A History Of Irish Fairies

A rich compendium of information on Irish fairies covers a wide range of related issues, including clothes and appearance, immortality, personality, and demonic powers of cluricauns, leprechauns, Silkies, Banshees, and Pookas.

43 enchanting poems and tales by William Butler Yeats, Joseph Campbell, Lady Jane Wilde, Jeremiah Curtin, Douglas Hyde, and other distinguished writers.

What is your best defense against a phosphorescent land sheerie? Can you really find contentment with a wealthy merrow wife? The answers are disclosed at last in A Field Guide to Irish Fairies, the first and only such guide available. Expertly researched and compiled by an authority on the subject, with detailed illustrations to help wayfarers identify the 13 major varieties of these elusive fairy folk of the Emerald Isle, this pocket-size volume is indispensible both in the field and back in the (relative) safety of hearth and home. With information on habitat, history, and fairy customs at their fingertips, readers will be well prepared for encounters with saucy leprechauns, kindly grogochs, and even headless dullahans. A word to the wise: Take it along, or take your chances!

Ireland has a rich history of storytelling, with its many tales of heroes, giants, sea-folk, fairies and witchcraft. Here, Arthur Rackham’s distinctive artwork, along with illustrations by other artists from the turn of the twentieth century, accompany powerful tales of the early Celts and the later stories of an Ireland of mighty hearths, dreaming of battlefield glory, ancient gods and mystical isles.

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.

"Fairies and Folk of Ireland" by William Henry Frost is a series of Irish legends tied into an encompassing tale of an Irish immigrant's experience coming to America. Though Frost's characters might have left their homeland, legends are able to bring a piece of home with them wherever they go. The tales in this delightful collection are O'Donoghue, The Big Poor People, The Little Good People, The Cleverness of Mortals, The Time for Naggeneen's Plan, Little Kathleen and Little Terence, A Chapter that you can Skip, The Stars in the Water, A Year and a Day, The Iron Crucifix, and The Old King Comes Back.

In the four provinces of Ireland there are thirty-two counties. Each county and its people have their own traditions, beliefs and folklore – and each one is also inhabited by the Sidhe: an ancient and magical race. Some believe they are descended from fallen angels, whilst others say they are the progeny of Celtic deities. They go by many names: the good folk, the wee folk, the gentle people and the fey, but are most commonly known as ‘the fairies’. These are not the whimsical fairies of Victorian and Edwardian picture books. They are feared and revered in equal measure, and even in the twenty-first century are spoken of in hushed tones. The fairies are always listening. Storyteller Steve Lally and his wife singer-songwriter Paula Flynn Lally have compiled this magnificent collection of magical fairy stories from every county in Ireland. Filled with unique illustrations that bring these tales to life, Irish Gothic Fairy Stories will both enthral and terrify readers for generations to come.