A Century Of Australian Song

Excerpt from A Century of Australian Song The vigorous man must be strangely constituted who does not love Australia, with its glittering air, its vast space, its infinite possibilities and strangely constituted the light hearted girl who does not revel in its pleasure-days unspoiled by rain, its lustrous nights secure from chill. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Immerse yourself in the rich musical heritage of Australia with "A Century of Australian Song." This charming collection of sheet music and lyrics offers a glimpse into the country's musical history, from traditional folk songs to contemporary hits. With detailed notes on each song's origins and cultural significance, it's the ultimate guide to Australian music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.

In this lively, provocative collection, some of Australia's leading historians - and a Miles Franklin shortlisted historical novelist - challenge established myths, narratives and 'beautiful lies' about South Australia's past. Some are unmasked as false stories that mask brutal realities, like colonial violence - while others are revealed as simplistic versions of more complex truths. 'Each generation writes history that speaks to its own interests and concerns,' write historians Paul Ashton and Anna Clark. In Foundational Fictions in South Australian History, which grew out of a series of public lectures at the University of Adelaide, an impressive range of contributors suggest different ways in which familiar narratives of South Australia can be interpreted. These essays tap into wider debates, too, about the nature and purpose of history - and the 'history wars' first flamed by John Howard. Stuart Macintyre highlights South Australia's central role in several national events. Humphrey McQueen questions the origins and influence of the money behind South Australia's so-called progressive founding. Lucy Treloar suggests historians can learn from novelists when it comes to understanding the past. Steven Anderson argues that Don Dunstan's achievement in abolishing capital punishment owed much to a historical movement. And Carolyn Collins highlights the role of anti-conscription group Save Our Sons (SOS) in not just ending the Vietnam War, but broadening the appeal of the anti-war movement.

A stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. Warren Fahey's AUStRALIAN FOLK SONGS AND BUSH BALLADS is a stirring, foot-stomping treasure-trove of more than 100 traditional songs that celebrate what it is to be Australian. these are not some dusty old songs to be thrown in a drawer and forgotten. they are songs to be sung with gusto whenever the spirit takes you - on holiday, at school, at a party, around the barbecue or kitchen table. You'll find the words and music for sing-along favourites such as 'Old Bullock Dray', 'Wild Colonial Boy', 'Stir the Wallaby Stew', 'the Old Bark Hut', 'Limejuice tub', 'Banks of the Condamine', 'Euabalong Ball', 'Augathella Station', 'Click Go the Shears', 'the Dying Stockman', 'the Overlanders' and 'Waltzing Matilda', plus the song we should all know the words to (but few of us do) - 'Advance Australia Fair'. there are also several bush songs published for the first time.Featuring fascinating background notes and liberally illustrated with rare images, this book is a must for anyone interested in Australia's musical and cultural history. And it has been collected by the one who knows them best: legendary folklorist and performer, Warren Fahey.

An expose of two cover-ups: one the death of a swagman by a billabong; the other, a torrid affair between Banjo Paterson and his fiancee's best friend, and how the two events come together in Australia's best-loved national song. Australians know Waltzing Matilda, written by their most popular poet Banjo Paterson, as their most loved song and unofficial national anthem. What Australians don't know is that their song is embroiled in a web of secrecy, violence and a triangular love affair. Written at a pivotal time in Australia's history, Waltzing Matilda is as important to Australian culture as events like the Eureka Stockade and the story of Ned Kelly. One hundred and fifteen years after the writing of Waltzing Matilda, Australians continue to be fascinated with the song and sing it proudly wherever they meet to celebrate. Given the facts outlined in this story, they will be further captivated and embrace the song for decades to come.