A Comparative Approach To Redefining Chinese Ness In The Era Of Globalization

Current issues of identity crisis and reconceptualizing "Chinese-ness" are brought to the fore by "marginalized literati" through books and subcultures, contends Shi (media and cultural studies, Tsinghua U., China), surveying Chinese bestsellers, officially banned books and films, popular music, and broadcast and print advertising. Of central concern to Shi are the ongoing encounters between the global and the local in the formation of class, gender, ethnic, societal, and cultural identities. Contemporary critical theory informs his approach as he attempts to analyze the links between Chinese identity and Chinese "globalized" postmodernity. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

Current issues of identity crisis and reconceptualizing "Chinese-ness" are brought to the fore by "marginalized literati" through books and subcultures, contends Shi (media and cultural studies, Tsinghua U., China), surveying Chinese bestsellers, officially banned books and films, popular music, and broadcast and print advertising. Of central concern to Shi are the ongoing encounters between the global and the local in the formation of class, gender, ethnic, societal, and cultural identities. Contemporary critical theory informs his approach as he attempts to analyze the links between Chinese identity and Chinese "globalized" postmodernity. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

The twelve chapters included in this book address various issues related to Chinese migration, indigenization and exchange with special reference to the era of globalization. As the waves of Chinese migration started in the last century, the emphasis, not surprisingly, is placed on the “migrant states” rather than “indigenous states”. Nevertheless, many chapters are also concerned with issues of “settling down” and “becoming part of the local scenes”. However, the settling/integrating process has been interrupted by a globalizing world, new Chinese migration and the rise of China at the end of 20th century. Contents:Migration and Globalization:Migration, Localization and Cultural Exchange: Global Perspectives of Chinese OverseasThree Cultures of MigrationThe Huagong, the Huashang and the DiasporaNorth America:Immigrants from China to Canada: Issues of Supply and Demand of Human CapitalDeconstructing Parental Involvement: Chinese Immigrants in CanadaMigration, Ethnicity and Citizenry of Chinese Americans in Selected Regions of the USSouth and Southeast Asia:Territory and Centrality Among the Chinese in KolkataExamining the Demographic Developments Relating to the Ethnic Chinese in Vietnam Since 1954Integration, Indigenization, Hybridization and Localization of the Ethnic Chinese Minority in the PhilippinesElephant vs Tiger: A Comparative Analysis of Entrepreneurship of Two Prominent Southeast Asian Beer CorporationsChina and Chinese Overseas:Migration and China's Urban Reading Public: Shifting Representations of Overseas Chinese in Shanghai's Dongfang Zazhi (Eastern Miscellany) 1904–1948Return Chinese Migrants or Canadian Diaspora? Exploring the Experience of Chinese Canadians in China Readership: Students, professionals and general public who are interested in the field of study of Chinese Overseas regarding migration, indigenization and interaction. The book is mainly on Chinese migration, indigenization and exchange between ethnic Chinese and their host or adopted countries as well as between ethnic Chinese and China. Keywords:Chinese Overseas;Ethnic Chinese;Migration;Globalization;North America;South Asia;Southeast AsiaKey Features:This book attempts to cover various issues and regions, both the West and Asia. It is very topical and up-to-date. The contributors consist of both young and old writers. The senior writers are leading authorities in the field

Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

As part of its ‘going out’ strategy, China is using the media to promote its views and vision to the wider world and to counter negative images in the US-dominated international media. China’s Media Go Global, the first edited collection on this subject, evaluates how the unprecedented expansion of Chinese media and communications is changing the global media landscape and the role of China within it. Each chapter examines a different dimension of Chinese media’s globalization, from newspapers, radio, film and television, to social media and journalism. Topics include the rise of Chinese news networks, China Daily as an instrument of China’s public diplomacy and the discussion around the growth of China’s state media in Africa. Other chapters discuss entertainment television, financial media and the advertising market in China. Together, this collection of essays offers a comprehensive evaluation of complex debates concerning the impact of China on the international media landscape, and makes a distinctive addition to Chinese media studies, as well as to broader global media discourses. Beyond its primary readership among academics and students, China’s Media Go Global is aimed at the growing constituency of general readers, for whom the role of the media in globalization is of wider interest.

"How have conceptions and practices of sovereignty shaped how Chineseness is imagined? This ethnography addresses this question through the example of Macau, a southern Chinese city that was a Portuguese colony from the 1550s until 1999. As the Portuguese administration prepared to transfer Macau to Chinese control, it mounted a campaign to convince the city’s residents, 95 percent of whom identified as Chinese, that they possessed a “unique cultural identity” that made them different from other Chinese, and that resulted from the existence of a Portuguese state on Chinese soil. This attempt sparked reflections on the meaning of Portuguese governance that challenged not only conventional definitions of sovereignty but also conventional notions of Chineseness as a subjectivity common to all Chinese people around the world. Various stories about sovereignty and Chineseness and their interrelationship were told in Macau in the 1990s. This book is about those stories and how they informed the lives of Macau residents in ways that allowed different relationships among sovereignty, subjectivity, and culture to become thinkable, while also providing a sense of why, at times, it may not be desirable to think them."

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

In this study Lei focuses on the notion of 'performing Chinese' in traditional opera in the 'contact zones', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.