A Century Of Spy Fiction

Here is the ultimate inside history of twentieth-century intelligence gathering and covert activity. Unrivalled in its scope and as readable as any spy novel, A Century of Spies travels from tsarist Russia and the earliest days of the British Secret Service to the crises and uncertainties of today's post-Cold War world, offering an unsurpassed overview of the role of modern intelligence in every part of the globe. From spies and secret agents to the latest high-tech wizardry in signals and imagery surveillance, it provides fascinating, in-depth coverage of important operations of United States, British, Russian, Israeli, Chinese, German, and French intelligence services, and much more. All the key elements of modern intelligence activity are here. An expert whose books have received high marks from the intelligence and military communities, Jeffrey Richelson covers the crucial role of spy technology from the days of Marconi and the Wright Brothers to today's dazzling array of Space Age satellites, aircraft, and ground stations. He provides vivid portraits of spymasters, spies, and defectors--including Sidney Reilly, Herbert Yardley, Kim Philby, James Angleton, Markus Wolf, Reinhard Gehlen, Vitaly Yurchenko, Jonathan Pollard, and many others. Richelson paints a colorful portrait of World War I's spies and sabateurs, and illuminates the secret maneuvering that helped determine the outcome of the war on land, at sea, and on the diplomatic front; he investigates the enormous importance of intelligence operations in both the European and Pacific theaters in World War II, from the work of Allied and Nazi agents to the "black magic" of U.S. and British code breakers; and he gives us a complete overview of intelligence during the length of the Cold War, from superpower espionage and spy scandals to covert action and secret wars. A final chapter probes the still-evolving role of intelligence work in the new world of disorder and ethnic conflict, from the high-tech wonders of the Gulf War to the surprising involvement of the French government in industrial espionage. Comprehensive, authoritative, and addictively readable, A Century of Spies is filled with new information on a variety of subjects--from the activities of the American Black Chamber in the 1920s to intelligence collection during the Cuban missile crisis to Soviet intelligence and covert action operations. It is an essential volume for anyone interested in military history, espionage and adventure, and world affairs.

The position of spy fiction is largely synonymous in popular culture with ideas of patriotism and national security, with the spy himself indicative of the defence of British interests and the preservation of British power around the globe. This book reveals a more complicated side to these assumptions than typically perceived, arguing that the representation of space and power within spy fiction is more complex than commonly assumed. Instead of the British spy tirelessly maintaining the integrity of Empire, this volume illustrates how spy fiction contains disunities and disjunctions in its representation of space, and the relationship between the individual and the state in an era of declining British power. Focusing primarily on the work of Graham Greene, Ian Fleming, Len Deighton, and John le Carre, the volume brings a fresh methodological approach to the study of spy fiction and Cold War culture. It presents close textual analysis within a framework of spatial and sovereign theory as a means of examining the cultural impact of decolonization and the shifting geopolitics of the Cold War. Adopting a thematic approach to the analysis of space in spy fiction, the text explores the reciprocal process by which contextual history intersects with literature throughout the period in question, arguing that spy fiction is responsible for reflecting, strengthening and, in some cases, precipitating cultural anxieties over decolonization and the end of Empire. This study promises to be a welcome addition to the developing field of spy fiction criticism and popular culture studies. Both engaging and original in its approach, it will be important reading for students and academics engaged in the study of Cold War culture, popular literature, and the changing state of British identity over the course of the latter twentieth century.

A CENTURY OF SPY FICTION: REFLECTIONS ON THE GENRE brings together Nader Elhefnawy's writings on that subject. From the birth of the spy story in the marriage of detective fiction with the invasion story to the genre's post-Cold War travails, from the forgotten but hugely important adventures of the original "international man of mystery" Duckworth Drew to the age of Jack Ryan, this revised and updated second edition of the book trace the broader history of the field while peering at many a keyhole to see just what has been going on all the while in this often mysterious genre about mystery.

On its first appearance in 1957, Hugh and Graham Greene's The Spy's Bedside Book provoked a storm of interest, and, perhaps unsurprisingly, 100 copies were bought by East German Intelligence. This classic anthology, with a new introduction by the former head of MI5, Stella Rimington, includes stories by some of the great writers on spying and many practitioners, including Ian Fleming and John Buchan, Sir Robert Baden-Powell and Belle Boyd, Walter Schellenberg and Major André, Sir Paul Dukes and Vladimir Petrov, and. from the golden age of mystery and suspense, William Le Queux and E. Phillips Oppenheim. There are also some unexpected figures: William Blake, D.H. Lawrence and Thomas Mann, all suspected of spying in three great wars. How can you hide messages in a boiled egg? Why should you always put pepper in your vodka when in Russia? Answers to these questions and much more can be found in this thrilling collection, which will enthral readers once again with its tales of espionage from a bygone era.

“American Spy updates the espionage thriller with blazing originality.”—Entertainment Weekly “There has never been anything like it.”—Marlon James, GQ “So much fun . . . Like the best of John le Carré, it’s extremely tough to put down.”—NPR NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • Entertainment Weekly • Esquire • BuzzFeed • Vulture • Real Simple • Good Housekeeping • The New York Public Library What if your sense of duty required you to betray the man you love? It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent. In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American. Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice. NOMINATED FOR THE NAACP IMAGE AWARD • Shortlisted for the Center for Fiction First Novel Prize “Spy fiction plus allegory, and a splash of pan-Africanism. What could go wrong? As it happens, very little. Clever, bracing, darkly funny, and really, really good.”—Ta-Nehisi Coates “Inspired by real events, this espionage thriller ticks all the right boxes, delivering a sexually charged interrogation of both politics and race.”—Esquire “Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities—political, racial, and sexual—bare. Packed with unforgettable characters, it’s a stunning book, timely as it is timeless.”—Paul Beatty, Man Booker Prizewinning author of The Sellout

Why has the spy story become such a popular form of entertainment in our time? In this fascinating account of the genre's evolution, John G. Cawelti and Bruce A. Rosenberg explore the social, political, and artistic sources of the spy story's wide appeal. They show how, in a time of bewildering political and corporate organization, the spy story has become increasingly relevant, the secret agent hero expressing the feelings of divided and ambiguous loyalties with which many individuals face the modern world. In addition to a general history of the genre, Cawelti and Rosenberg present in-depth analyses of the work of certain writers who have given the spy story its shape, among them John Buchan, Eric Ambler, Graham Greene, Ian Fleming, and John le Carré. The Spy Story also includes an extensive appendix, featuring a literary and historical bibliography of espionage and clandestinity, a list of the best spy novels and films, a catalog of major spy writers and their heroes, and a selection of novels on espionage themes written by major twentieth-century authors and public figures. Written in a lively style that reflects the authors' enthusiasm for this intriguing form, The Spy Story will be read with pleasure by devotees of the genre as well as students of popular culture.

George Smiley’s deadly game Smiley and his people are facing a remarkable challenge: a mole—a Soviet double agent—who has burrowed his way in and up to the highest level of British Intelligence. His treachery has already blown some of their vital operations and their best networks. The mole is one of their own kind. But who is it?

Longlisted for the Sunday Times Barry Ronge Fiction Prize Shortlisted for the 2019 Ilube Nommo Award for Best Novel Finalist for the 2019 Campbell Memorial Award for Best Science-Fiction Novel Award-winning South African novelist Imraan Coovadia tells the story of a fledgling temporal secret agent named Enver Eleven. Enver teams up with a new handler, Shanumi Six, on a vital mission to preserve humanity's legacy. In Enver Eleven's city, fair-skinned people are a rarity and have been for centuries. They work as acrobats and jugglers or apply skin-darkening creams to conceal their condition. Johannesburg is the city that survived the end of the world thanks to the shelter provided by the thousands of miles of mining tunnels running beneath it. It's Enver's job at the Agency to make sure that the end of the world doesn't come again. He and his mentor, Shanumi Six, specialize in the hot spots of the twentieth century-Marrakech, Rio de Janeiro, Tokyo-where they travel in search of an elusive enemy, guided by the collective intelligence of the Agency's thinking machines which limit time travel to the bare minimum. When Shanumi vanishes on an assignment, Enver finds himself in the middle of a catastrophe which will require him to put his assumptions to the test in an atmosphere of conspiracy and intrigue.