A Beautiful Marsupial Afternoon

"This mechanistic world…has required me to FIND MY BODY to FIND MY PLANET in order to find my poetry."—CAConrad

"The (Soma)tic Exercises are innovative and crucial to our art form. . . . Conrad must be one of the most original practitioners of poetry forging new territory."—The Rumpus "There was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it."—The Huffington Post From "M.I.A. ESCALATOR": The ultrasound machine gives the parents the ability to talk to the unborn by their gender, taking the intersexed nine-month conversation away from the child. The opportunities limit us in our new world. Encourage parents to not know, encourage parents to allow anticipation on either end. Escalators are a nice ride, slowly rising and falling, writing while riding, notes for the poem, meeting new people at either end, "Excuse me, EXCUSE ME. . . ." My escalator notes became a poem. CAConrad's ECODEVIANCE contains twenty-three new (Soma)tic writing exercises and their resulting poems, in which he pushes his political and ecological efforts even further. These exercises, unorthodox steps in the writing process, work to break the reader and writer out of the quotidian and into a more politically and physically aware present. In performing these rituals, CAConrad looks through a sharper lens and confirms the necessity of poetry and politics. CAConrad is the author of several books of poetry and essays. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.

A visceral, surrealist tale of becoming, from the shamanic cult hero of contemporary queer poetry Beguiling, outrageous, playfully morbid and frequently stunning in its surreal flights of imagination, The Book of Frank follows the eponymous figure as he grows from his troubled childhood into an adult travesty of the ostensibly straight family man in a male-dominated world. Along the way, he navigates a series of darkly comic situations, commits acts of grotesque violence, loses his soul in the post and debates boundary lines with a pig. Frank is one of the great literary creations: a man who can declare that 'however we seek another's weakness is our tyranny', as often touchingly innocent as he is monstrously cruel. Called 'a contemporary masterpiece' by Thurston Moore, a 'desert island book' by Anne Boyer and 'this generation's Dream Songs' by Maggie Nelson, The Book of Frank is one of the crucial poetic works of this century so far. Now, on the 30th anniversary of the first Frank poems' appearance, it is published in the UK for the first time.

Eighteen new (Soma)tic exercises that strive for human connection and political action.

The first new collection by this innovative poet in seven years

"A new collection of poetry by CAConrad"--

In Breathing Aesthetics Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.

Plants are silent, still, or move slowly; we do not have the sense that they accompany us, or even perceive us. But is there something that plants are telling us? Is there something about how they live and connect, how they relate to the world and other plants that can teach us about ecological thinking, about ethics and politics? Grounded in Thoreau's ecology and in contemporary plant studies, Dispersion: Thoreau and Vegetal Thought offers answers to those questions by pondering such concepts as co-dependence, the continuity of life forms, relationality, cohabitation, porousness, fragility, the openness of beings to incessant modification by other beings and phenomena, patience, waiting, slowness and receptivity.