A Chinese Paradigm Of The Jingtu Famen

This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Sheng'an Shixian 省庵實賢 (1686–1734), the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.

Supported by a critical analysis of the little-known writings of Master Shixian of the Qing Dynasty and accompanied by original English translation, this rigorous study unlocking the insights of the Chinese Jingtu famen from a Chinese perspective.

Originally published in 1997, Religions of Tibet in Practice is a landmark work--the first major anthology on the topic ever produced. This new edition--abridged to further facilitate course use--presents a stunning array of works that together offer an unparalleled view of the Tibetan religious landscape over the centuries. Organized thematically, the twenty-eight chapters are testimony to the vast scope of religious practice in the Tibetan world, past and present. Religions of Tibet in Practice remains a work of great value to scholars, students, and general readers.

Popular Religion and Shamanism addresses two areas of religion within Chinese society; the lay teachings that Chinese scholars term folk or “popular” religion, and shamanism. Each area represents a distinct tradition of scholarship, and the book is therefore split into two parts. Part I: Popular Religion discusses the evolution of organized lay movements over an arc of ten centuries. Its eight chapters focus on three key points: the arrival and integration of new ideas before the Song dynasty, the coalescence of an intellectual and scriptural tradition during the Ming, and the efflorescence of new organizations during the late Qing. Part II: Shamanism reflects the revived interest of scholars in traditional beliefs and culture that reemerged with the “open” policy in China that occurred in the 1970s. Two of the essays included in this section address shamanism in northeast China where the traditions played an important role in the cultures of the Manchu, Mongol, Sibe, Daur, Oroqen, Evenki, and Hezhen. The other essay discusses divination rites in a local culture of southwest China.

In an attempt to reconstruct an elusive aspect of the medieval Chinese imagination, The Eminent Monk examines biographies of Chinese Buddhist monks, from the uncompromising ascetic to the unfathomable wonder-worker. While analyzing images of the monk in medieval China, the author addresses some questions encountered along the way: What are we to make of accounts in “eminent monk” collections of deviant monks who violate monastic precepts? Who wrote biographies of monks and who read them? How did different segments of Chinese society contend for the image of the monk and which image prevailed? By placing biographies of monks in the context of Chinese political and religious rhetoric, The Eminent Monk explores both the role of Buddhist literature in Chinese history and the monastic imagination that inspired this literature.

Adamek provides a reading of the late 8th century Chan/Zen Buddhist Lidai fabao ji (Record of the Dharma-Jewel Through the Generations) and provides its first English translation. The work combines a history of the transmission of Buddhism and Chan in China with an account of the 8th century Chan master Wuzhu in Sichuan.

“Dunhuang Manuscript Culture” explores the world of Chinese manuscripts from ninth-tenth century Dunhuang, an oasis city along the network of pre-modern routes known today collectively as the Silk Roads. The manuscripts have been discovered in 1900 in a sealed-off side-chamber of a Buddhist cave temple, where they had lain undisturbed for for almost nine hundred years. The discovery comprised tens of thousands of texts, written in over twenty different languages and scripts, including Chinese, Tibetan, Old Uighur, Khotanese, Sogdian and Sanskrit. This study centres around four groups of manuscripts from the mid-ninth to the late tenth centuries, a period when the region was an independent kingdom ruled by local families. The central argument is that the manuscripts attest to the unique cultural diversity of the region during this period, exhibiting—alongside obvious Chinese elements—the heavy influence of Central Asian cultures. As a result, it was much less ‘Chinese’ than commonly portrayed in modern scholarship. The book makes a contribution to the study of cultural and linguistic interaction along the Silk Roads.

Enlightenment in Dispute is the first comprehensive study of the revival of Chan Buddhism in seventeenth-century China. Focusing on the evolution of a series of controversies about Chan enlightenment, Jiang Wu describes the process by which Chan reemerged as the most prominent Buddhist establishment of the time. He investigates the development of Chan Buddhism in the seventeenth century, focusing on controversies involving issues such as correct practice and lines of lineage. In this way, he shows how the Chan revival reshaped Chinese Buddhism in late imperial China. Situating these controversies alongside major events of the fateful Ming-Qing transition, Wu shows how the rise and fall of Chan Buddhism was conditioned by social changes in the seventeenth century.