A Brazen Curiosity

Twenty-six-year-old Beatrice Hyde-Clare is far too shy to investigate the suspicious death of a fellow guest in the Lake District. A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does.

Nothing ruins a lovely house party like bloody murder. At the decrepit old age of six-and-twenty, Miss Beatrice Hyde-Clare has virtually no hope of landing a husband. An orphan living off her relatives' charity, her job is to sit with her needlework and to keep her thoughts to herself. When Bea receives an invitation to an elegant country party, she intends to do just that. Not even the presence of the aggravatingly handsome Duke of Kesgrave could lead this young lady to scandal. True, she might wish to pour her bowl of turtle soup on his aristocratic head - however, she would never actually do it. But a lady can fantasize. But, when she stumbles upon the dead body of another houseguest, all Bea's good intentions fly out the well-appointed window. Although the magistrate declares it a suicide, she knows better. Time for some very unladylike behavior.

Finally, Flora Hyde-Clare has wrest the narrative from Beatrice by finding her own compelling murder mystery to solve. Well, it's not entirely her own because the victim is her cousin's former beau, Mr. Theodore Davies, whose father cruelly separated the young lovers (though not socruelly, for it left the door open for Bea to woo the Duke of Kesgrave). Bea insists, of course, that the law clerk's death was merely an accident. If only he had not been in the path of that wretched carriage! Oh, but Flora knows that evasive look on her cousin's face.Bea is hiding something. Clearly, Davies had gotten himself entangled in some nefarious business, and Flora is determined to discover the truth despite the danger it puts her in. Or is that because it puts her in danger? After all, any heroine worth her salt must be willing to take on a great deal of personal risk. And Flora has her mind set on being a heroine of the highest order.

Despite suffering a few initial setbacks, the former Beatrice Hyde-Clare has settled into her new position nicely.Thanks to Lady Abercrombie's machinations, she has secured the admiration of society and finally earned the respect of her staff. Even the lessons in defending herself, which her husband, the Duke of Kesgrave, insists she take if she wants to continue in her dangerous avocation, are going well. Save for the dreaded pineapple chunks chef André insists on putting in her beloved rout cakes, everything is perfect.But then she learns from a most unlikely source that Kesgrave's malevolent uncle is scheming to destroy her happiness. Determinedly, she resolves to meet the threat head on-a plan that immediately goes awry when the duke asks her to allow him to handle the matter.Stand idly by while dark forces muster?Well, no, Bea can't possibly do that-especially not when the villainous relation winds up bludgeoned to death with a candlestick.

New York Times Bestselling Author Sarah MacLean returns with the next book in the Bareknuckle Bastards series about three brothers bound by a secret that they cannot escape—and the women who bring them to their knees. The Lady’s Plan When Lady Henrietta Sedley declares her twenty-ninth year her own, she has plans to inherit her father’s business, to make her own fortune, and to live her own life. But first, she intends to experience a taste of the pleasure she’ll forgo as a confirmed spinster. Everything is going perfectly…until she discovers the most beautiful man she’s ever seen tied up in her carriage and threatening to ruin the Year of Hattie before it’s even begun. The Bastard’s Proposal When he wakes in a carriage at Hattie’s feet, Whit, a king of Covent Garden known to all the world as Beast, can’t help but wonder about the strange woman who frees him—especially when he discovers she’s headed for a night of pleasure . . . on his turf. He is more than happy to offer Hattie all she desires…for a price. An Unexpected Passion Soon, Hattie and Whit find themselves rivals in business and pleasure. She won’t give up her plans; he won’t give up his power . . . and neither of them sees that if they’re not careful, they’ll have no choice but to give up everything . . . including their hearts.

A brilliant, sweeping, and unparalleled look at the extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950, The Brazen Age opens with Franklin Delano Roosevelt’s campaign tour through the city’s boroughs in 1944. He would see little of what made New York the capital of modernity—though the aristocratic FDR was its paradoxical avatar—a city boasting an unprecedented and unique synthesis of genius, ambition, and the avant-garde. While concentrating on those five years, David Reid also reaches back to the turn of the twentieth century to explore the city’s progressive politics, radical artistic experimentation, and burgeoning bohemia. From 1900 to 1929, New York City was a dynamic metropolis on the rise, and it quickly became a cultural nexus of new architecture; the home of a thriving movie business; the glittering center of theater and radio; and a hub of book, magazine, and newspaper publishing. In the 1930s, the rise of Hitler and World War II would send some of Europe’s most talented men and women to America’s shores, vastly enriching the fields of science, architecture, film, and arts and letters—the list includes Albert Einstein, Erwin Panofsky, Walter Gropius, George Grosz, André Kertész, Robert Capa, Thomas Mann, Hannah Arendt, Vladimir Nabokov, and John Lukacs. Reid draws a portrait of the frenzied, creative energy of a bohemian Greenwich Village, from the taverns to the salons. Revolutionaries, socialists, and intelligentsia in the 1910s were drawn to the highly provocative monthly magazine The Masses, which attracted the era’s greatest talent, from John Reed to Sherwood Anderson, Djuna Barnes, John Sloan, and Stuart Davis. And summoned up is a chorus of witnesses to the ever-changing landscape of bohemia, from Malcolm Cowley to Anaïs Nin. Also present are the pioneering photographers who captured the city in black-and-white: Berenice Abbott’s dizzying aerial views, Samuel Gottscho’s photographs of the waterfront and the city’s architectural splendor, and Weegee’s masterful noir lowlife. But the political tone would be set by the next president, and Reid looks closely at Thomas Dewey, Henry Wallace, and Harry Truman. James Forrestal, secretary of the navy under Roosevelt, would be influential in establishing a new position in the cabinet before ascending to it himself as secretary of defense under Truman, but not before helping to usher in the Cold War. With The Brazen Age, David Reid has magnificently captured a complex and powerful moment in the history of New York City in the mid-twentieth century, a period of time that would ensure its place on the world stage for many generations.

The former Beatrice Hyde-Clare is having a little trouble adjusting to her new situation. Now installed as the Duchess of Kesgrave in elegant splendor in Berkeley Square, she is confounded by the stately residence's seemingly endless array of rooms and every time one of the maids addresses her as "your grace," she flinches. And the butler! Oh, yes, that imposing servant holds her in utter contempt and has no qualms about sharing his opinion with the rest of the staff. It's all so wretched. But just as Bea begins to despair-a bright spot. A neighboring house has suffered a ghastly tragedy, and although the constable deems it an inadvertent decapitation, she can't believe anyone could be so careless as to accidentally lose his head. Determined to discover the truth, the new duchess pays her first social call. Because even if she can't find her way around her palatial home, she certainly knows her way around a murder.

Having long abandoned any hope of making a match, twenty-six-year-old Beatrice Hyde-Clare finds herself a little overwhelmed by her engagement to the Duke of Kesgrave. Cloying society matrons clamor for her attention while her aunt reels off an endless list of servants she will have to oversee. Even the most intrepid female would quake at the prospect of managing eight footmen!Fortunately, Bea knows the perfect distraction-an intriguing mystery-and pays a call on the Countess of Abercrombie, who had promised her that very thing only the evening before. But her ladyship is reluctant to discuss the details with a newly minted duchess-to-be, and it dawns on Bea that the investigation cuts closer to home than she could have ever imagined. Because this time the murder victims are her own mother and father, who had died twenty years before in a seemingly straightforward boating accident. Alas, nothing is straightforward, and as Bea digs into her past, she discovers with growing horror that she has no more idea how to be a daughter than she does a duchess.