18 Postcards

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American women’s suffrage activists were fascinated with suffrage themed postcards. They collected them, exchanged them, wrote about them, used them as fundraisers and organized “postcard day” campaigns. The cards they produced were imaginative and ideological, advancing arguments for the enfranchisement of women and responding to antisuffrage broadsides. Commercial publishers were also interested in suffrage cards, recognizing their profit potential. Their products, though, were reactive rather than proactive, conveying stereotypes they assumed reflected public attitudes—often negative—towards the movement. Cataloging approximately 700 examples, this study examines the “visual rhetoric” of suffrage postcards in the context of the movement itself and as part of the general history of postcards.

From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this agolden agea can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in Americaas history. This fascinating new history of Southern CarolinaaAllendale, Bamburg, Barnwell, Beaufort, Colleton, Hampton, and Jaspera showcases more than two hundred of the best vintage postcards available from 1900 to the 1930s.

Although it was first settled in the 1830s, Oak Park did not become an independent municipality until it split from Cicero Township in 1902. No longer a rustic small town, the village soon became a population magnet, attracting ever-larger numbers of prosperous, progressive people to settle in what many soon referred to as "the finest of the streetcar suburbs." Coincidentally, use of the penny picture postcard had approached a national mania during this era. Thus from the earliest years of the 20th century, the rapid growth and development of Oak Park was well documented, even celebrated, with a vast and varied array of outstanding postcard images.

A global exploration of postcards as artifacts at the intersection of history, science, technology, art, and culture. Postcards are usually associated with banal holiday pleasantries, but they are made possible by sophisticated industries and institutions, from printers to postal services. When they were invented, postcards established what is now taken for granted in modern times: the ability to send and receive messages around the world easily and inexpensively. Fundamentally they are about creating personal connections—links between people, places, and beliefs. Lydia Pyne examines postcards on a global scale, to understand them as artifacts that are at the intersection of history, science, technology, art, and culture. In doing so, she shows how postcards were the first global social network and also, here in the twenty-first century, how postcards are not yet extinct.

"Postcards from the Sonora Border: Visualizing Place through a Popular Lens, 1900s-1950s examines the urban landscapes of Mexican border cities through picture postcards. This volume aims to capture the evolution of Sonora border towns over time, and create a sense of visual "time travel" for the reader by relying on Arreola's personal collection of postcards"--Provided by publisher.