A Face In The Dark And Other Hauntings

In Ruskin Bond’s stories, ghosts, jinns, witches—and the occasional monster—are as real as the people he writes about. This collection brings together all of his tales of the paranormal, opening with the unforgettable, ‘A Face in the Dark’, and ending with the shockingly macabre, ‘Night of the Millennium’. Featuring thrilling situations and strange beings, A Face in the Dark and Other Hauntings is the perfect collection to have by your bedside when the moon is up.

'Jackals howled dismally, foraging for bones and offal down in the khud below the butcher's shop. Pasand was unperturbed by the sound...' Nowadays, we are often assured by the cool touch of technology when confronted with fear. Help is just a call away. But the creatures of the dark await in the shadows, laughing at our foolishness, for their powers transcend those of man's modern gadgets. Could Pasand, a man of the millennium, ever think that his cell phone would be of no help as he is caught in the clutches of the family in the graveyard? Could Harley Warren, a researcher of forbidden subjects, ever imagine that the telephone he was using to keep in touch with his friend as he explored the dark depths of a sepulchre would be useless in the face of danger? These and other elements of the night find place in this book compiled by India's favourite author, Ruskin Bond. Comprising stories by Rudyard Kipling, H.H. Munro, Bram Stoker and others, Night of the Millennium will chill you to the bone!

Winner of the Restless Books Prize for New Immigrant Writing, Priyanka Champaneri’s transcendent debut novel brings us inside India’s holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go. Banaras, Varanasi, Kashi: India’s holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire. As the dutiful manager of a death hostel in Kashi, Pramesh welcomes the dying and assists families bound for the funeral pyres that burn constantly on the ghats. The soul is gone, the body is burnt, the time is past, he tells them. Detach. After ten years in the timeless city, Pramesh can nearly persuade himself that here, there is no past or future. He lives contentedly at the death hostel with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant, and the constant flow of families with their dying. But one day the past arrives in the lifeless form of a man pulled from the river—a man with an uncanny resemblance to Pramesh. Called “twins” in their childhood village, he and his cousin Sagar are inseparable until Pramesh leaves to see the outside world and Sagar stays to tend the land. After Pramesh marries Shobha, defying his family’s wishes, a rift opens up between the cousins that he has long since tried to forget. Do not look back. Detach. But for Shobha, Sagar’s reemergence casts a shadow over the life she’s built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live, and Pramesh is forced to confront his own ideas about death, rebirth, and redemption. Told in lush, vivid detail and with an unforgettable cast of characters, The City of Good Death is a remarkable debut novel of family and love, memory and ritual, and the ways in which we honor the living and the dead. PRAISE FOR THE CITY OF GOOD DEATH “In Champaneri’s ambitious, vivid debut, the dying come to the holy city of Kashi to die a good death that frees them from the burden of reincarnation…. In sharp prose, Champaneri explores the power of stories—those the characters tell themselves, those told about them, and those they believe. . . . This epic, magical story of death teems with life.” —Publishers Weekly “Brimming with characters whose lives overlap and whose stories interweave, Champaneri’s exquisite debut delves into the consequences of the past, and how stories that are told can become reality even when they contain barely a shred of truth. As Pramesh discovers, the bitterness of past wounds can bring hope for redemption and life.” —Bridget Thoreson, Booklist “Lush prose evokes the thick, close atmosphere of Kashi and the intricate religious practices upon which life and death depend. Rumor and superstition hold sway over even the most level-headed people, twisting what’s explainable into something extraordinary—with tragic consequences. . . . The City of Good Death is a breathtaking, unforgettable novel about how remembering the past is just as important as moving on.” —Eileen Gonzalez, Foreword Reviews, Starred Review "Champaneri’s Kashi is teeming and vivid . . . the book frequently charms, and it's as full of humor, warmth, and mystery as Kashi’s own marketplace." —Kirkus Reviews “The City of Good Death is the debut novel of Priyanka Champaneri but it has the confidence of a master storyteller. Drawing on the rich literary traditions of Salman Rushdie and Arundhati Roy, Champaneri’s epic saga will satisfy armchair travelers thirsty for adventure, and sick of looking out their windows.” —Chicago Review of Books "In intricate detail and with remarkable skill, Champaneri writes a powerful tale about the pull of the past and our aching need to understand the mysteries and misunderstandings that thwart our relationships. An atmospheric and immersive debut with a rich cast of characters you won’t soon forget." —Marjan Kamali, author of The Stationery Shop

“Told with icy precision of eye and ear and a wink of wicked humor . . . First-rate haunted-house creepiness” from the bestselling author of Summer of ’42 (Kirkus Reviews). Austin Fletcher, a disturbed young Vietnam War vet, is willed a small house deep in the woods of northern Maine. He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn’t exactly sure what is in his mind and what is real. And just when our hero’s had enough and is ready to quit the place, a blizzard arrives and the real haunting begins. “An unsettling experience . . . Confounding, touching and well-written.” —The New York Times Book Review

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

A superb storyteller who keeps his readers in thrall’—Statesman It is said that if the smell of the Himalayas creeps into a man’s blood, he will return to the hills again and again. Master storyteller Ruskin Bond shows how this love may persist to death and beyond. The agents of the supernatural may be gentle like the fairy folk in ‘On Fairy Hill’, or malevolent like the well-dressed diners of ‘The Prize’; humorous like the very proper witch, Miss Bellows, in ‘The Black Cat’, or tragic like the haunting Gulabi in ‘Wilson’s Bridge’. Bond aficionados will meet familiar faces in other stories and be thrilled by the gripping mystery, ‘Who Killed the Rani?’ This exciting collection, animated by the brooding presence of the Himalayas, establishes Bond as a connoisseur of the mysterious and macabre.

For all those who have trembled through Ruskin Bond’s tales of horror and mystery, here’s another collection of strange and dark stories from the master storyteller. Within these pages you will befriend Jimmy the jinn who has trouble keeping his hands to himself, be witness to the mischief of the Pisaach and Churel who live in the peepul tree, and find yourself in the company of a bloodthirsty vampire cat, among other tales and curiosities that are guaranteed to send a delicious shiver down your spine! Written in Bond’s inimitable style and riveting to the core, this beautifully illustrated book is a must-have for anyone with a taste for the macabre.