paradigm in the struggle for global order. When the victim of such horrific terror attacks happens to be the world's only superpower, the agenda is set for the future global order. This book, offering a comprehensive and provocative collection of viewpoints from leading intellectuals from a number of countries, will help readers understand the ways in which our worlds collided on September 11, 2001. Not only does it comprehensively address the first phase of the war against international terrorism, the book also looks at the wider regional and global ramifications. Worlds in Collision is ultimately about more than the war on terrorism, it concerns itself with the possibilities for re-shaping global order on the basis of new kinds of politics.