35 Video Podcasting Careers Businesses To Start

Discusses how to get started in a career in business or video podcasting, whether in front of the camera, or behind the scenes. Includes information on how to set up and run your own podcast business.

Launch your career or business in video podcasting. Are you looking for a job in video podcasting? Anyone with a digital video camcorder, microphone, computer and some technical savvy can launch an Internet video podcast show to inform, direct or enlighten. You can offer foresight, insight, or hindsight. Open a business or find a job creating and delivering digital video recordings-usually free-as podcasts. If you want to make money with video podcasting, offer to sell a sponsor's publicity and advertising on your video, or an author's creative works, interviews, or sermons. You can even show people how to fill out tax forms using a video podcast for instruction on most any subject people can learn independently. People who subscribe to video podcasts usually want to view for free. You can charge for a course to train or teach a class by video lecture and/or demonstration, but what if you want an actual paid job in video podcasting? And can you make more money in video than in the older, audio MP3 file 'radio' podcasting? Careers in video podcasting are beginning to bloom as seen by a variety of podcasting associations, news publications, and career information. Even job listings unrelated to podcasting are 'broadcast' by RSS feeds. Create your own job in podcasting by showing others how to find new trends and applications in their careers. Make informational, how-to, and motivational video podcasts. What if you want to use video podcasting to actually get hired? Are there jobs right now in video podcasting? Or is the field still primarily for trade publication publishers, syndicators, and video entrepreneurs on the Web?

It's easy to start, teach, and franchise a creative genealogy writing club, class, or publication. Start by looking at the descriptions of each business and outline a plan for how your group operates. Flesh out each category with your additional research pertaining to your local area and your resources. Your goal always is to solve problems and get measurable results or find accurate records and resources. Or research personal history and DNA-driven genealogy interpretation reporting. You can make keepsake albums/scrapbooks, put video online or on disc, and create multimedia text and image with sound productions or work with researching records in archives, oral history, or living legacies and time capsules. A living legacy is a celebration of life as it is now. A time capsule contains projects and products, items, records, and research you want given to future generations such as genograms of medical record family history, family newsletters, or genealogy documents, diaries, photos, and video transcribed as text or oral history for future generations without current technology to play the video discs. Or start and plan a family and/or school reunion project or franchise, business or event. Another alternative is the genealogy-related play or skit, life story, or memoir.

Apply these strategies: How to Publish in Women's Studies, Policy Analysis, & Family Issues. How to Earn a Practical Living Applying Women's Studies & Family Research to Business Writing or Corporate Communications Training. Organizing, Designing, & Publishing Life Stories, Issues in the News, Current Events, and History Videos, Board/Computer Games, Scripts, Plays, and Books. How do you start your own Women's Studies policy analysis writing and communications business? How do you earn income using practical applications of Publishing/Producing, Women's Studies, Current Events, or Family History Issues Research and Writing in the corporate world? How do you train executives to better organize writing and interpersonal communications skills? What specific projects would you use to organize communications, publish your research, or train others? Use these vital platforms of social history to start 25 business and creative writing or publishing enterprises. Apply practical communications. Organize and improve communication and publishing projects in the corporate world or academia. Open 25 different types of writing, publishing, or production businesses. Train executives and entrepreneurs in how women's and men's studies, family history, and current issues in the news relate to business writing, creative concepts, producing multimedia, and training others in interpersonal communications or policy analysis.

Are you best-suited to be a historical novelist, mystery writer, short story sprinter, digital interactive story writer on ancient civilizations, a nonfiction writer, or an author of thrillers using historical settings or universal themes? Do you think like a fiction writer, investigative journalist, or an imaginative, creative nonfiction author writing biography in the style of genre or mainstream fiction? Enhance your creativity. How are you going to clarify and resolve the issues, problems, or situations in your plot by the way your characters behave to move the action forward? How do you get measurable results when writing fiction or creative nonfiction? Consider what steps you show to reveal how your story is resolved by the characters. This also is known as the dénouement. Dénouement as it applies to a short story or novel is the final resolution. It's your clarification of a dramatic or narrative plot. What category of dénouement will your characters take to move the plot forward? Take the writing style preference classifier and find out how you approach your favorite writing style using facts and acts. Which genre is for you--interactive, traditional, creative nonfiction, fiction, decisive or investigative? Would you rather write for readers that need to interact with their own story endings or plot branches? Which style best fits you? What's your writing profile? Enjoy this ancient echoes writing genre interest, personality, and aptitude classifier and see the various ways in which way you can be more creative. There are 35 questions-seven questions for each of the five pairs. There are 10 choices, five assessments and a section on how to write a novel/story/script by developing depth of character that drives your plot.

There may not have been any concept of Bar or Bat Mitzvah in 10th century Kiev 'yet, ' but that wouldn't stop the nearly grown children of the Kagan of the Khazars from arranging the appropriate rite of passage and blessing for the changing of the societies around them which they knew-the pagan Vikings, Rus, and Pechenegs surrounding Kiev, the Volga Finnic peoples of the Urals, the eternal Silk Road, Christian Byzantium to the south, the Caucasus Mountaineers, the grassland steppes, the rabbi-scholars of Constantinople and Spain, the Turks arriving from Central Asia, and the Islamic Caliphate of Persia and Baghdad to the East. Each encounter began a new concept and framework for their time-travel adventures. The garden of the Khazars is a storyteller's paradise, especially during the time that their ruler's family, friends, and associates turned Jewish, and the Kagan of the Khazars got tied up in the belly of a Viking Ship, rescued by his thirteen-year-old son, and his daughter, the teenage, time-traveling Princess Tarbagatay rode between the fourth and tenth centuries with the Queen of the Steppes. Welcome to anthropology through fiction and my series for all storytellers on tall tales of Medieval Khazaria. Let my first person proto-Bar or Bat Mitzvah gift story book novel, although fiction, guide you through the walkways of anthropology and ethnology in my Kagan's Kids of Khazaria Time-Travel Adventures, the perfect book for a Mitzvah gift for thirteen to fifteen-year old readers and also for their parents. As an author of multicultural and multiethnic novels that reveal the nuances of anthropology through fiction-stories, novels, and plays-let this novel and the treat that follows be your mentor to open doors to new opportunities, choices, roads, and destinations.

This Medieval Princess in the Caucasus Mountains Seeks to Do Acts of Kindness My life adventure is resilience and to find a voice that resonates all of my confidence. Now in my youth just before I will become sixteen years of age, my confidence speaks all about lighting a wonderful brightness and walking out of the darkness of insatiable banalities. With the renewal of spring, the world is repaired, and the gardens bloom in my magnificent Alania. I walk up steep hills and ride far to remember each intimate glimpse of blooms on trees and to listen as waterfalls whisper. We have come up here all the way from Sarkel to remain here in the mountains, close to my childhood home. To insure my confidence, my voice, and my resilience, here I light the eternal flame to brighten the damp room. I am Raziet, now called Serakh. I am Karachaian-Balkarian, and from my grandfathers, of sweet Alania. I am partly Khazar and partly from the peoples that dwell by Mount Elbrus. I am all of them, all mixed together for generations. My many ancestors came from Persia, the Kavkaz, the Steppes, and beyond where the sky rides the moon. I am the tamga of the horse, the orchards, my pet wolf, and the open grasslands. And today, I am here, not where the Volga meets the Caspian, but with our friends and my cousin breathing deeply the sparkling air beneath my Mount Elbrus. We wait in our aoul. We are all of my magnificient Alania, and here now, in this land of orchards to the north, the scent of the birch trees, the patina, the starlight, my venture, value, and vision. Sit at my table and experience the eternal light of Khazaria and the rest of these mountains and rivers from the Caucasus to the seas of Pontus and Meotis. We are all one from many in the joy of life and we are here to do acts of kindness.

Here's how to write salable plays, skits, monologues, or docu-dramas from life experiences, social issues, or current events. Write plays/skits using the technique of ethno-playography which incorporates traditions, folklore, and ethnography into dramatizing real events. The sample play and monologues portray events as social issues. One true life example for a skit is the scene in the sample play written from first-person point-of-view about a 1964 five-minute train interlude when a male passenger commands the protagonist not to cross between cars while the train is in motion. The passenger stands between the cars next to his wife who says timorously, "Let her go, dear," after the wife notices the young protagonist wears a wedding ring. The protagonist tells him she's pregnant, returning from the john, and needs to get back to her family. Instead, he squeezes her head in a vise-like grip, crushing her between his knee and the wall of the train. He kicks at the base of her spine, yelling stereotypical ethnic epithets while passengers ignore events. After the sample play and three monologues for performance, you will have learned how to write ethnographic dialogue and select appropriate scene settings. Also included are e-interviews with popular fiction writers.