100 Years Of Lynchings

The hidden past of racial violence is illuminated in this skillfully selected compendium of articles from a wide range of papers large and small, radical and conservative, black and white. Through these pieces, readers witness a history of racial atrocities and are provided with a sobering view of American history.

First published in 1962, 100 Years of Lynchings, is as relevant today as it was then. It presents the reader with vivid newspaper accounts of a "red record of racial atrocities." It is a simple and straight forward presentation. Lacking narration, the news articles speak for themselves. Through them, we witness a history of racial atrocities that we cannot afford to forget. Ginzburg skillfully selected articles from a wide range of papers, large and small, radical and conservative, white and Black. Through them, he has created a documentary of lynchings. The collection of articles which extend into the 1960s provides a sobering view of American history. Few who read the book will remain unaffected by this view. Through Ralph Ginzburg's 100 Years of Lynchings, we gain insight and understanding of the magnitude of racial violence. The hidden past is illuminated to rekindle the defensive vigilance of this generation.

A look at a 1906 Supreme Court decision that transformed justice in America examines the case of Ed Johnson, an African American man accused of raping a white woman, his lynching, and the response of the Supreme Court.

COMPREHENSIVE STUDY OF LYNCHING Published by the NAACP in 1919 to promote awareness of lynching in the United States, this seminal study provides information on the lynchings of 3,224 African-Americans between 1889 and 1918. With a new introduction by noted slave historian, Paul Finkelman. "The book reprinted here is one of the most comprehensive studies of lynching in U.S. history. The NAACP data shows that most lynchings were not about interracial sex-the great paranoia of the southern white Americans. Many blacks were lynched because they had allegedly committed murders. However, many of these "murderers" were never tried and the evidence against them was speculative at best. But other blacks were lynched for no apparent reason, or for some minor transgression of social and racial rules-as understood by whites-such as 'inflammatory language, ' 'insulting remarks to a white woman, ' 'being disreputable, ' or just 'race prejudice.' This last cause-racial prejudice-was indeed at the root of almost all lynchings of African-Americans." -- Paul Finkelman, Introduction CONTENTS Summation of the Facts Disclosed in Tables The Story of One Hundred Lynchings Appendix I-Analyses of Number of Persons Lynched Appendix II-Chronological List of Persons Lynched in United States 1889 to 1918, Inclusive, Arranged by State

Gruesome photographs document the victims of lynchings and the society that allowed mob violence.

Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.

Presents an analysis of lynching photographs, covering their history, meanings, uses, and displays.