A Liminal Space

Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability. This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies. Grace Aneiza Ali is a Curator and an Assistant Professor and Provost Fellow in the Department of Art & Public Policy, Tisch School of the Arts, New York University. Her curatorial research practice centers on socially engaged art practices, global contemporary art, and art of the Caribbean Diaspora, with a focus on her homeland Guyana.

What if you could catalyze your own transformation? Authors Rick and Amy Simmons first uncovered liminal space--the idea that periods of uncertainty have the power to reshape our lives--while studying abroad for their graduate program in organizational behavior. Shortly afterward, they began experimenting with another idea: rather than waiting for an inflection point to occur, they could launch it themselves--curating their own liminal experiences and accelerating their growth. Helping others navigate liminality and create it themselves became the heart of their work. Unleashed: Harnessing the Power of Liminal Space is a two-part guide, illuminating the potential of liminality for individuals, teams, and organizations, and breaking down its elements so readers can launch their own liminal experiences. With stories from leaders helming organizations of all sizes, from a regional health facility to a corporation with products in 90 percent of American homes, Unleashed provides the practical and theoretical insights necessary for transformation. A portion of the proceeds from this book will be used to support the telos Leadership Foundation.

"Why do some people succeed at change while others fail? It's the way they think! Liminal thinking is a way to create change by understanding, shaping, and reframing beliefs. What beliefs are stopping you right now? You have a choice. You can create the world you want to live in, or live in a world created by others. If you are ready to start making changes, read this book."

Gold Nautilus Book Award Winner Restoring your body, mind, and spirit amid change is an act of courage, empowerment, and hope. This warm, powerful guide will help you honor the changes and spaces in your life with purposeful rest and reflection. If you're trying to push your way through endings, beginnings, and places of uncertainty, only to find yourself more confused, disconnected, tired, and uncertain, this book will hold and fortify you. Yoga teacher and activist Octavia Raheem offers us the motivation and guidance we need to restore ourselves in the midst of all sorts of change. Change in our lives—whether it be welcome, joyful, challenging, or more subtle—presents us with the opportunity to pause and gather our energy to work with whatever lies ahead. Drawing wisdom from yoga philosophy and her many years of teaching experience, Raheem offers us the motivation and guidance we need to restore ourselves in the midst of all types of change. She gives us three simple restorative yoga poses (savasana, side lying pose, and child’s pose), and offers short teachings, reflections, and practices to see us through times of ending, beginning, and liminal/transitional space. She shows us how slowing down, stillness, and deeper connection to our own transitions empower us to move through collective shifts with more grace—and what it means to navigate shifts and change with presence and courage.

This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts, focusing on the past two centuries.

This edited book provides a unique opportunity for international scholars to contribute to the exploration of liminality in the field of Anglo-American literature written by or about women between the Victorian period and the Second World War.

This book offers a comprehensive reassessment of the work of Carol Shields. Arguing against enduring conceptions of Shields’s fiction as celebratory domestic miniaturism, the study presents her work as more expansive and equivocal than has sometimes been recognised, reading her texts as “liminal spaces” situated on a series of formal and thematic borders. Close attention is paid to Shields’s stylistic experimentation, to her subversions of auto/biography and historiography, and to the significance of her critical writing, while works which have previously received very little analysis, such as her early poetry collections, are also examined. Intertextual links between Shields’s work and that of a range of other writers including Phillip Larkin, Iris Murdoch, Alice Munro and Margaret Atwood are identified and explored, and the study also draws extensively on manuscript materials which give an insight into Shields’s working methods and extend debate about her experiments with narrative perspective and genre-mixing.