A Geek In Indonesia

For anyone wanting to move beyond tired travel guide cliches, A Geek in Indonesia is a hip, irreverent and streetwise introduction to Southeast Asia's biggest country. Jump from the beaches of Bali to a tour bus circuit of the fascinating island of Java and come face to face with the reality of 21st-century Indonesia—from local fashion bloggers and the world's most avid tweeters to feminist activists, punk pioneers, and scandalous celebrities. Discover the unlikely delights of dangdut—Indonesia's homegrown working-class rockers—and a dizzying universe of pop, jazz, and alternative music. Learn what makes Jakarta the social media capital of the world, dive into the Indonesian blogosphere, and get essential insights into the traditional values that still underpin modern tech-savvy Indonesian society. Then travel back in time to the outer fringes of the archipelago where tribesmen continue to wear ritual battle gear. Packed with lively articles on everything from office and cafe culture to food, dating rituals, and TV soap operas—and illustrated with hundreds of colorful images—this Indonesian travel guide is a delightful read for backpackers, first-time visitors, newly-arrived expats, long-time Indonesiaphiles. A Geek in Indonesia is a guide like no other, to a country that has no equal.

For anyone wanting to move beyond tired travel guide cliches, A Geek in Indonesia is a hip, irreverent and streetwise introduction to Southeast Asia's biggest country. Jump from the beaches of Bali to a tour bus circuit of the fascinating island of Java and come face to face with the reality of 21st-century Indonesia—from local fashion bloggers and the world's most avid tweeters to feminist activists, punk pioneers, and scandalous celebrities. Discover the unlikely delights of dangdut—Indonesia's homegrown working-class rockers—and a dizzying universe of pop, jazz, and alternative music. Learn what makes Jakarta the social media capital of the world, dive into the Indonesian blogosphere, and get essential insights into the traditional values that still underpin modern tech-savvy Indonesian society. Then travel back in time to the outer fringes of the archipelago where tribesmen continue to wear ritual battle gear. Packed with lively articles on everything from office and cafe culture to food, dating rituals, and TV soap operas—and illustrated with hundreds of colorful images—this Indonesian travel guide is a delightful read for backpackers, first-time visitors, newly-arrived expats, long-time Indonesiaphiles. A Geek in Indonesia is a guide like no other, to a country that has no equal.

Travel Writing in an Age of Global Quarantine is an anthology of travel accounts, by a diverse range of writers and academics. Challenging conventional academic ‘authority’, each contributor writes, from memory during the Covid-19 lockdown, about a place they have previously visited, ‘accompanied’ by an historical traveller who published an account of the same place. As immobility is forced upon us, at least for the immediate future, we have the chance to reflect. Travel Writing in an Age of Global Quarantine presents opportunities to approach a text as a scholar differently. We break with the traditional academic ‘rules’ by inserting ourselves into the narrative and foregrounding the personal, subjective elements of literary scholarship. Each contributor critiques an historical description of a place about which, simultaneously, they write a personal account. The travel writer, Philip Marsden, posits a fundamental difference between traditional ‘academic’ writing and travel writing in that travel narratives do not, or ought not anyway, begin by assuming a scholarly authoritative understanding of the places they describe. Instead, they attempt to say what they found and how they felt about it. The very good point we think Marsden makes, and the one this book tries to demonstrate, is that, as a matter of form, the first-person narrative has the ability to expose the research process: to allow the reader to see when and how a scholarly transformation takes place; to give the scholar the opportunity to openly foreground their own subjectivity and say ‘this is the personal journey that led me to my conclusions’; to problematize the unchallenged authority of the scholar. Travel Writing in an Age of Global Quarantine challenges the idea of scholarly authority by embracing the subjective nature of research and the first-person element. We address a problematic distance between travel writing practice and travel writing scholarship, in which the latter talks about the former without ever really talking to it. Defining travel writing as a genre has often proved more difficult than it might seem, but Peter Hulme has suggested that it is ethically necessary for the writer to have visited the place described. Hulme asserts that ‘travel writing is certainly literature, but it is never fiction’. If this seems obvious, Travel Writing in an Age of Global Quarantine asks the reader to consider the idea that if visiting the place described is necessary for the writer to claim they have produced a travel account, might it also be necessary, or at least advantageous and valuable, for the writer of a scholarly critique of that account to have done the same.

Face veiling is relatively new in Indonesia. It is often stereotyped as a sign of extremism and the growing Arabisation of Indonesian Muslims. It is also perceived as a symbol that demonstrates a lack of female agency. However, increasing numbers of women are choosing to wear the cadar (the full face veil). This book provides an ethnographic study of these women: why they choose to wear the cadar, embody strict religious disciplinary practices and the consequences of that choice. The women in this book belong to two Islamic revivalist movements: various Salafi groups and the Tablīghī Jamāʿat. Indonesia has constantly witnessed transformations in the meanings and practices of Islam, and this book demonstrates that women are key actors in this process. Nisa demonstrates that contrary to stereotypes, the women in this study have an agency which is expressed through their chosen docility and obedience.

We proudly present the proceedings of 1st International Workshop on Law, Economic and Governance 2022 (IWLEG 2022). It focuses on how the wave of digitalization of government transformation, especially in Law and Democracy, Law and Indigenous People, Law in Contemporary Issues, Law and Economics, Digital Economics, Good Governance etc. As we know, the world today is changing and the world we are facing now is the one where everything is connected. The contemporary social issues based on complex problems, complex interest, beyond borders and powers. More than 74 manuscripts from various countries were presented at this conference with around 39 of them selected to be published in proceedings. We hope by this workshop, discussions on how research on Law, Economic and Government is possible in a disruptive era will give a perspective for the social and humanities studies development.

A New York Times bestseller! Celebrated actor, personality, and all-around nerd, Wil Wheaton updates his memoir of collected blog posts with all new material and annotations as he reexamines one of the most interesting lives in Hollywood and fandom--and now for the first time in audio, narrated by Wil himself! From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture. Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies. Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers. In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion--writing--Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike.

Today’s convergent media environment offers unprecedented opportunities for sourcing and disseminating previously obscure popular culture material from Japan. However, this presents concerns regarding copyright, ratings and exposure to potentially illegal content which are serious problems for those teaching and researching about Japan. Despite young people’s enthusiasm for Japanese popular culture, these concerns spark debate about whether it can be judged harmful for youth audiences and could therefore herald the end of ‘cool Japan’. This collection brings together Japan specialists in order to identify key challenges in using Japanese popular culture materials in research and teaching. It addresses issues such as the availability of unofficially translated and distributed Japanese material; the emphasis on adult-themes, violence, sexual scenes and under-age characters; and the discrepancies in legislation and ratings systems across the world. Considering how these issues affect researchers, teachers, students and fans in the US, Canada, Australia, China, Japan and elsewhere in Asia, the contributors discuss the different ways in which academic and fan practices are challenged by local regulations. Illustrating from personal experience the sometimes fraught nature of teaching about ‘cool Japan’, they suggest ways in which Japanese Studies as a discipline needs to develop clearer guidelines for teaching and research, especially for new scholars entering the field. As the first collection to identify some of the real problems faced by teachers and researchers of Japanese popular culture as well as the students over whom they have a duty of care, this book will be of great interest to students and scholars of Japanese Studies and Cultural Studies.

"Unflinchingly honest tales of the search for life, love, and fulfillment beyond the Starship Enterprise"--title page.