A Glossary Of Morphology

This pocket-sized alphabetic guide introduces terms used in the study of linguistic morphology, the study of the structure of words. The importance of morphology has been more clearly recognised in recent linguistic theory, and this glossary thus covers an area of growing interest. Clearly written by a leading authority in the field, the glossary provides coverage of both traditional and contemporary terminology.Key features* A handy and easily understandable pocket guide for anyone embarking on courses in morphology* Supplies numerous cross-references to related terms* Contains an introduction which discusses the centrality of morphology in linguistic studies* Covers new terminology such as contextual inflection and morphome* Includes an annotated bibliography with suggestions for further reading

This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.

An expanded and updated new edition of this best-selling introduction to linguistic morphology. The text guides the reader from the very first principles of the internal structure of words through to advanced issues of current controversy.

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, University of Cologne (Englisches Seminar), course: English Morphology, language: English, abstract: When studying linguistics, students are confronted with a high degree of terminology right on from the beginning of their studies. One might assume that understanding it should not really be a problem if one considers a standard dictionary or inquires other scholars in order to find an answer to one’s lack of knowledge. However, in some cases it is simply not that easy. In the following we will take a look at the notion of the morpheme. The problem is that several different definitions exist and scholars have to be 100% aware of the meaning when confronted with linguistic literature. The Oxford Concise English Dictionary (OCED) claims the morpheme to be: “A meaningful morphological unit of a language that cannot be further divided” (OCED 1999:926) But is this a sufficient definition of the term? Are morphemes really always meaningful units? In order to understand the different opinions scholars have when referring to the morpheme, one has to have a good look at their different point of views of the field of morphology. Some scholars consider a morpheme-based approach to be the correct way of dealing with morphemes, in which they either emphasize meaning or grammatical function of morphemes, whereas others rather identify themselves with the word-form based approach, by which they entirely reject the significance of morphemes for the meaning of the sign, while concentrating on word-forms. In the following we will take a closer look at several definitions of themorpheme,established by scholars of different diachronical environments in order to find a solution to this problem and a more or less concrete definition. In the second part, the importance of the morpheme with reference to the concept of allomorphy will be examined to understand how they function and how they are realized.

This volume presents a data-rich description of English inflection and word-formation. Based on large corpora including the Corpus of Contemporary American English and the British national Corpus, it is the first comprehensive treatment of contemporary English morphology that includes both inflection and word-formation. It covers not only well-studied topics such as compounding, conversion, and the inflection and derivation of nouns and verbs, but also areas that have received less scholarly attention, such as the formation of adjectives, locatives, negatives, evaluatives, neoclassical compounds and blends, among many other topics. Equal wieght is given to form and meaning. The volume also contains sections devoted to phonological and orthographics aspects of morphology and to combinatorial and paradigmatic properties of English morphology. It ends with a series of chapters that assess the implications of English morphology for morphological theory, discussing topics such as stratification, blocking and comprtition, the analysis of conversion, and the relationship between inflection and derivation. Winner of the 2015 Bloomfield Book Award and written by three outstanding scholars, this outstanding book will interest all scholars and students of English and of linguistic morphology more generally.

A lively introduction to the study of how words are put together.

Geert Booij's popular textbook examines how words are formed, compounded, and inflected in different languages. It shows how, when, and why to use methods of morphological analysis and explains how morphology relates to syntax, phonology, and semantics. The author considers the universal characteristics of morphology and how these are reflected in the workings of mind. The revised edition has been revised and updated throughout; it has a full glossary and a new chapter on the field's most notorious problem: the status of the word. 'The Grammar of Words by Geert Booij covers a broad range of topics from structural questions to psycholinguistic issues and problems of language change. This introduction to morphology is thorough and accessible and, like other works by this renowned author, especially strong at showing the significance of empirical facts for theoretical reasoning.' Ingo Plag, University of Siegen 'A book that is fully comprehensive in its coverage as well as exemplary in its clarity, written by one of the major scholars of contemporary lexical theory.' Sergio Scalise, University of Bologna