1984 Nineteen Eighty Four Collins Classics

The international bestselling classic from the author of Animal Farm.

Two modern classics in one volume.

Hidden away in the Record Department of the sprawling Ministry of Truth, Winston Smith skilfully rewrites the past to suit the needs of the Party. Yet he inwardly rebels against the totalitarian world he lives in, which demands absolute obedience and controls him through the all-seeing telescreens and the watchful eye of Big Brother, symbolic head of the Party. In his longing for truth and liberty, Smith begins a secret love affair with a fellow-worker, Julia, but soon discovers the true price of freedom is betrayal.

HarperCollins is proud to present its incredible range of best-loved, essential classics.

This new edition of Effective Writing for Healthcare Professionals is an invaluable insider's guide to publishing, providing tips and advice for time-poor professionals working in the healthcare sector. But how do you get published? Where do you start? How do you know if your writing is good enough and what can you learn to make it better? Offering an accessible guide to the key issues, this is the perfect book for those who have busy working lives and find the process of writing challenging. It covers issues ranging from getting started to the winning habits of successful authors; from the rights and responsibilities of authors to how to get noticed. This new edition has been updated to include guidance on publishing norms, collaborative digital platforms, social media, and the impact of the COVID-19 pandemic on publishing trends. Written by a best-selling academic author, this is an essential resource for novice writers and healthcare providers interested in publishing their work.

Genre theory has focused primarily on the analysis of generic constructs, with increasing attention to and emphasis on the contexts in which such genres are produced, interpreted, and used to achieve objectives, often giving the impression as if producing genres is an end in itself, rather than a means to an end. The result of this focus is that there has been very little attention paid to the ultimate outcomes of these genre-based discursive activities, which are more appropriately viewed as academic, institutional, organizational, and professional actions and practices, which are invariably non-discursive, though often achieved through discursive means. It was this objective in mind that the book develops an approach to a more critical and deeper understanding of interdiscursive professional voices and actions. Critical Genre Analysis as a theory of discursive performance is thus an attempt to be as objective as possible, rigorous in analytical endeavour, using a multiperspective and multidimensional methodological framework taking into account interdiscursive aspects of genre construction to make it increasingly explanatory to demystify discursive performance in a range of professional contexts.