A Line To Kill

Pre-order the next thrilling Hawthorne mystery CLOSE TO DEATH - coming soon! By the global bestselling author, Anthony Horowitz, the third novel in his acclaimed Hawthorne and Horowitz series. The Russian mafia, a strange religious order and not one but two murders - stand by for a hugely enjoyable, twisty turny read. 'EASILY THE GREATEST OF OUR CRIME WRITERS' Sunday Times 'A homage to the Golden Age of mystery - it is pure delight' New York Times 'Witty, wry, clever, a fabulous detective story and perfect summer reading' Kate Mosse 'Funny, intriguing, thrilling and thought-provoking: a marvellous mystery' Adam Hamdy 'A golden-age whodunnit on steroids' Kirkus Reviews ______________ Private Investigator Daniel Hawthorne and the writer Anthony Horowitz have been invited to a literary festival on the island of Alderney to talk about their new book . . . Very soon they discover that dark forces are at work. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour. And the visiting authors seem to be harbouring any number of unpleasant secrets. When the festival's wealthy sponsor is found brutally murdered, Alderney goes into lockdown and Hawthorne knows he doesn't have to look too far for suspects. There's no escape. The killer is still on the island. And there's about to be a second death . . . ______________ Readers can't get enough of Hawthorne and Horowitz ... ***** 'I loved this smartly written whodunit, but it's the characters of Hawthorne and Horowitz that have completely won me over.' ***** 'A Line to Kill was a very clever, suspenseful and compelling murder mystery that I thoroughly enjoyed ' ***** 'This is a worthy addition to this highly addictive series, and I can't wait to begin the next installment.' ***** 'Engaging, fun banter between Horowitz and Hawthorne, double deception, locked room mystery, multiple suspects that all have a motive, and someone with murder in their eyes.'

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

Pre-order the next thrilling Hawthorne mystery CLOSE TO DEATH - coming soon! By the global bestselling author, Anthony Horowitz, the third novel in his acclaimed Hawthorne and Horowitz series. The Russian mafia, a strange religious order and not one but two murders - stand by for a hugely enjoyable, twisty turny read. 'EASILY THE GREATEST OF OUR CRIME WRITERS' Sunday Times 'A homage to the Golden Age of mystery - it is pure delight' New York Times 'Witty, wry, clever, a fabulous detective story and perfect summer reading' Kate Mosse 'Funny, intriguing, thrilling and thought-provoking: a marvellous mystery' Adam Hamdy 'A golden-age whodunnit on steroids' Kirkus Reviews ______________ Private Investigator Daniel Hawthorne and the writer Anthony Horowitz have been invited to a literary festival on the island of Alderney to talk about their new book . . . Very soon they discover that dark forces are at work. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour. And the visiting authors seem to be harbouring any number of unpleasant secrets. When the festival's wealthy sponsor is found brutally murdered, Alderney goes into lockdown and Hawthorne knows he doesn't have to look too far for suspects. There's no escape. The killer is still on the island. And there's about to be a second death . . . ______________ Readers can't get enough of Hawthorne and Horowitz ... ***** 'I loved this smartly written whodunit, but it's the characters of Hawthorne and Horowitz that have completely won me over.' ***** 'A Line to Kill was a very clever, suspenseful and compelling murder mystery that I thoroughly enjoyed ' ***** 'This is a worthy addition to this highly addictive series, and I can't wait to begin the next installment.' ***** 'Engaging, fun banter between Horowitz and Hawthorne, double deception, locked room mystery, multiple suspects that all have a motive, and someone with murder in their eyes.'

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. "Horowitz is a master of misdirection, and his brilliant self-portrayal, wittily self-deprecating, carries the reader through a jolly satire on the publishing world." —Booklist When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

New York Times–bestselling author Anthony Horowitz and eccentric detective Daniel Hawthorne team up again in a new mystery—the sequel to the brilliantly inventive The Word Is Murder—to delve deep into the killing of a high-profile divorce lawyer and the death, only a day earlier, of his one-time friend “You shouldn’t be here. It’s too late . . . ” Heard over the phone, these are the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death with a bottle of wine—a 1982 Château Lafite worth £2,000, to be precise—in his bachelor pad. Odd, considering Pryce didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on his wall? And, most important, which of the victim’s many, many enemies did the deed? Baffled, the police are forced to bring in private investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .

‘I don’t like killing, but I’m good at it. Murder isn’t so bad from a distance, just shapes popping up in my scope. Close-up work though – a garrotte around a target’s neck or a knife in their heart – it’s not for me. Too much empathy, that’s my problem. Usually. But not today. Today is different . . . ‘ The year is 1955 and something is very wrong with the world. It is fourteen years since Churchill died and the Second World War ended. In occupied Europe, Britain fights a cold war against a nuclear-armed Nazi Germany. In Berlin the Gestapo is on the trail of a beautiful young resistance fighter, and the head of the SS is plotting to dispose of an ailing Adolf Hitler and restart the war against Britain and her empire. Meanwhile, in a secret bunker hidden deep beneath the German countryside, scientists are experimenting with a force far beyond their understanding. Into this arena steps a nameless British assassin, on the run from a sinister cabal within his own government, and planning a private war against the Nazis. And now the fate of the world rests on a single kill in the morning . . .

A journalist finds himself in the midst of the hunt for a brutal serial killer who is murdering women in Vancouver's West End.

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.