101 Jewish Poems For The Third Millennium

A compilation of poems by contemporary Jewish authors. "Traditional and radical, secular and holy, the poems in 101 Jewish Poems for the Third Millennium come to us just as we need them. The poets here celebrate a culture and caution against hatred, all the while making incredible art. Silverman and Carlson have gathered a stellar and diverse group of poets and poetic visions." -- Denise Duhamel

"Walt Whitman, though not a Jewish poet, has served as a crucial figure within the tradition of Jewish American poetry, starting in the mid-nineteenth century, until today. However, the genealogy of Jewish American poets responding to Whitman is wider and more nuanced than often recognized. Due to Allen Ginsberg's overt adoption of Whitman, it is often believed that Ginsberg is the only Jewish American poet to have engaged with Whitman's poetic style and democratic ethos. This book reveals how the lineage of poets responding to Whitman extends far beyond Ginsberg, and that Ginsberg himself receives Whitman through earlier Jewish American poets, like Charles Reznikoff. This project presents such a genealogy of poets in dialogue with Whitman (and each other), from Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets, such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, and Alicia Suskin Ostriker, Gerald Stern, and beyond. By researching Whitman's role in this tradition systematically, in the work of individual poets, and in the framework of Jewish American poetry more broadly, this book seeks to fill a gap in the understanding of these dynamics, and to invite other scholars to examine the Whitman-Jewish connection. A major finding in this book is that Whitman has been adopted by Jewish American poets as a liberal symbol against elements in High Modernist literary culture, which the poets perceived to be exclusionary and anti-Semitic. Thus, there is a negotiation of the vexed territory of being Jewish in America through an alignment with Whitman. As such, the turn to Whitman serves as a mode of exploring Jewish and American identity, whereby Walt Whitman the poet is imagined to be Jewish and American"--

Secret City: Poems by Katherine Smith explores belonging and power through the eyes of children and adults, whether the relationships in question are to a family, to a religion, to a region or to a country. The imagery of the natural world weaves in and out of the dreams of a young Jewish girl brought to live with a Christian family in Oak Ridge, Tennessee during World War II. A woman with a childhood of being bullied moves north only to find herself an authority figure, teaching students who are themselves outsiders marked for deportation. In the midst of confusion and ideology, where victim and perpetrator ceaselessly exchange roles, the voices in these poems search for a ground of belonging in the natural world, in serving others, and in the intimately textured language of poetry.

Imperfect Present is a book for our current moment. By confronting the urgencies of daily life, from questions of identity to sexual abuse to racial unrest to the ubiquity of plastic, these poems investigate ways to sustain ourselves in our fraught public and private lives. With her characteristic linguistic play, Sharon Dolin illuminates some of the most personal concerns that resonate throughout our culture and in ourselves, such as error, despair, uncertainty, and doubt. In sections that deploy the lens of art, the “Oblique Strategies” of Brian Eno and Peter Schmidt, and meditations on dreams and spirituality, Imperfect Present provides a panoply of approaches that grapple with the complexity of now.

The Bloomsbury Anthology of Contemporary Jewish American Poetry collects more than 200 poems by over 100 poets to celebrate contemporary writers, born after World War II, who write about Jewish themes. In bringing together poets whose writings explore cultural Jewish topics with those who directly address Jewish religious themes as well as those who only indirectly touch on their Jewishness, this anthology offers a fascinating insight into what it is to be a Jewish poet. Featuring established poets as well as representatives of the next generation of Jewish voices, included are poems by, among others, Ellen Bass, Jane Hirshfield, Ed Hirsch, David Lehman, Charles Bernstein, Carol V. Davis, Judith Skillman, Jacqueline Osherow, Alan Shapiro, Ira Sadoff, Melissa Stein, Matthew Zapruder, Philip Schultz, and Jane Shore.

In this collection of essays, stories, and poems, award-winning poet and fiction writer Myra Sklarew traces a journey across the latter half of the twentieth century and into the twenty-first. Her point of view is Jewish, though her subjects include science, exile, the future, the Holocaust, the remaining Jewish community of Morocco, Yiddish poetry, the visual arts, and teaching. Many of these pieces deal with personal subjects—the search for a grandfather's birthplace, the death of a mother, the profound effect of a teacher, the struggle of a woman to embrace Judaism. Whether writing about medicine, Messiah, or the first speech of an infant, Sklarew's work finds its roots in Judaism, a Judaism fashioned in large part by the author's own hands. Ultimately, the book is about access, about following one's own curiosity despite the obstacles that might appear along the way. And it is about a kind of belief: that nothing will be wasted, that all that we can learn will have a place in our lives eventually, though we may not know its purpose at the time.

Poetry. Asian & Asian American Studies. IN OUR BEUTIFUL BONES traces various stages in the poet's journey as an immigrant from India who makes a new life in the US, and her encounters with racism and otherness. In it she explores her Bene Israel roots and ancestors, her life in Kolkata, the influences of British rule and a missionary education, her growing knowledge of what racism and marginalization means, how Indians and Indian culture is perceived and represented. While delving unflinchingly into the violence and global impact of colonialism, the weaponization of the English Language, the evils of tyranny and White Supremacy, and the struggles of oppressed peoples everywhere, she creates powerful collages from mythology, folklore, fairy tales, Scripture, world history and culture, literature, music, food, and current events. Traditional and experimental forms, sensory riches, wit and word play, and an unwavering and clear voice make this book a compelling read. These poems expose prejudice on an international as well as a personal level, and lead the reader to face harsh truths--insults, insensitivity, injustice, ignorance, discrimination, subtle and deliberate aggressions that immigrants, people of color, and the oppressed face daily, and wrestles with her own complex emotions, the current threats to Democracy both in the US--her adopted home, and her native India, her love for both countries. IN OUR BEAUTIFUL BONES is a multi-layered, sharply ironic and sometimes pathos-filled critique of the world, and at the same time it is visionary and a triumph of the human spirit.

Using the same musical sense of language she applies to her translations, Nancy Naomi Carlson masterfully interprets herself in An Infusion of Violets. The sometimes erotic, sometimes melancholy landscapes she creates as the self-appointed sitar's "ragged throat, pitched / between here and when, / caught in quartertones," take our breath away. Carlson describes an interior world where tears can produce "so much salt a body floats away," where "music tuned to loss descends with rain," and where hope is placed in the "kill-cure." Here we encounter Carlson's ex-husbands and luminaries such as Rachmaninoff and Monet, among others. Filled with striking images and sensuous language, An Infusion of Violets is an evocative mix of formal and free-verse poems.