A Mashup World

In the 21st century, hybrids (such as hybrid war, hybrid regimes, hybrid cars, and hybrid identities, among others) have become all-pervasive, and the computer term “mashup” has turned into a symbol of hybridity. This book highlights the phenomenon of hybridity and hybridization from a variety of angles and perspectives – in social and cultural practices, education and fiction – and notes the connecting patterns between hybridization in different fields of human endeavour. Perhaps the most important hallmark of our age is the crossover into the virtual. The spread of hybrids in “post-reality” has snowballed due to the Internet and the ease of the web-based dissemination of information and disinformation. New entities, such as fake news, have been put together using collage techniques with the result that make-believe events produce real-life effects. Without the special analysis provided in this book, this non/reality generated to manipulate people is unlikely to be differentiated from authentic stories.

The art of mashup music, its roots in parody, and its social and legal implications. Parody needn’t recognize copyright—but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music—the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents—Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it. In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content—to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future—but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues.

Addresses the multifaceted aspects of transgression in the digital age, from piracy to audio mashups.

del.icio.us offers millions of Web users an online social network in which to collect, organize, and share their favorite web resources. Using an underlayer of tools offered by del.icio.us, you now have the potential to tap into this social network in order to expand your own website to a whole new array of possibilities. This book will help you make the most of these possibilities and encourages you to use your own innovative ideas to create something useful, unique, and even fun.

A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix—or the practice of recombining preexisting content—has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values—originality, innovation, artistic integrity. And each side seeks to protect these values from the threat that is represented by the other. In reevaluating these shared philosophical assumptions, Gunkel not only provides a new way to understand remix, he also offers an innovative theory of moral and aesthetic value for the twenty-first century. In a section called “Premix,” Gunkel examines the terminology of remix (including “collage,” “sample,” “bootleg,” and “mashup”) and its material preconditions, the technology of recording. In “Remix,” he takes on the distinction between original and copy; makes a case for repetition; and considers the question of authorship in a world of seemingly endless recompiled and repurposed content. Finally, in “Postmix,” Gunkel outlines a new theory of moral and aesthetic value that can accommodate remix and its cultural significance, remixing—or reconfiguring and recombining—traditional philosophical approaches in the process.

Want to supercharge your website with the latest searching, mapping, shopping, and imaging tools? Now you can build amazing mashups with help from this step-by-step guide. How to Do Everything with Web 2.0 Mashups shows you how to remix the best of Google, Amazon, Flickr, and eBay to create customized applications. You'll learn to use essential Web 2.0 technologies--including XML, JavaScript, XHTML, and REST--and seamlessly integrate them into your own innovative mashups. Build dynamic mashups using XML and JavaScript Use MySQL with PHP to retrieve data from databases Receive data via RSS and Atom Learn to use XMLHttpRequest, XML-RPC, REST, and JSON Structure your mashup pages using XHTML Incorporate Google searching and mapping technologies Integrate Amazon Web Services Include Flickr photos in your mashups Tap into eBay tools and map the locations of eBay sellers Successfully manage multiple technologies in your mashups

"This book will not only demonstrate how developers can utilize Amazon Web services to create cool mashups but will also help them convert it to money-making mashups - 'cashups.'" —Jinesh Varia, Amazon Web Services Developer Relations Team Amazon.com is advancing the boundaries of the Internet through their powerful suite of web services. Innovative developers are combining Amazon data with other freely available sources to create new and interesting applications known as Mashups. This book teaches you the techniques behind mashup applications and for the first time shows you how to build them yourself. The examples in this book show you how to integrate Amazon web services with APIs from Yahoo!, eBay, Google and YouTube. You'll learn how to combine data from disparate sources to create new applications using next generation browser techniques such as AJAX, JSON and Dynamic Scripting. You will learn how to re-purpose web service data so that it can be consumed from mobile devices such as a cell phone or PDA. Because both the theory and code are explained, you'll be able to easily take the lessons in this book to build your own killer mashup applications. Expert web services developer Francis Shanahan guides you through the basics of web service consumption using XML, SOAP and REST. Next generation browser techniques such as AJAX are illustrated in easy to follow step by step examples. He also completes the picture by introducing advanced techniques to enhance performance such as the multi-threading web service features of ASP.NET 2.0. With this book, you'll discover how to: Build a generic AJAX library from the ground up Consume publicly available APIs such as Yahoo!(r) Search, Google(r), eBay(r) and YouTube Use SOAP to expose Amazon data as RSS Convert Amazon data directly into JSON using XSLT Plot Amazon.com customers on Yahoo Maps Use the OpenSearch API to build your own search service Access Amazon data from your cell phone using WML Who this book is for This book is for developers who have some prior experience with web technologies such as Javascript(r) and ASP.NET. This book covers a wide range of technologies and techniques including ASP.NET 2.0, WML, REST, RSS, SOAP, XML, XSLT, AJAX and JSON. Everything in the book is built using free tools and explained in detail, along with the source code which makes this a useful resource regardless of experience level.

This book constitutes the refereed proceedings of the Third International Symposium on End-User Development, IS-EUD 2011, held in Torre Canne, Italy, in June 2011. The 14 long papers and 21 short papers presented were carefully reviewed and selected for inclusion in the book. In addition the volume contains 2 keynote speeches, 14 doctoral consortia, and information on 3 workshops. The contributions are organized in topical sections on mashups, frameworks, users as co-designers, infrastructures, methodologies and guidelines, beyond the desktop, end-user development in the workplace, meta-design, and supporting end-user developers.