A Century In Uniform

 From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences. Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.

The life story of a journeyman pilot who spent his entire working life connected to aviation and the Air Force. Group Captain Ossie Penton helped establish the Rhodesian Air Force and epitomised its spirit and excellence."I commend this story to the reader, not only as the fascinating one of the career of a Service Pilot, but also because it gives a very clear picture of the chronicle of events and politics pertaining to the period of time that it covered." Air Commodore Dickie Bradshaw OLM

This first and only in-depth analysis of the attire worn by the largest workforce in the health care system explores the role of the nurse's uniform in creating nursing identity for over a hundred years. The introduction of the nurse's uniform in the late nineteenth century was part of a strategy to legitimize North America's first nursing schools. At first varied and experimental in design, by the early 20th century the uniform was drawing on elements of fashionable, scientific, military and ecclesiastical wear, and had standardized into a blue or pink dress worn with stiffly starched white cap, bib, and apron. This remarkable outfit lasted until the 1970s, when educational and societal changes brought about its demise, and practical scrubs became the most common nursing apparel. Seen through the lens of age, gender, class and race, this book shows how the uniform was an active participant in the changing culture of nursing work and thought. Richly illustrated with images of actual garments and over 150 compelling period photographs, cartoons and drawings, the book explore the uniform within the contexts of hospital, community, nursing school, and residence. A Cultural History of the Nurse's Uniform will appeal to nurses, historians and scholars of dress.

This book reveals the business history of the Australian Government Clothing Factory as it introduced innovative changes in the production and design of the Australian Army uniform during the twentieth century. While adopting a Schumpeterian interpretation of the concept of innovation, Anneke van Mosseveld traces the driving forces behind innovation and delivers a comprehensive explanation of the resulting changes in the combat uniform. Using an array of archival sources, this book displays details of extensive collaborations between the factory, the Army and scientists in the development of camouflage patterns and military textiles. It uncovers a system of intellectual property management to protect the designs of the uniform, and delivers new insights into the wider economic influences and industry linkages of the Government owned factory.

Uniform: Clothing and Discipline in the Modern World examines the role uniform plays in public life and private experience. This volume explores the social, political, economic, and cultural significance of various kinds of uniforms to consider how they embody gender, class, sexuality, race, nationality, and belief. From the pageantry of uniformed citizens to the rationalizing of time and labour, this category of dress has enabled distinct forms of social organization, sometimes repressive, sometimes utopian. With thematic sections on the social meaning of uniform in the military, in institutions, and political movements, its use in fashion, in the workplace, and at leisure, a series of case studies consider what sartorial uniformity means to the history of the body and society. Ranging from English public school uniform to sacred dress in the Vatican, from Australian airline uniforms to the garb worn by soldiers in combat, Uniform draws attention to a visual and material practice with the power to regulate or disrupt civil society. Bringing together original research from emerging and established academics, this book is essential reading for students and scholars of fashion, design, art, popular culture, anthropology, cultural history, and sociology, as well as anyone interested in what constitutes a "modern" appearance.

This book shows how interpretations of suicidal motives were guided by gendered expectations of behaviour, and that these expectations were constructed to create meaning and understanding for family, friends and witnesses. Providing an insight into how people of this era understood suicidal behaviour and motives, it challenges the assertion that suicide was seen as a distinctly feminine act, and that men who took their own lives were feminized as a result. Instead, it shows that masculinity was understood in a more nuanced way than gender binaries allow, and that a man's masculinity was measured against other men. Focusing on four common narrative types; the love-suicide, the unemployed suicide, the suicide of the fraudster or speculator, and the suicide of the dishonoured solider, it provides historical context to modern discussions about the crisis of masculinity and rising male suicide rates. It reveals that narratives around male suicides are not so different today as they were then, and that our modern model of masculinity can be traced back to the 19th century.