You Dont Own Me

1963 – tail fins were in, sock hops were hot, and a fairytale white knight was president., That summer, sixteen year-old singer Lesley Gore released her debut single, “It's My Party ” propelling her to Number One on the charts., For the next several years, the crowned Princess of Pop dominated the radio with a string of hits including “Judy's Turn to Cry ” “She's A Fool ” “Sunshine, Lollipops & Rainbows ” and the rousing anthem for independence, “You Don't Own Me ” making her the most successful and influential solo female artist of the 60s., But beneath the bubblegum façade was a girl squirming against social and professional pressures to simply be herself and to forge a future where she could write and perform music beyond the trappings of teenage angst and love triangles., Assembled over five years of research and interviews, this is the first and long overdue biography of Lesley Gore, one of pop music's pioneering Mothers, which chronicles her meteoric rise to fame, her devastating fall from popularity and struggle for relevance in the 1970s, and her reemergence as a powerful songwriter, political activist, and camp icon., The biography includes behind-the-scenes stories about the making of her hit records, debunks or clarifies popular myths about her career, and places her remarkable life and times within a historical context to reveal how her music was both impacted by, and contributed to, each decade of her astounding fifty-year career.

The “Queen of Suspense” Mary Higgins Clark and Alafair Burke are here with their fifth enthralling mystery in the New York Times bestselling Under Suspicion series as television producer Laurie Moran must solve the murder of a celebrity doctor—before a mysterious stalker plots his next move. Television producer Laurie Moran recently became engaged to her investigative television show’s former host, Alex Buckley, and since then, the two have been happily planning a summer wedding, preparing for Alex’s confirmation to a federal judicial appointment, and searching for the perfect New York City home for their new life together. But then Laurie is approached by Robert and Cynthia Bell, parents of Dr. Martin Bell, a physician who was shot dead as he pulled into the driveway of his Greenwich Village carriage house five years ago. The Bells are sure that Martin’s disgraced and erratic wife, Kendra, carried out the murder. Determined to prove Kendra’s guilt and win custody over their grandchildren, they plead with Laurie to feature their son’s case on Under Suspicion, ensuring her that Kendra is willing to cooperate. As Laurie dives into the case, she learns that Martin wasn’t the picture-perfect husband, father, and doctor he appeared to be and was carrying secrets of his own. And what does the web of lies ensnaring the Bell family have to do with a dangerous stranger, who gazes at Laurie from afar and thinks, She is actually quite a lovely girl, I’m sure she’s going to be missed…? You Don’t Own Me is the perfect, exhilarating follow up to the bestselling Every Breath You Take. The “Queen of Suspense” Mary Higgins Clark and her dazzling partner-in-crime Alafair Burke have devised another riveting page-turner.

The battle between Mattel, the makers of the iconic Barbie doll, and MGA, the company that created the Bratz dolls, was not just a war over best-selling toys, but a war over who owns ideas. When Carter Bryant began designing what would become the billion-dollar line of Bratz dolls, he was taking time off from his job at Mattel, where he designed outfits for Barbie. Later, back at Mattel, he sold his concept for Bratz to rival company MGA. Law professor Orly Lobel reveals the colorful story behind the ensuing decade-long court battle. This entertaining and provocative work pits audacious MGA against behemoth Mattel, shows how an idea turns into a product, and explores the two different versions of womanhood, represented by traditional all-American Barbie and her defiant, anti-establishment rival—the only doll to come close to outselling her. In an era when workers may be asked to sign contracts granting their employers the rights to and income resulting from their ideas—whether conceived during work hours or on their own time—Lobel’s deeply researched story is a riveting and thought-provoking contribution to the contentious debate over creativity and intellectual property.

Dahlia 'You Don't Own Me.' Zane 'In my world I own everything.' Zane I'm everything a mother prays her daughter will never come across. Manwhore, Mafia boss and ruthless killer. I've never met a woman who could hold my attention longer than it took to satisfy my c**k. Until Dahlia Fury. She alone is different. She walked into my world, the way a lamb strays into the path of a wolf, completely defenseless. She made me hard the moment our eyes locked. I had to have her. But I never imagined taking her would be like popping a powerful drug. One I'd crave over and over. The heat between us is blazing, like nothing I've experienced before, and every time I see her I want to devour her inch by inch. I defined the terms of our arrangement (one month), but each time I brand her, like a damned addict I need another fix ... - Dahlia 'You can do it. It's just a simple Swedish massage, ' my friend pleaded. I should have listened to my inner voice. I shouldn't have gone, but I didn't, and ended up in a room alone with the epitome of an Alpha male, a sexy powerful Mafia boss with eyes cold enough to freeze my blood. He took hold of my body in the most shockingly possessive way. He made me lose control. I ran from him as if all the devils in hell were hot on my heels, but he never left my mind. Then, something unthinkable happens and the cold-hearted predator is the only one who can help. He agrees to help, but ... nothing is for free. Now I roam around his London mansion waiting for him to summon me, touch me, arouse me, and satisfy me. The way only my Russian Man Beast can...

Moving, wholly involving, original, and emotionally true, You Don't Know Me is a multilayered young adult novel that presents a winning portrait of an understandably angst-ridden adolescent. John ("My father named me after a toilet!") wrestles with the certainty that no one really knows him -- not in his miserable home, and certainly not at school. It's true that no one can guess his hidden thoughts, which are hilarious, razor-sharp observations about lust, love, tubas, algebra, everything. And then there's his home: his father ran off years ago, so he's being raised by his mother, who works long hours, and by her boyfriend, whom John calls "the man who is not and never will be my father." This man is his enemy, an abusive disciplinarian who seems to want to kill John and, in a horrible final confrontation, nearly succeeds.

“A hair-raising account of a Barbie Dreamhouse-size Jarndyce and Jarndyce.”—Jill Lepore, The New Yorker This provocative work spotlights the legal battles between behemoth Mattel and audacious MGA over incredibly successful toys and the ownership of an idea. Law professor Orly Lobel deeply researched this riveting story, interviewing those involved, to draw attention to the contentious debate over creativity and intellectual property. She also explores female images and how we market cultural icons, from the doll that inspired all-American Barbie to the defiant, anti-establishment Bratz—the only doll to outsell Barbie in any year.

From the huge success of the Chords' "Sh-Boom" to the arrival of the Beatles a decade later, rock 'n' roll influenced an entire generation of young Americans. Combining popular culture and social history with a sourcebook of lists and a biographical dictionary, That Old-Time Rock & Roll recreates the fun and excitement of rock's first decade and shows how the music reflected American life and thought in the 1950s and early 1960s. Richard Aquila provides an overview of the birth and growth of this pivotal genre and demonstrates early rock's links to both the youth culture and the dominant culture of the Eisenhower/Kennedy era. Year-by-year timelines and a photo essay place the music in historical perspective by illustrating the decade's top news stories, movies, TV shows, fads, and lifestyles. Complementing this topical summary is a concise biographical dictionary that details all the performers who made the charts between 1954 and 1963, along with the label and chart position of each hit. Both a history of the music and a history of the times, That Old-Time Rock & Roll is an outstanding source of information about the charter members of the baby-boom generation. In a new introduction, Aquila discusses how his long-time interest in rock 'n' roll came to fruition and surveys the progress of rock 'n' roll scholarship since his book's original publication.

After being diagnosed with terminal cancer, a professor shares the lessons he's learned—about living in the present, building a legacy, and taking full advantage of the time you have—in this life-changing classic. "We cannot change the cards we are dealt, just how we play the hand." —Randy Pausch A lot of professors give talks titled "The Last Lecture." Professors are asked to consider their demise and to ruminate on what matters most to them. And while they speak, audiences can't help but mull over the same question: What wisdom would we impart to the world if we knew it was our last chance? If we had to vanish tomorrow, what would we want as our legacy? When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. But the lecture he gave—"Really Achieving Your Childhood Dreams"—wasn't about dying. It was about the importance of overcoming obstacles, of enabling the dreams of others, of seizing every moment (because "time is all you have . . . and you may find one day that you have less than you think"). It was a summation of everything Randy had come to believe. It was about living. In this book, Randy Pausch has combined the humor, inspiration and intelligence that made his lecture such a phenomenon and given it an indelible form. It is a book that will be shared for generations to come.