A Maidan View

Examines cricket's influence on India, from the beginnings to the growth that led to India becoming the commercial backbone of the sport worldwide.

In early 2014, sparked by an assault by their government on peaceful students, Ukrainians rose up against a deeply corrupt, Moscow-backed regime. Initially demonstrating under the banner of EU integration, the Maidan protesters proclaimed their right to a dignified existence; they learned to organize, to act collectively, to become a civil society. Most prominently, they established a new Ukrainian identity: territorial, inclusive, and present-focused with powerful mobilizing symbols. Driven by an urban “bourgeoisie” that rejected the hierarchies of industrial society in favor of a post-modern heterarchy, a previously passive post-Soviet country experienced a profound social revolution that generated new senses: “Dignity” and “fairness” became rallying cries for millions. Europe as the symbolic target of political aspiration gradually faded, but the impact (including on Europe) of Ukraine’s revolution remained. When Russia invaded—illegally annexing Crimea and then feeding continuous military conflict in the Donbas—, Ukrainians responded with a massive volunteer effort and touching patriotism. In the process, they transformed their country, the region, and indeed the world. This book provides a chronicle of Ukraine’s Maidan and Russia’s ongoing war, and puts forth an analysis of the Revolution of Dignity from the perspective of a participant observer.

This book examines the complex and multidimensional relationship between culture and social media, and its specific impact on issues of identity and social movements, in a globalized world. Contemporary cyber culture involves communication among people who are culturally, nationally, and linguistically similar or radically different. Social media becomes a space for mediated cultural information transfer which can either facilitate a vibrant public sphere or create cultural and social cleavages. Contributors of the book come from diverse cultural backgrounds to provide a comprehensive analysis of how these social media exchanges allow members of traditionally oppressed groups find their voices, cultivate communities, and construct their cultural identities in multiple ways. This book will be of great relevance to scholars and students working in the field of media and new media studies, intercultural communication, especially critical intercultural communication, and academics studying social identity and social movements.

 The Ukrainian crisis that dominated headlines in fall 2013 was decades in the making. Two great schisms shaped events: one within Ukraine, its western and southeastern parts divided along cultural and political lines; the other was driven by geopolitical factors. Competition between Russia and the West exacerbated Ukraine’s divisions. This study focuses on the historical background and complex causality of the crisis, from the rise of mass demonstrations on Kiev’s Maidan Nezalezhnosti (Independence Square) to the making of the post-revolt regime. In the context of a “new cold war,” the author sheds light on the role of radical Ukrainian nationalists and neofascists in the February 2014 snipers’ massacre, the ouster of President Viktor Yanukovych, and Russia’s seizure of Crimea and involvement in the civil war in the eastern region of Donbass.

A vivid and intimate account of the Ukrainian Revolution, the rare moment when the political became the existential What is worth dying for? While the world watched the uprising on the Maidan as an episode in geopolitics, those in Ukraine during the extraordinary winter of 2013–14 lived the revolution as an existential transformation: the blurring of night and day, the loss of a sense of time, the sudden disappearance of fear, the imperative to make choices. In this lyrical and intimate book, Marci Shore evokes the human face of the Ukrainian Revolution. Grounded in the true stories of activists and soldiers, parents and children, Shore’s book blends a narrative of suspenseful choices with a historian’s reflections on what revolution is and what it means. She gently sets her portraits of individual revolutionaries against the past as they understand it—and the future as they hope to make it. In so doing, she provides a lesson about human solidarity in a world, our world, where the boundary between reality and fiction is ever more effaced.

Cricket is an enduring paradox. On the one hand, it symbolises much that is outmoded: imperialism; a leisured elite; a rural, aristocratic Englishness. On the other, it endures as a global game and does so by skilful adaptation, trading partly on its mythic past and partly on its capacity to repackage itself. This ambitious new history recounts the politics of cricket around the world since the Second World War, examining key cultural and political themes, including decolonisation, racism, gender, globalisation, corruption and commercialisation. Part One looks at the transformation of cricket cultures in the ten territories of the former British Empire in the years immediately after 1945, a time when decolonisation and the search for national identity touched every cricket playing region in the world. Part Two focuses on globalisation and the game’s evolution as an international sport, analysing: social change and the Ashes; the campaigns for new cricket formats; the development of the women’s game; the new breed of coach; the limits to the game’s global expansion; and the rise of India as the world’s leading cricket power. Cricket: A Political History of the Global Game, 1945-2017 is fascinating reading for anybody interested in the contemporary history of sport.

Somaiyeh Falahat investigates the spatial and morphological logic of pre-modern Middle Eastern and North African cities, so-called “Islamic cities”. She bases her argument on the fact that the city and consequently its form and structure, similar to other human products, have deep roots in the thought-structure of the people. Thus, to know such places properly, one has to refer to this life-world and use it as a structure to observe the city. This approach aims at opening new levels of understanding of the city by grasping indigenous concepts and structures; it puts forward claims for the possibility of a new method of analysis. The author studies the historic city of Isfahan as the case study and suggests that an indigenous term, Hezar-Too, can explain the complexity of the city, which has been interpreted as labyrinthine and maze-like accounting for the essence of the city and its form in an appropriate way. Looking at the city from this new point of view can help in observing it in its context and subsequently in discovering its real character.

Misao Dean argues convincingly that Duncan's "point of view" was largely informed by nineteenth-century Canadian idealism. Making excellent use of the latest insights of feminist criticism and post-colonial literary theory, Dean explores the "double marginalisation" of Duncan as both a colonial and a woman. She establishes gender as an important element in the form and content of Duncan's novels and feminism as a significant influence on Duncan's point of view.