A Materiality Of Internment

More than two thousand people from the British Channel Islands were deported to and interned in Germany during the Second World War, making up as many as 60% of all interned British citizens in occupied territory during this period. This book carries out an in-depth analysis of artwork, objects, oral testimonies, archives, poetry, letters, diaries and memoirs gathered from the internees and drawing from around one hundred collections. The work is based on over 15 years of research and interviews with more than 65 former internees, and explores analytical themes and narratives of placemaking, resistance, communities, food and cooking. It also proposes new concepts and categories to help us understand objects that distinguish the experience of internment. This book will be of great value for scholars and museum professionals, as well as postgraduate students in the field of Conflict Archaeology and scholars of the Second World War. Cumulatively, this materiality comprises one of the major surviving assemblages of internees to emerge from the war, comparable in size, quality and importance with that from other theatres of war.

"More than two thousand people from the British Channel Islands were deported to and interned in Germany during the Second World War, making up as many as 60% of all interned British citizens in occupied territory during this period. This book carries out an in-depth analysis of artwork, objects, oral testimonies, archives, poetry, letters, diaries and memoirs gathered from the internees and drawing from around one hundred collections. The work is based on over 15 years of research and interviews with more than 65 former internees, and explores analytical themes and narratives of placemaking, resistance, communities, food and cooking. It also proposes new concepts and categories to help us understand objects that distinguish the experience of internment. This book will be of great value for scholars and museum professionals, as well as postgraduate students in the field of Conflict Archaeology and scholars of the Second World War. Cumulatively, this materiality comprises one of the major surviving assemblages of internees to emerge from the war, comparable in size, quality and importance with that from other theatres of war"--

This innovative Handbook aims to look at the logic, various dimensions, and implications of collaboration in construction. It opens with a conceptualization of collaboration and its accompanying terms (i.e., cooperation and coordination) and continues with chapters in Part I which discuss the theoretical grounds of collaboration between individuals and organizations from the viewpoints of an impressive variety of relevant disciplines including organizational science; anthropology; law; economics; design; and production. This is followed by discussions of the essence and value of collaboration in construction in Part II through explaining the role of collaborative project delivery methods and their benefits in advancing collaboration, describing the competency profile of project managers for collaborative construction, explaining key drivers and barriers of collaboration in construction, and explaining practices as well as challenges of measuring collaboration in construction. Then, in Part III, case projects are employed to explain the benefits of collaboration in different levels of team, project, and business, to discuss the role and impact of collaboration on site and bridging the divide between construction and facility management, to discuss the role of digitalization in facilitating and advancing collaboration, to explain collaboration in decision making, to present examples of collaborative visual management, and to outline the implications of stakeholders' early involvement and collaboration for project success. Finally, consideration is given to the future of collaboration in construction to conclude the book. This Handbook is key reading for a broad ranging audience within the fields of construction, project, infrastructure and engineering management, organisational science, economics, and business management.

The internment of civilian and military prisoners became an increasingly common feature of conflicts in the twentieth century and into the twenty-first. Prison camps, though often hastily constructed and just as quickly destroyed, have left their marks in the archaeological record. Due to both their temporary nature and their often sensitive political contexts, places of internment present a unique challenge to archaeologists and heritage managers. As archaeologists have begun to explore the material remains of internment using a range of methods, these interdisciplinary studies have demonstrated the potential to connect individual memories and historical debates to the fragmentary material remains. Archaeologies of Internment brings together in one volume a range of methodological and theoretical approaches to this developing field. The contributions are geographically and temporally diverse, ranging from Second World War internment in Europe and the USA to prison islands of the Greek Civil War, South African labor camps, and the secret detention centers of the Argentinean Junta and the East German Stasi. These studies have powerful social, cultural, political, and emotive implications, particularly in societies in which historical narratives of oppression and genocide have themselves been suppressed. By repopulating the historical narratives with individuals and grounding them in the material remains, it is hoped that they might become, at least in some cases, archaeologies of liberation.

In the opening decades of the twentieth century, Germany was at the cutting edge of arts and humanities scholarship across Europe. However, when many of its key thinkers - leaders in their fields in classics, philosophy, archaeology, art history, and oriental studies - were forced to flee to England following the rise of the Nazi regime, Germany's loss became Oxford's gain. From the mid-1930s onwards, Oxford could accurately be described as an 'ark of knowledge' of western civilization: a place where ideas about art, culture, and history could be rescued, developed, and disseminated freely. The city's history as a place of refuge for scientists who were victims of Nazi oppression is by now familiar, but the story of its role as a sanctuary for cultural heritage, though no less important, has received much less attention. In this volume, the impact of Oxford as a shelter, a meeting point, and a centre of thought in the arts and humanities specifically is addressed, by looking both at those who sought refuge there and stayed, and those whose lives intersected with Oxford at crucial moments before and during the war. Although not every great refugee can be discussed in detail in this volume, this study offers an introduction to the unique conjunction of place, people, and time that shaped Western intellectual history, exploring how the meeting of minds enabled by libraries, publishing houses, and the University allowed Oxford's refugee scholars to have a profound and lasting impact on the development of British culture. Drawing on oral histories, previously unpublished letters, and archives, it illuminates and interweaves both personal and global histories to demonstrate how, for a short period during the war, Oxford brought together some of the greatest minds of the age to become the custodians of a great European civilization.

This book focuses on the numerous examples of creativity produced by POWs and civilian internees during their captivity, including: paintings, cartoons, craftwork, needlework, acting, musical compositions, magazine and newspaper articles, wood carving, and recycled Red Cross tins turned into plates, mugs and makeshift stoves, all which have previously received little attention. The authors of this volume show the wide potential of such items to inform us about the daily life and struggle for survival behind barbed wire. Previously dismissed as items which could only serve to illustrate POW memoirs and diaries, this book argues for a central role of all items of creativity in helping us to understand the true experience of life in captivity. The international authors draw upon a rich seam of material from their own case studies of POW and civilian internment camps across the world, to offer a range of interpretations of this diverse and extraordinary material.

The development of key methodologies for the study of battlefields in the USA in the 1980s inspired a generation of British and European archaeologists to turn their attention to sites in their own countries. The end of the Cold War and key anniversaries of the World Wars inspired others, especially in the UK, to examine the material legacy of those conflicts before they disappeared. By 2000 the study of war was again firmly on the archaeological agenda. The overall purpose of the book is to encourage proponents and practitioners of Conflict Archaeology to consider what it is for and how to develop it in the future.The central argument is that, at present , Conflict Archaeology is effectively divided into closed communities who do not interact to any large extent. These separate communities are divided by period and by nationality, so that a truly international Conflict Archaeology has yet to emerge. These divisions prevent the exchange of information and ideas across boundaries and thereby limit the scope of the field. This book discusses these issues in detail, clearly outlining how they affect the development of Conflict Archaeology as a coherent branch of archaeology.

Heritage, memory, community archaeology and the politics of the past form the main strands running through the papers in this volume.The authors tackle these subjects from a range of different philosophical perspectives, with many drawing on the experience of recent community, commercial and other projects. Throughout, there is a strong emphasis on both the philosophy of engagement and with its enactment in specific contexts; the essays deal with an interest in the meaning, value and contested nature of the recent past and in the theory and practice of archaeological engagements with that past.