A Companion To Alexander Literature In The Middle Ages

Drawing on decades of research on Alexander literature from all over the world, this book is bound to become a medievalist's best companion. It studies Alexander romances from the East and the West in literary form and content.

Many books were written in the Middle Ages about Alexander the Great and still more books have been written about those books in the last hundred years. In this classic study of the medieval Alexander, first published in 1956, George Cary approached the problem from an altogether different angle, using material which none of his predecessors had exploited. He asked himself the simple question: What did people really think about Alexander in the Middle Ages? The resultant answers proved various and unexpected, changing from age to age and from group to group. Published posthumously, Cary's study was edited by D. J. A. Ross, who corrected certain details, added some footnotes and included an additional section on the Histoire ancienne jusqu'a Cesar. To this were also added a number of illustrative plates and an appendix on the origins of the Greek Alexander Romance.

Alexander the Great was one of the legendary Nine Worthies in the medieval canon of ancient and modern heroes, and medieval writers exploited his legend in a wide variety of literary and didactic texts. Addressing the classical legacy to the Middle Ages as expressed in four centuries of vernacular narratives, this volume offers the first systematic collective study of Alexander the Great's thematic prominence in medieval culture. Contributors from Britain, France, the Netherlands, and the United States combine sensitive textual analyses with perspectives from such diverse fields as art history, codicology, anthropology, sociology, the history of mentalities, and postcolonial theory. Overall, the collection offers a provocative rethinking of the monumental medieval French tradition of Alexander the Great, as well as valuable insight into the emergence and transformations of French literature between the early twelfth century and the end of the Middle Ages.

Many books were written in the Middle Ages about Alexander the Great and still more books have been written about those books in the last hundred years. In this classic study of the medieval Alexander, first published in 1956, George Cary approached the problem from an altogether different angle, using material which none of his predecessors had exploited. He asked himself the simple question: What did people really think about Alexander in the Middle Ages? The resultant answers proved various and unexpected, changing from age to age and from group to group. Published posthumously, Cary's study was edited by D. J. A. Ross, who corrected certain details, added some footnotes and included an additional section on the Histoire ancienne jusqu'a Cesar. To this were also added a number of illustrative plates and an appendix on the origins of the Greek Alexander Romance.

This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.

This Companion consists of slightly over 100 entries on some of the more important forms and conventions of Old and Middle English literature, especially as they are encountered in college classes and seminars. It is a Handbook that provides a short commentary on a range of items that include Alliteration, Cokayne, Demande D Amour, Exemplum, Flyting, Gentilesse, Kenning, Rhyme Royal, Senex Amans, Trivium, Ubi Sunt, Virgil, and Wyrd. There is information on classical figures like Aristotle, Alexander and Virgil about whom medieval literary legends were common, stories that portray them very differently from the way we usually think of them.Also biblical figures like Cain, Herod, Judas, and Pilate about whom various legends were current in the Middle Ages that are no longer well-known. The entries list the recurrence of a given topic in the literature as fully as is consistent with the size of the book. With most entries there is also a very brief bibliography of scholarly work. About the AuthorsMichael Murphy is Professor Emeritus of the City University of New York. James Clawson teaches in New York City.

The Alexander Romance, a fabulous pseudo-history of the life of Alexander the Great compiled in late Antiquity, was one of the most popular secular texts in Europe during the Middle Ages. Its subsequent influence on the development of French and German literature has been significant. Professor Ross was a leading authority on the history and transmission of the Latin and French versions of the Romance, and his work has done much to clarify the spread of the Alexander legend in medieval European literature. This volume brings together all of David Ross's papers on the Alexander Romance, dealing separately with the Latin versions and their French and German reworkings. These include the first publication of a number of original texts in Latin and in German. There is also a valuable section on the development of the accompanying picture-cycle to the Romance, which derives from late-antique sources.