A Brief History Of Wood Engraving From Its Invention Classic Reprint

Excerpt from A Brief History of Wood-Engraving From Its Invention The most important of them are, Dr. Dibdin's celebrated bibliographical works; A Treatise on mod-engraving; by w.a. Chatto, of which a new edition has lately been issued 'wood-engraving in Italy in the 15th Century, ' by Dr. Lippmann; and, above all, The Masters of wood-engraving: a magnificent folio volume written by Mr. \v. J. Linton himself a. Master - who, besides giving us the benefit of his technical knowledge obtained by the practice of the art for fifty years, presents us with copies, from blocks engraved by himself, of the most celebrated woodcuts of the fifteenth and sixteenth centuries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A Brief History of Wood-Engraving From Its Invention A Brief History of Wood-Engraving from Its Invention was written by Joseph Cundall in 1895. This is a 137 page book, containing 29751 words and 61 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A History of Wood-Engraving N this book I have attempted to gather and arrange such facts as should be known to men of cultivation interested in the art of engraving in wood. I have, therefore, disregard ed such matter as seems to belong rather to descriptive bib liography, and have treated wood-engraving, in its principal works, as a re ection of the life of men and an illustration of successive phases of civilization. Where there is much disputed ground, particularly in the early history of the art, the Writers on whom I have relied are referred to, and those who adopt a different view are named; but where the facts seemed plain, and are easily verifiable, reference did not ap pear necessary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

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Excerpt from A Treatise on Wood Engravings: Historical and Practical Tuouon several English authors have, in modern times, written on the origin and early history of wood engraving, yet no one has hitherto given, in a distinct work, a connected account of its progress from the earliest period to the present time; and no one, however confidently he may have expressed his opinion on the subject, appears to have thought it necessary to make him self acquainted with the practice of the art. The antiquity and early history of wood engraving appear to have been considered as themes which allowed of great scope for speculation, and required no practical knowledge of the art. It is from this cause that we find so many erroneous statements in almost every modern dissertation on wood engraving. Had the writers ever thought of appealing to a person practically acquainted with the art, whose early productions they professed to give some account of, their conjectures might, in many instances, have been spared; and had they, in matters requiring research, taken the pains to ex amine and judge for themselves, instead of adopting the opinions of others, they would have discovered that a considerable por tion of what they thus took on trust, was not in accordance with facts. As the antiquity and early history of wood engraving form a considerable portion of two expensive works which profess to give some account of the art, it has been thought that such a work as the present, combining the history with the practice of the art, and with numerous cuts illustrative of its progress, decline, and revival, might not be unfavourably received. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.