A Diva Was A Female Version Of A Wrestler

Lifelong wrestling fan and critic Scarlett Harris uses big ideas, such as #MeToo, the commodification of feminism, and how we tell women's stories to chart the rise and fall and rise of women's wrestling.

The Women of Jenji Kohan, creator of such landmark shows as Weeds, Orange Is the New Black, and GLOW, is the latest in Fayetteville Mafia Press's pioneering series examining the female characters of legendary creators of television and film. Here, writers from all walks of life analyze the significance of such iconic characters as Nancy Botwin (Mary-Louise Parker), Piper Chapman (Taylor Schilling) and the host of women residing in Litchfield Correctional Institution, Ruth Wilder (Alison Brie), and Debbie Eagan (Betty Gilpin), to both themselves and to pop culture at large. Edited by Scarlett Harris (A Diva Was a Female Version of a Wrestler: An Abbreviated Herstory of World Wrestling Entertainment), The Women of Jenji Kohan: Weeds, Orange Is the New Black, and GLOW is the third book in the unique "The Women Of" series, following The Women of David Lynch (June 2019) and The Women of Amy Sherman-Palladino (November 2019).

A look at the history of WWE’s WrestleMania, with a focus on how women have been treated over the years, embracing both the good times and the bad times, and tracking the progress that has gradually been made to see women main event the biggest wrestling show in the world. Includes analysis of every single show in chronological order to identify themes, trends and issues faced over time, as well as a statistical breakdown of eras. Plus the history of what it meant to be a Diva, profiles on the top stars of each era, and an attempt to define who is Ms. WrestleMania. A minimum of 25% of all profits from this book will be donated to women’s charities. Praise for The Women of WrestleMania: “This book is not only the history of women at WrestleMania, but a tribute and celebration to the contribution of women to WWF/E" –Voices of Wrestling "This herstory of WrestleMania, from women in bathroom break matches to no matches at all to the main event, is interspersed with longer profiles on wrestlers who've defined their respective eras, one of which made me gasp!." --Scarlett Harris, author of A Diva Was a Female Version of a Wrestler "The Women of WrestleMania" features a impressively detailed collection of the presentation and evolution of the badass women featured on the grandest stage of them all." --Ella Jay, A Wrestling Gal podcast

Idris Elba, Michael B. Jordan, Wendell Pierce, Michael K. Williams -- first known as Stringer Bell, Wallace, Bunk, and Omar -- are just a few of the fruits of The Wire we enjoy today. Since its June 2, 2002, premiere, The Wire has been a slow burn, picking up steam each and every year since. As critics continue to grapple with the show and its enduring impact, some voices and perspectives have still yet to be heard. Cracking The Wire During Black Lives Matter remedies this oversight. This provocative exploration of HBO's iconic show touches on issues of not just race, but also class, power, gender dynamics, police brutality, addiction, sexuality, and even representations of Baltimore itself through a Black Lives Matter lens for some, but Black reality for so many others. Regardless of perspective, Cracking The Wire During Black Lives Matter is an engaging and compelling conversation about one of the most important shows in television history. Cracking the Wire features a cover by esteemed artist Art Sims, who designed the posters for numerous Spike Lee films, including Do the Right Thing, Mo' Better Blues, Malcolm X, Clockers, and When the Levees Broke: A Requiem in Four Acts, as well as The Color Purple, Dreamgirls, and Black Panther.

Adam Lorenzo owned a college bar while attending college at Syracuse University. No joke. Working and laughing with people from all over the world, he learned invaluable life lessons in that cathedral of knowledge known as a . . . college bar! Adam applied all of that knowledge when he changed career paths and graduated to accomplish his dream of becoming a television/movie writer . . . inspiring him to share that knowledge in his first book. A high-concept life-wisdom/humor book. It' s about thinking, not drinking. It features text and hilarious illustrations from Antonio Pinna. A perfect (graduation or any time) gift for students, parents, professors, teaching assistants, college sports fans, anyone who has ever stepped foot on a college campus, likes to laugh or just likes to watch other people laugh (albeit creepy).

After playing 4 quarters of hard-fought football games, the Massillon Tiger football team gathered in a circle at the center of every football field they played on in 2019 to do 15 pushups—a pushup for every game it would take to lead them to the State Championship game. The mantra for the season became: 15 for 15. Each pushup is represented as a chapter in this book and a different piece of the puzzle that explains the football town of Massillon, Ohio. In this dramatic and entertaining book, Author and Tiger running back coach, David Lee Morgan, Jr. shares stories that offer a unique and unequaled perspective into the 2019 season and the Tigers' quest for that elusive state championship. The Massillon Tiger football program isn't a typical high school football program. It's a ministry of football with the first season dating back to 1894. In this small, midwestern Ohio rust belt town, the community has rallied around this team every Friday at the historic Paul Brown Tiger Stadium (capacity 16,000) for decades. The school has produced numerous NFL standouts, including coaching legend and Hall of Famer Paul Brown. The Massillon support, locally and nationwide, is unrivaled and is arguably one of the most recognizable and successful high school football programs in the country. The Massillon Tigers: 15 for 15 is the next generation's Friday Night Lights—the powerful tale of one of the most storied high school football programs anywhere in the country and their magical 2019 season, as told by an award-winning author and journalist who enjoyed unlimited access to the players, coaches, and families through his role as the running backs coach.

In 1990, David Lynch was on top of the world. Wild at Heart won the Palme d'Or at the Cannes Film Festival and Twin Peaks was the hottest show on TV. In 1992, he released Twin Peaks: Fire Walk with Me. It sure is amazing how fast coffee can get cold. The film was not well received, to say the least, by critics or ticket buyers. It seemed like the verdict was in: Twin Peaks was dead and wrapped in plastic. Thirty years later, the film is thought by many to be Lynch's masterpiece. Author Scott Ryan (Moonlighting: An Oral History, The Blue Rose magazine) was among the few Twin Peaks fans who saw the film on the day it was released and loved it from the beginning. He takes an in-depth look at the film, its legacy, and the people who created it, weaving in his own story of how the film has inspired him throughout his life, and still does. The book features Interviews with cowriter Bob Engels, editor Mary Sweeney, lead actress Sheryl Lee, and other cast members, as well as Ryan's essays covering the different iterations of the script, and Angelo Badalamenti's superb score. This is an ambitious, unique exploration of one of the darkest films ever created by the master himself, David Lynch.

Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world's most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the false arrest of Queens musician Christopher “Manny” Balestrero. Despite a detective's assurance that the innocent have “nothing to fear,” Manny and his family faced ruin from false charges that he twice robbed an insurance office.Aspiring to documentary-like authenticity, Hitchcock and his team meticulously recreated one man's odyssey through the corridors of justice. In so doing, they opened a window into New York's history of mistaken identity cases. The Balestrero prosecution was not an isolated miscarriage of justice. Instead, Manny fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases. In this sense, his ordeal is part of a larger story of how New York's legal institutions failed to reckon with their role in other wrongful prosecutions in the first half of the 20th century.Attorney Jason Isralowitz tells this story in a fascinating book that situates both the real-life Balestrero case and its cinematic counterpart in their historical context. At the same time, The Wrong Man transcends its era. Isralowitz examines how Hitchcock fused striking visual motifs with social realism to create a timeless work of art. The film bears witness to the unreliability of identification testimony, the need for police lineup reforms, the dangers of investigative “tunnel vision,” and other issues that animate the contemporary innocence movement. When seen in light of the hundreds of exonerations of imprisoned defendants over the past thirty years, The Wrong Man's power reasserts itself.A genre-busting work of legal history and film analysis, Nothing to Fear: Alfred Hitchcock and the Wrong Men is a must-read not only for fans of Hitchcock, but also for anyone interested in the history and causes of wrongful convictions.