25 Progressive Pieces For The Piano

Burgmüller's most famous work, the 25 Progressive Pieces, are short compositions with descriptive titles. Easier than his Opp. 105 and 109, each selection exposes students to a different technical challenge with the main emphasis on the phrasing, articulation, and dynamics often found in Romantic piano music. The collection includes "Arabesque" and "Ballade," both popular with many early-intermediate pianists.

Burgmüller's most famous work, the 25 Progressive Pieces, are short compositions with descriptive titles. Easier than his Opp. 105 and 109, each selection exposes students to a different technical challenge with the main emphasis on the phrasing, articulation, and dynamics often found in Romantic piano music. The collection includes Arabesque" and "Ballade," both popular with many early-intermediate pianists. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances. Pianist Valery Lloyd-Watts studied at the Conservatory of Music in Toronto and the Royal College of Music in London. She earned a Master of Music degree from the University of Wisconsin, where she studied with Paul Badura-Skoda. She co-authored the text Studying Suzuki Piano: More than Music, which was endorsed by Dr. Suzuki."

Burgm ller's most famous work, the 25 Progressive Pieces, are short compositions with descriptive titles. Easier than his Opp. 105 and 109, each selection exposes students to a different technical challenge with the main emphasis on the phrasing, articulation, and dynamics often found in Romantic piano music. The collection includes "Arabesque" and "Ballade," both popular with many early-intermediate pianists.

A slight condensation of Hanon's first exercises. The simplification in layout and range make the exercises appear less difficult to a young student.

This edition is a wonderful collection of small character studies composed by Friedrich Burgmüller (1806-1874). Each piece presents a consistent technical problem, which is often the main idea of the piece, while at the same time having a distinct and lovely musical appeal. Each study is quite melodious and has a programmatic title. This edition may be used as a sequel to Burgmüller's

Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.

Op. 139 begins with an easy level of pieces and gradually increases to a moderately difficult level. Some of the technical devices in these pieces include: right-hand melody with left-hand accompaniment; diatonic and chromatic scalar and arpeggio figurations; syncopated melodies and trills. Many of the studies can be transposed into other keys and practiced at varied tempos.