A British Achilles

Son of the victor of Jutland, George Jellicoe has enjoyed power and privilege but never shirked his duty. His war exploits are legendary and, as a founder member of Stirling’s SAS and first Commander of the Special Boat Service, he saw action a-plenty. A brigadier at 26 with a DSO and MC he liberated Athens as the Germans withdrew and saved Greece from a Communist revolution. After the war Jellicoe joined the Foreign Office and worked with spies Burgess, Philby and Maclean in Washington and on the Soviet Desk. His political life saw him in the Cabinet of the Heath Government and he is frank with his biographer over the issues and characters of his fellow ministers. Jellicoe’s Achilles heel is his weakness for, and attraction to, women. His resignation over an involvement with a prostitute was a national scandal but he is refreshingly honest and devoid of self-justification. He remained an active member of the Lords pursuing a top level business career. A British Achilles is a superb biography of a major public figure and exemplary wartime soldier.

A guide that blends the history behind this British World War II tank with resources for military vehicle modeling enthusiasts. In this heavily illustrated volume in the TankCraft series Dennis Oliver focuses on the Achilles—the British variant of the American M10—which was one of the most important Allied tank destroyers of the Second World War. It played a key role in the armored battles fought on the Western Front, in particular in France, the Low Countries, Germany and Italy. Built on an adapted Sherman chassis, with sloped armor, an open-topped turret and powerful 17-pounder gun, it was designed to counter the threat posed by the formidable panzers deployed by the German army toward the end of the conflict, in particular the Panther and Tiger tanks. The book covers the design and operational history of the Achilles in close detail, using rare archive photographs and meticulously researched color illustrations, as well as a detailed, authoritative text. A key section displays available model kits and aftermarket products, complemented by a gallery of beautifully constructed and painted models in various scales. Technical details as well as modifications introduced during production and in the field are also examined providing everything the modeler needs to recreate an accurate representation of these historic armored fighting vehicles. Praise for Tank Destroyer, Achilles and M10 “Covers the design and operational history of the Achilles in close detail, using rare archive photographs and meticulously researched color illustrations, as well as a detailed, authoritative text.” —Military Vehicles “Gamers will find this book a useful reference and painting guide.” —The Miniatures Page

“Intriguing . . . describes a modest but exceptional man from whom the contemporary soldier, politician, and citizen can learn how to enjoy life (and how not to).” —The Spectator Son of the victor of Jutland, George Jellicoe has enjoyed power and privilege but never shirked his duty. His war exploits are legendary and, as a founder member of Stirling’s SAS and first commander of the Special Boat Service, he saw action a-plenty. A brigadier at twenty-six with a DSO and MC, he liberated Athens as the Germans withdrew and saved Greece from a Communist revolution. After the war, Jellicoe joined the Foreign Office and worked with spies Guy Burgess, Kim Philby, and Donald Maclean in Washington and on the Soviet Desk. His political life saw him in the Cabinet of the Heath Government and he is frank with his biographer over the issues and characters of his fellow ministers. Jellicoe’s Achilles heel is his weakness for, and attraction to, women. His resignation over an involvement with a prostitute was a national scandal, but he is refreshingly honest and devoid of self-justification. He remained an active member of the Lords pursuing a top-level business career. A British Achilles is a superb biography of a major public figure and exemplary wartime soldier.

A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.

The Iliad is still the greatest poem about war that our culture has ever produced. For a hundred generations, poets and thinkers in the West have pored over, retold and argued about the events described in this martial epic, even when direct knowledge of it was lost. Various empires have admired it as a book that in telling the story of the siege of Troy also extols the warrior ethic, and teaches the young how to die well. Yet the figure at the heart of the epic, the consummate warrior Achilles, is a brooding, controversial hero. He is a fierce critic of those who have started this war and allowed it to drag on, consuming soldiers and civilians alike. Disconcertingly, The Iliad portrays war as a catastrophe that destroys cities, orphans children and wrecks whole societies. Caroline Alexander's extraordinary book is not about any of the traditional concerns that have occupied classicists for centuries. It is simpler and more radical than that. In her words, 'This book is about what the Iliad is about; this book is about what the Iliad says of war.'

WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.

This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This book discusses the relevance of the concept of liminality for the short story genre and for short story cycles, emphasizing theoretical perspectives, methodological relevance and applicability. Liminality as a concept of demarcation and mediation between different processual stages, spatial complexes, and inner states is of obvious importance in an age of global mobility, digital networking, and interethnic transnationality. Over the last decade, many symposia, exhibitions, art, and publications have been produced which thematize liminality, covering a wide range of disciplines including literary, geographical, psychological and ethnicity studies. Liminal structuring is an essential aspect of the aesthetic composition of short stories and the cultural messages they convey. On account of its very brevity and episodic structure, the generic liminality of the short story privileges the depiction of transitional situations and fleeting moments of crisis or decision. It also addresses the moral transgressions, heterotopic orders, and forms of ambivalent self-reflection negotiated within the short story's confines. This innovative collection focuses on both the liminality of the short story and on liminality in the short story.