A Black Man S Journey In America Glimpses Of Islam Conversations And Travels

One of the most progressive movements for “Freedom, Justice and Equality” in African American history has been Islam. Transported into America among the very first slaves, it has survived for four centuries under the most difficult of circumstances. Yet, it has produced some of the most influential leaders among Black Americans including Elijah Muhammad, Malcolm X, Imam Warithu Deen Mohammed, Louis Farrakhan and many others. In A Black Man’s Journey in America: Glimpses of Islam, Conversations and Travels, I have placed my family’s history within the context of that Islamic heritage. Further, I have attempted to unravel the method through which African American Muslims were so often forced to embrace as a means of survival.

One of the most progressive movements for "Freedom, Justice and Equality" in African American history has been Islam. Transported into America among the very first slaves, it has survived for four centuries under the most difficult of circumstances. Yet, it has produced some of the most influential leaders among Black Americans including Elijah Muhammad, Malcolm X, Imam Warithu Deen Mohammed, Louis Farrakhan and many others. In A Black Man's Journey in America: Glimpses of Islam, Conversations and Travels, I have placed my family's history within the context of that Islamic heritage. Further, I have attempted to unravel the method through which African American Muslims were so often forced to embrace as a means of survival.

In A History of Conversion to Islam in the United States, Volume 2: The African American Islamic Renaissance, 1920-1975 Patrick D. Bowen offers an account of the diverse roots and manifestations of African American Islam as it appeared between 1920 and 1975.

In the Information Age, historically marginalized groups and developing nations continue to strive for socio-economic empowerment within the global community. Their ultimate success largely depends upon their ability to develop, protect, and exploit th

“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.

According to countless mainstream news organs, Elijah Muhammad, by far, was the most powerful black man in America. Known more for the students he produced, like Malcolm X, Louis Farrakhan and Muhammad Ali, this controversial man exposed the black man as well as the world to a teaching, till now, was only used behind closed doors of high degree Masons and Shriners. An easy and smart read. The book approaches the question of what and who is God. It compares the concept held by religions to nature and mathematics. It also explores the origin of the original man, mankind, devil, heaven and hell. Its title, Message To The Blackman, is directed to the American Blacks specifically, but addresses blacks universally as well.

As a child, all Aatish Taseer ever had of his father was his photograph in a browning silver frame. Raised by his Sikh mother in Delhi, his Pakistani father remained a distant figure, almost a figment of his imagination, until Aatish crossed the border when he was twenty-one to finally meet him. In the years that followed, the relationship between father and son revived, then fell apart. For Aatish, their tension had not just to do with the tensions of a son rediscovering his absent father — they were intensified by the fact that Aatish was Indian, his father Pakistani and Muslim. It had complicated his parents’ relationship; now it complicated his. The relationship forced Aatish to ask larger questions: Why did being Muslim mean that your allegiances went out to other Muslims before the citizens of your own country? Why did his father, despite claiming to be irreligious, describe himself as a ‘cultural Muslim’? Why did Muslims see modernity as a threat? What made Islam a trump identity? Stranger to History is the story of the journey Aatish made to answer these questions — starting from Istanbul, Islam’s once greatest city, to Mecca, its most holy, and then home, through Iran and Pakistan. Ending in Lahore, at his estranged father’s home, on the night Benazir Bhutto was killed, it is also the story of Aatish’s own divided family over the past fifty years. Part memoir, part travelogue, probing, stylish and troubling, Stranger to History is an outstanding debut. ‘I had sought out my father because I couldn't live with the darkness of not knowing him. If I hadn't, all my life I would have had to cover it up with some idea of him taken from my mother on faith. I felt it would have limited me. History should never be taken on faith.’