2000 Years Of Zinc And Brass

This volume is the first comprehensive technical history of the production of zinc and brass. It describes the inception and technical development of the processes by which zinc and brass were made at various centres around the world, together with typical compositions of the resulting brasses. The essays show that technical developments were in fact continuous and consciously related from the ancient to the modern world. Continuing research and fieldwork into these subjects have resulted in important new information that is now incorporated in this completely revised edition.

Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, gods and goddesses, fountain figures, animals, famous men, military figures, firemen, cemetery memorials, and religous subjects. The compilation of data on these statues will be valuable to scholars, filling the current void in research libraries. The author's experience as a conservator will also make the an essential resource for historic preservationists seeking to repair statues now damaged by years of outdoor exposure. This book has 555 illustrations, 354 of which are in color. Carol Grissom is Senior Objects Conservator at the Smithsonian's Museum Conservation Institute.

In Zinc for Coin and Brass Hailian Chen offers the first comprehensive history of Chinese zinc over the long eighteenth century. This book covers a wide range of topics including Qing China’s political economy, material culture, environment, technology, and society.

Third edition of a comprehensive textbook, ideal for students in archaeological science and chemistry, archaeologists, and those involved in conserving human artefacts.

This groundbreaking study of coinage in early medieval England is the first to take account of the very significant additions to the corpus of southern English coins discovered in recent years and to situate this evidence within the wider historical context of Anglo-Saxon England and its continental neighbours. Its nine chapters integrate historical and numismatic research to explore who made early medieval coinage, who used it and why. The currency emerges as a significant resource accessible across society and, through analysis of its production, circulation and use, the author shows that control over coinage could be a major asset. This control was guided as much by ideology as by economics and embraced several levels of power, from kings down to individual craftsmen. Thematic in approach, this innovative book offers an engaging, wide-ranging account of Anglo-Saxon coinage as a unique and revealing gauge for the interaction of society, economy and government.

The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.

Describes the metallography and microstructure of ancient metals with several case studies included. The first volume in this series is devoted to the alloys of copper with silver, lead, tin, zinc, antimony and arsenic.

This book is the outcome of the first joint conference of the two country's foremost societies devoted to the archaeological study of the early-modern and modern worlds. It discusses the progress of industrialization and its impact upon modern society.