A History Of Boxing In Mexico

The violent sport of boxing shaped and was shaped by notions of Mexican national identity during the twentieth century. This book reveals how boxing and boxers became sources of national pride and sparked debates on what it meant to be Mexican, masculine, and modern. The success of world-champion Mexican boxers played a key role in the rise of Los Angeles as the center of pugilistic activity in the United States. This international success made the fighters potent symbols of a Mexican culture that was cosmopolitan, nationalist, and masculine. With research in archives on both sides of the border, the author uses their life stories to trace the history and meaning of Mexican boxing.

In Prizefighting and Civilization: A Cultural History of Boxing, Race, and Masculinity in Mexico and Cuba, 1840–1940, historian David C. LaFevor traces the history of pugilism in Mexico and Cuba from its controversial beginnings in the mid-nineteenth century through its exponential rise in popularity during the early twentieth century. A divisive subculture that was both a profitable blood sport and a contentious public spectacle, boxing provides a unique vantage point from which LaFevor examines the deeper historical evolution of national identity, everyday normative concepts of masculinity and race, and an expanding and democratizing public sphere in both Mexico and Cuba, the United States’ closest Latin American neighbors. Prizefighting and Civilization explores the processes by which boxing—once considered an outlandish purveyor of low culture—evolved into a nationalized pillar of popular culture, a point of pride that transcends gender, race, and class.

Welcome to the colorful, flamboyant, and wonderful world of Mexican American boxing in Los Angeles. From the minute they stepped into the ring, Mexican American fighters have electrified fans with their explosiveness and courage. These historical images bring to life a sociological culture consisting of knockouts, the Main Street Gym, the Olympic Auditorium, neighborhood rivalries, Mexican idols, posters, and promoters. Like a winding thread, "the Golden Boy" Art Aragon bobs and weaves throughout the book. From "Mexican" Joe Rivers to Oscar De La Hoya, the true stories of their sensational ring wars are told while keeping alive the spirit and legacy of Mexican American boxing from the greater Los Angeles area.

Southern California, with its burgeoning Latino population, marked the spot as the proving ground for world-class boxers from Mexico, Puerto Rico, Cuba, Panama, Nicaragua, and El Salvador to showcase their talent with exciting and unforgettable bouts. Latino Boxing in Southern California tells the true, heartfelt stories of Latino and Mexican ring idols who did battle on the West Coast, while exploring the mythical devotion boxing purists and fans have for their boxers. This colorful tribute to the sweet science, Los Angeles-style, keeps the memory alive of when boxing in this town revolved around the beloved Olympic Auditorium, Main St. Gym, and the Forum.

On June 28, 1868, a group of men gathered alongside a road 35 miles north of Albuquerque to witness a 165-round, 6-hour bare-knuckle brawl between well-known Colorado pugilist Barney Duffy and "Jack," an unidentified fighter who died of his injuries. Thought to be the first "official" prizefight in New Mexico, this tragic spectacle marked the beginning of the rich and varied history of boxing in the state. Oftentimes an underdog in its battles with the law and public opinion, boxing in New Mexico has paralleled the state's struggles and glories, through the Wild West, statehood, the Depression, war, and economic growth. It is a story set in boomtowns, ghost towns and mining camps, along railroads and in casinos, and populated by cowboys, soldiers, laborers, barrio-bred locals and more. This work chronicles more than 70 years of New Mexico's colorful boxing past, representing the most in-depth exploration of prizefighting in one region yet undertaken.

Many West Coast Latino boxers have entered and departed the ring, their anecdotes left behind like another stain on the mat. Latino boxing stories have floated around for ages without the benefit of being passed down from generation to generation. Buried tales and colorful narratives of beloved Mexican ring idols such as Ruben Olivares, Mando Ramos, Carlos Zarate, Danny "Little Red" Lopez, Bobby Chacon, Carlos Palomino, and Alberto Davila are showcased in these pages, their stories revived because no champion deserves to be forgotten. Other overlooked heroes and one-hit wonders of the golden era of Southland boxing (1940s-1970s) will also be saluted, along with the bygone contenders of the barrio who never saw their name in neon lights.

This volume presents fifteen chapters of biography of African American and black champions and challengers of the early prize ring. They range from Tom Molineaux, a slave who won freedom and fame in the ring in the early 1800s; to Joe Gans, the first African American world champion; to the flamboyant Jack Johnson, deemed such a threat to white society that film of his defeat of former champion and "Great White Hope" Jim Jeffries was banned across much of the country. Photographs, period drawings, cartoons, and fight posters enhance the biographies. Round-by-round coverage of select historic fights is included, as is a foreword by Hall-of-Fame boxing announcer Al Bernstein.

Discusses the life and boxing career of Jack Johnson.