A History Of Slavery And Emancipation In Iran 1800 1929

The first history of slavery in this key Middle Eastern country and how it shaped the nation’s unique character. Slavery in the Middle East is a growing field of study, but the history of slavery in a key country, Iran, has never before been written. This history extends to Africa in the west and India in the east, to Russia and Turkmenistan in the north, and to the Arab states in the south. As the slave trade between Iran and these regions shifted over time, it transformed the nation and helped forge its unique culture and identity. Thus, a history of Iranian slavery is crucial to understanding the character of the modern nation. Drawing on extensive archival research in Iran, Tanzania, England, and France, as well as fieldwork and interviews in Iran, Behnaz A. Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century. She investigates how foreign military incursion, frontier insecurity, political instability, and economic crisis altered the patterns of enslavement, as well as the ethnicity of the slaves themselves. Mirzai’s interdisciplinary analysis illuminates the complex issues surrounding the history of the slave trade and the process of emancipation in Iran, while also giving voice to social groups that have never been studied: enslaved Africans and Iranians. Her research builds a clear case that the trade in slaves was inexorably linked to the authority of the state. During periods of greater decentralization, slave trading increased, while periods of greater governmental autonomy saw more freedom and peace. “This is a major contribution to the study of enslavement in Iran, which will doubtlessly become a must-read for any future studies of Middle Eastern and Islamic enslavement and abolition, as well as for any work on Iranian history in general.” —Ehud R. Toledano, Tel Aviv University, author of As If Silent and Absent: Bonds of Enslavement in the Islamic Middle East “While this book will be revelatory to scholars of Iran, it also promises to engage with theoretical trends in the study of slavery elsewhere. It frames many research questions broadly to engage with scholars of slavery in other Muslim lands, as well as slavery elsewhere.” —Kamran Scot Aghaie, University of Texas at Austin, coeditor of Rethinking Iranian Nationalism and Modernity

Slavery in the Middle East is a growing field of study, but the history of slavery in a key country, Iran, has never before been written. This history extends to Africa in the west and India in the east, to Russia and Turkmenistan in the north, and to the Arab states in the south. As the slave trade between Iran and these regions shifted over time, it transformed the nation and helped forge its unique culture and identity. Thus, a history of Iranian slavery is crucial to understanding the character of the modern nation. Drawing on extensive archival research in Iran, Tanzania, England, and France, as well as fieldwork and interviews in Iran, Behnaz A. Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century. She investigates how foreign military incursion, frontier insecurity, political instability, and economic crisis altered the patterns of enslavement, as well as the ethnicity of the slaves themselves. Mirzai's interdisciplinary analysis illuminates the complex issues surrounding the history of the slave trade and the process of emancipation in Iran, while also giving voice to social groups that have never been studied-enslaved Africans and Iranians. Her research builds a clear case that the trade in slaves was inexorably linked to the authority of the state. During periods of greater decentralization, slave trading increased, while periods of greater governmental autonomy saw more freedom and peace.

The leading authority on slavery and the African diaspora in modern Iran presents the first history of slavery in this key Middle Eastern country and shows how slavery helped to shape the nation's unique character.

A logo on products ranging from chopsticks and toilet paper to cell phones and automobiles, the panda is one of the most ubiquitous images in China and throughout the world. Yet the panda holds little notable historical significance in China. Although it has existed in the territory of present-day China since the Pliocene epoch, its widespread popularity there is not only recent, but almost sudden. In Panda Nation, E. Elena Songster links the emergence of the giant panda as a national symbol to the development of nature protection in the People's Republic of China. The panda's transformation into a national treasure exemplifies China's efforts in the mid-twentieth century to distinguish itself as a nation through government-directed science and popular nationalism. The story of the panda's iconic rise offers a striking reflection of China's recent and dramatic ascent as a nation in global status.

The Safavid dynasty represented the pinnacle of Iran's power and influence in its early modern history. The evidence of this - the creation of a nation state, military expansion and success, economic dynamism and the exquisite art and architecture of the period is well-known. What is less understood is the extent to which the Safavid success depended on an elite originating from outside Iran: the slaves of Caucasian descent and the Armenian merchants of Isfahan. This book describes how these elites, following their conversion to Islam, helped to transform Isfahan's urban, artistic and social landscape.

Outlines the evolving U.S.-Iran relationship from 1800 until 1988, highlighting the intersection of diplomatic, social, and cultural changes.

What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking. The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon. The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.

Fire Under My Feet seeks to expose the diverse, significant, and often under-researched historical and developmental phenomena revealed by studies in the dance systems of the African Diaspora. In the book, written documentation and diverse methodologies are buttressed by the experiences of those whose lives are built around the practice of African diaspora dance. Replete with original perspectives, this book makes a significant contribution to dance and African diaspora scholarship simultaneously. Most important, it highlights the work of researchers from Ecuador, India, Puerto Rico, the United States, and the United Kingdom, and it exposes under-researched and omitted voices of the African diaspora dance world of the aforesaid locations and Puerto Rico, Columbia, and Trinidad as well. This study showcases a blend of scholars, dance practitioners, and interdisciplinarity, and engages the relationship between African diaspora dance and the fields of history, performance studies, critical race theory, religion, identity, and black agency.