A Land Between Worlds The Shifting Poetry Of The Great American Landscape

After a four-year journey-flying more than 300,000 air-miles aboard over 200 flights, driving over 15,000 miles with the aid of over 25 car rentals, including hiking over 220 miles, 7 helicopter rides, 6 seaplane flights, 8 grizzly sightings, and 1 husky sled-poet and photographer John Mack returns with evidence of some of America's most iconic, natural sites and their current state of deterioration vis a vis the proliferation of smart devices and the encroaching virtual environment.In an attempt to shed light on the current state of our nature, Mack completes what he calls a "reconnaissance mission," having crisscrossed the entire United States of America. Covering a land with length from Maine to Hawaii, a depth from the southern bend of Texas to the far reaches of Alaska's arctic circle, A Land Between Worlds shares Mack's vision of who we are in relation to our environment and looks for clues as to whether or not a balance between nature and today's increasingly seductive technology can be attained.Comprised of gatherings from nearly fifty, iconic U.S. National Parks, Mack uses poetry, landscape photography, and an interactive augmented reality app to invite us into a deep introspection about what it means to be human: What, if anything, can our national parks teach us about the nature within us? A Land Between Worlds is evidence of hope in a world where nature, freedom, love, democracy, and reality itself are under attack. It's interactive juxtaposition of natural sanctuaries and their digital versions reveals the encroaching digital landscape, our attachments to it, and the uncertain fate of our nature. Available in signed, limited collector's editions and standard editions, A Land Between Worlds includes a "making of" video, reminding us of the art of human craft in an ever more digitized world.

Danielle Levittarrived at her distinctive photographic style capturing street fashion, pop culture, and celebrity for countless publications. While producing this commercial work, Levitt also pursued her passion for documenting American youth. The result is We Are Experienced, Levitt's first monograph, a series of portraits depicting adolescents in a variety of urban, suburban, and rural settings, as individuals and in groups, loaded with signifiers both mainstream and marginal. We Are Experiencedincludes football stars, tanorexics, wiccans, punks, prom dates, snowboarders, and baton twirlers. Levitt revels in the beauty of the age and its incomparable potential. She also exposes an advanced awareness particular to a generation. The notion of strident youthfulness was invented in the last century; today it is an understood quantity, a streamlined experience. Levitt's subjects are well-schooled in the expectations, limitations, and developmental strategies of growing up American, and have unparalleled resources to identify in a multitude of ways. We Are Experienced is a lushly stylized archive of the choices they make.

Just as the look of the American landscape has changed since the nineteenth century, so has our idea of landscape. Here Bonnie Costello reads six twentieth-century American poets who have reflected and shaped this transformation and in the process renovated landscape by drawing new images from the natural world and creating new forms for imagining the earth and our relation to it.

Nathalie Du Pasquier started drawing as soon as she met her husband George Sowden in 1979 in Milan. She was introduced to the world of design and shortly after, in 1981, became a founding member of the iconic postmodern design movement Memphis. From 1981 to 1987 she didn't stop drawing. Every day she would draw a whole new modern world, from very small items like jewelry to entire cities. This world only existed in her head but would eventually be developed into real pieces for the Memphis exhibitions. This unique book is the first and definitive compilation of all the unpublished drawings from those years, which had been sitting in the drawers of Nathalie's studio for over 30 years. Organized by the smallest objects to the biggest and divided into chapters, each with a text by Nathalie, it has been carefully edited and designed by Apartamento magazine's co-founder Omar Sosa together with Nathalie Du Pasquier. Don't Take These Drawings Seriously is an excellent reference for future generations and a welcome document of an important period in modern design.

A surprising combination of two extensive bodies of work from the esteemed photographer Mermelstein, women twirling their hair and people on the run through the streets of New York. The juxtaposition creates a fresh observation of oberving and understanding human behaivour and the everyday environment. Mermelstein expertly avoids the played out perspective of the ironic bystander, transcending that role through a narrow and poignant focus, creating real insight and perspective on the human condition.

Construction Matters examines the way that architects understand and respond to technological innovation through the creation of new types of spaces, and the materials through which an architectural idea finds its physical realization. Understanding the properties of different materials is indispensable for the creation of architecture that is original, powerful, and meaningful. Organized into chapters on the major methods of construction-masonry, concrete, steel, and wood – Construction Matters examines specific technologies that experienced major transformations in the last century, or were newly invented: a new material, jointing technique, or fabrication procedure for example. The architectural application of this invention is then analyzed with building case studies that are selected based on an obvious formal relationship between the building's form and the new type of construction that it incorporates – ranging from prewar designs in the United States and Europe to recent projects in Asia, and includes built projects as well as significant design proposals. Construction Matters develops a way of thinking about architecture in relation to technology that transcends a particular building method or design task. The architect and educator Georg Windeck conducted independent research that ranges from scientific advancements to philosophical contemplations. The multi-facetted discussion that emerges from this work is developed in close collaboration with artist and journalist Lisa Larson Walker, with mathematician and architect Will Shapiro, and with artist and architect Sean Gaffney. If we are to rescue the physical substance of architecture–the Matter of Construction–and create a practice that celebrates both the physical and the metaphysical aspects of building, we must understand how and why construction matters.

First Published in 1977, The Great American Desert presents a comprehensive overview of the life, history, and landscape of the American Southwest. The Great American desert encompasses the finest land, the biggest Canyon, the highest mountains, the driest deserts, the hottest valley, the oldest towns and the richest mines in the country. Its history is ancient and varied- the Aztec and Mayan civilizations, the Pueblo life, the Spanish and their influence, the Indians and the very type of Southwesterners who have taken up residence during the past century. Jon Manchip White, a Welshman, is one of the region's most recent residents. He has lived there for seven years, look stranger and grown to appreciate it with loving familiarity. He has seen beyond the subtle malignancies of civilization-the billboards, fast food places, tourist traps and the average American’s curious horror of the big outdoors. Indeed, he finds in this finely integrated account of the history and topography of a huge area of land signs that at times nature is winning the fight against man. This book ranges far beyond scenic wonders. The author is equally concerned with men who moved across this spectacular landscape, and who inhabit it now; men famous for a strange diversity of achievement-Coronado and D. H. Lawrence, Geronimo and Billy the Kid, as well as the migrants and desert dwellers of today. This fascinating book is a must read for anyone interested in America’s Southwest.

This first U.S. anthology of work by Asian-American women contains poetry, prose, and graphic art, and a section of reviews of previously published literature. These women, in contrast to their foremothers, repeatedly identify themselves through their art. Very often they do this by showing who they are not--not male, not white. The works reveal their pride in their cultural heritage. ISBN 0-934971-10-2: